Enconters

More documents

Recommendations

Info

DAVID I don't need to write about that day. I don't need to think about it. Ever. ELLIOT Remember. DAVID I can't... ELLIOT: You can. You have to. DAVID: I don't have to do anything. ELLIOT: Don't you want to finish your novel? DAVID: Yes, but- ELLIOT: But what? You still can't think about it. You have to think about it. DAVID: I don't want to think about it. You're gone now. I haven't seen you in thirty three years. ELLIOT: And why not? DAVID: You know why. ELLIOT: I sent you a letter. DAVID: A wedding invitation. Pause ELLIOT: Which you didn't attend. Pause DAVID: So? ..... ELLIOT: So the lack of contact was on your side. Not mine. DAVID: I couldn't face you, not after what happened . ELLIOT: You can't even face yourself. ._. DAVID: I don't want to. I don't want to remember. ELLIOT: But you loved the beach. Just like me. DAVID: Well I hate it now. I hate even the thought of a beach now. ELLIOT: You're missing out. Think of the dunes, think of the feeling of the sand between your toes ... Feet in the water, the freezing waves seeping through our jeans. Walking out and out and out...
DAVID: Stop. Don't go any further. ELLIOT Just a little bit, just as far as the sand bank. DAVID: There isn't any sand bank. It just gets deeper. ELLIOT: I can swim. DAVID: But you don't want to. Stop. ELLIOT: I'm not scared of the sea. DAVID: That's the problem. You should be. Come back please. ELLIOT: I want to feel the water crushing me. DAVID: Don't do it. Elliot, please. ELLIOT: But I love the sea, I love the water. DAVID: Stop. I'll pull you back. ELLIOT: Don't save me. DAVID: But I have to. I have to save you. ELLIOT: You don't have to do anything. DAVID: But I do. I save you. That's what happens next. ELLIOT: No. What happens next is I keep walking. DAVID: Don't. ELLIOT: I let my head go under. DAVID:No. ELLIOT: The water is cool on my cheeks. It fills up my clothes and drags me down. DAVID: Stop. ELLIOT: I want to go down. DAVID: No you don't. ELLIOT: I just want darkness. DAVID: You love the sunshine. ELLIOT: Is that why you rescued me? So I could watch the sunshine?
Page 1 and 2: PERCOCIC STAG£ 82 Apri I 2015 Cust
Page 3 and 4: What you could have done, you did n
Page 5 and 6: Pro/offY:_e: A lane. Warm lights co
Page 7 and 8: not that long really. I want to fin
Page 9 and 10: Peter: Frances, perhaps your sins a
Page 11 and 12: Scene 4: It is Friday the 15 th of
Page 13 and 14: Brushstrokes by Cian Nugent McGealy
Page 15 and 16: Arthur wakes up. ARTHUR: Quarter to
Page 17 and 18: Arthur: Silence He doesn't seem to
Page 19 and 20: Arthur: Why's he looking at me. Jac
Page 21 and 22: Arthur: It's the dead of night here
Page 23 and 24: NOIR 2000 A Play by Luke Shanahan
Page 25 and 26: LUCY Get back out there and act! (L
Page 27 and 28: to entrap here (MARK walks to downs
Page 29 and 30: [Mark looks offended but in a over-
Page 31 and 32: [MARK walks backwards and puts his
Page 33 and 34: MARK {slowly} The manager, the othe
Page 35 and 36: LUCY (huge sigh whilst throws arms
Page 37 and 38: [pause] LUCY Then leave!- MARK NO!-
Page 39 and 40: LUCY Ladies and Gentlemen, well. On
Page 41 and 42: Characters: David, fifty years old,
Page 43 and 44: ELLIOT: How come? DAVID: I'm having
Page 45: DAVID: I don't remember anything. E
Page 49 and 50: ELLIOT: I tried to put a whole ocea
Page 51 and 52: See, I knew I was right. I'm always
Page 53 and 54: Setting: Key: (cast directions) *cr
Page 55 and 56: Scene 2 -father can show no true em
Page 57 and 58: FATHER: Call me Dad, and don't inte
Page 59 and 60: Scene 3 {Clara on phone) CLARA: Max
Page 61 and 62: Scene 5 *houselights up, very dim*
Page 63 and 64: Spiderweb by Ruairi Nicholl
Page 65 and 66: T: OK, since it appears you won't b
Page 67 and 68: (Sean glares) T: Come on Sean. That
Page 69 and 70: T: (looks out to audience in a "wha
Page 71 and 72: SC2 (Same set setup as before. Ligh
Page 73 and 74: • floorboards. (pause) Actually,
Page 75 and 76: same ... the same shame. (Therapist
Page 77 and 78: A Cuppa Tea and Papayas by Dove Cur
Page 79 and 80: Scene I. In a classroom at school.
Page 81 and 82: Darren's birthday is coming up soon
Page 83 and 84: ALEX Oh. Silence ALEX At least he a
Page 85 and 86: Possession by Sean Farrelly
Page 87 and 88: LIGHTS ARE DIMMED MARY stands stage
Page 89 and 90: MARY: JOHN: MARY: NO! They're not g
Page 91 and 92: STEPHANIE: WILLIAM: STEPHANIE: No,
Page 93 and 94: STEPHANIE: WILLIAM: STEPHANIE: WILL
Page 95: - [ f" [ r
Page 99:
[ ,! - ; :.,
show all

Enconters

Create successful ePaper yourself

Delete template?

Save as template?