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Scene 1 (Clara on phone) CLARA: A heart attack is what they said --- Yeah, the funeral's tomorrow --- no, course you don't need to come back Max --- I'm positive --- about him? I already told you about our ... difficult relationship --- Well, no. He wasn't so bad sometimes. And I'm sad but I think I just regret losing the relationship we could have had. Is that silly? --- Yeah, you're probably right. He used to tell me stories, when I was younger. He was a perfect host, an adept conversationalist. He would always cook dinner, wouldn't let me eat anything unhealthy ... but he was distant. As I got older, it all got too much for him --- well, life, I guess ... Sometimes he would snap, and when he did, he would snap your head off. That's why I had to leave, though it was hard. He was having nightmares, you know. He just wasn't a happy person. --- No, I don't remember Mum, I told you that. Sure I was only two when she died. --- I'm not quite sure what of. I never thought to ask; Dad didn't like talking about it. Her death, I mean. --- No! Why on earth would I think that? He would never have had anything to with it, he loved her, of that I'm sure. --- I suppose it's possible he hit her once or twice but kill, surely-look this is ridiculous. I'm tired and the funerals tomorrow. --- Yeah, yeah, love you too. Night, Max. *lights down*
Scene 2 -father can show no true emotion until scene x- *Still black in Clara's room, echoes whisper Clara's name, lights up* FATHER: Clara. CLARA: Father? FATHER: Oh, am I priest now? CLARA: You're dead! FATHER: (sighs as if disappointed at her stating of the obvious) So it would seem. ..... I haven't seen you in a while Clara, you don't visit me anymore. How have you been? CLARA: I'm doing fine. Why are you here? (He steps forward) Don't. FATHER: (Retreats, hands in front.) So tell me, what's going on in your life? CLARA: This is a dream, why does it matter? FATHER: Oh come now Clara, I'll start easy, shall I? What are you working as? CLARA: (reluctantly) A coffee shop and a library for the moment but I've got interviews lined up for a couple of firms.
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PERCOCIC STAG£ 82 Apri I 2015 Cust
Page 3 and 4: What you could have done, you did n
Page 5 and 6: Pro/offY:_e: A lane. Warm lights co
Page 7 and 8: not that long really. I want to fin
Page 9 and 10: Peter: Frances, perhaps your sins a
Page 11 and 12: Scene 4: It is Friday the 15 th of
Page 13 and 14: Brushstrokes by Cian Nugent McGealy
Page 15 and 16: Arthur wakes up. ARTHUR: Quarter to
Page 17 and 18: Arthur: Silence He doesn't seem to
Page 19 and 20: Arthur: Why's he looking at me. Jac
Page 21 and 22: Arthur: It's the dead of night here
Page 23 and 24: NOIR 2000 A Play by Luke Shanahan
Page 25 and 26: LUCY Get back out there and act! (L
Page 27 and 28: to entrap here (MARK walks to downs
Page 29 and 30: [Mark looks offended but in a over-
Page 31 and 32: [MARK walks backwards and puts his
Page 33 and 34: MARK {slowly} The manager, the othe
Page 35 and 36: LUCY (huge sigh whilst throws arms
Page 37 and 38: [pause] LUCY Then leave!- MARK NO!-
Page 39 and 40: LUCY Ladies and Gentlemen, well. On
Page 41 and 42: Characters: David, fifty years old,
Page 43 and 44: ELLIOT: How come? DAVID: I'm having
Page 45 and 46: DAVID: I don't remember anything. E
Page 47 and 48: DAVID: Stop. Don't go any further.
Page 49 and 50: ELLIOT: I tried to put a whole ocea
Page 51 and 52: See, I knew I was right. I'm always
Page 53: Setting: Key: (cast directions) *cr
Page 57 and 58: FATHER: Call me Dad, and don't inte
Page 59 and 60: Scene 3 {Clara on phone) CLARA: Max
Page 61 and 62: Scene 5 *houselights up, very dim*
Page 63 and 64: Spiderweb by Ruairi Nicholl
Page 65 and 66: T: OK, since it appears you won't b
Page 67 and 68: (Sean glares) T: Come on Sean. That
Page 69 and 70: T: (looks out to audience in a "wha
Page 71 and 72: SC2 (Same set setup as before. Ligh
Page 73 and 74: • floorboards. (pause) Actually,
Page 75 and 76: same ... the same shame. (Therapist
Page 77 and 78: A Cuppa Tea and Papayas by Dove Cur
Page 79 and 80: Scene I. In a classroom at school.
Page 81 and 82: Darren's birthday is coming up soon
Page 83 and 84: ALEX Oh. Silence ALEX At least he a
Page 85 and 86: Possession by Sean Farrelly
Page 87 and 88: LIGHTS ARE DIMMED MARY stands stage
Page 89 and 90: MARY: JOHN: MARY: NO! They're not g
Page 91 and 92: STEPHANIE: WILLIAM: STEPHANIE: No,
Page 93 and 94: STEPHANIE: WILLIAM: STEPHANIE: WILL
Page 95: - [ f" [ r
Page 99: [ ,! - ; :.,
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