THE 50 GLADSTONE (by numbers)
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- Page 26: 28 Firenze Breakfast with Omega 3 E
- Page 30: 60 (publication) 4 VIEWS exhibition
- Page 34: 89 The Floating City, test strip (L
- Page 38: 117 A suite of 20 pieces of origina
- Page 42: 145 (poetry collection) Nine Years
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<strong>THE</strong> <strong>50</strong> <strong>GLADSTONE</strong> (<strong>by</strong> <strong>numbers</strong>)<br />
128<br />
First published in Canada <strong>by</strong> OCEAN POUNDS<br />
April, 2024<br />
Library and Archives Canada Cataloguing in<br />
Publication<br />
Photography, Art, Hong Kong, Canada<br />
Title -<br />
<strong>THE</strong> <strong>50</strong> <strong>GLADSTONE</strong> (<strong>by</strong> <strong>numbers</strong>)<br />
Authors -<br />
Lee Ka-sing, Holly Lee<br />
Copyright ©2024 OCEAN POUNDS<br />
Individual Copyrights belongs to the Artist<br />
All Rights Reserved<br />
For information about permission<br />
to reproduce selections from this book,<br />
write to mail@oceanpounds.com<br />
Design <strong>by</strong> DOUBLE DOUBLE studio<br />
Published <strong>by</strong> OCEAN POUNDS<br />
<strong>50</strong> Gladstone Avenue, Toronto,<br />
Ontario, Canada M6J 3K6<br />
www.oceanpounds.com<br />
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1<br />
Seeing a Colorful World from a Black and White Negative. On Ryokan Taigu<br />
(LKS, 2013)<br />
從 一 張 黑 白 底 片 看 彩 色 繁 華 世 界 。 閱 讀 良 寬<br />
Mixed media: archival inkjet print, pine wood, acrylic medium<br />
1778mm x 86mm x 36mm<br />
2<br />
On June 2nd, Tse Chi Tak Visits and Presents His Photobook ‘KING HEAVEN AND EARTH<br />
QUEEN’ Documenting the Demolition of Queen’s Pier. (Somehow, a brief note on the<br />
historical past of Hong Kong photography) (LKS, 2013)<br />
六 月 二 日 友 人 謝 至 德 來 訪 並 贈 其 拍 攝 皇 后 碼 頭 拆 卸 之 攝 影 冊 《 皇 天 后 土 》。( 兼 談<br />
香 港 攝 影 過 去 史 )<br />
Mixed media: archival inkjet print, pine wood, acrylic medium<br />
616mm x 86mm x 36mm<br />
3<br />
Listening to one of the two CDs <strong>by</strong> the Forbidden City Chamber Orchestra, which I<br />
purchased during a brief trip to Guangzhou last month (LKS, 2012)<br />
在 畫 廊 聽 紫 禁 城 室 樂 團 。 月 前 在 廣 州 書 店 所 得 該 團 兩 枚 CD 其 一<br />
Mixed media: archival inkjet print, pine wood, acrylic medium<br />
686mm x 135mm x 35mm<br />
4<br />
I Hope You Are Well (to a contemporary art space in Beijing) (LKS, 2014)<br />
Mixed media: archival inkjet print, pine wood, acrylic medium<br />
1334mm x 86mm x 36mm<br />
5<br />
Holly descending a staircase from the third floor to the gallery, about to go out to<br />
take a photograph at Trinity Bellwoods Park (one day in the spring of our thirtieth<br />
anniversary) (LKS, 2012)<br />
正 在 下 樓 梯 的 Holly, 從 三 樓 走 到 地 面 的 畫 廊 。 她 正 準 備 外 出 到 鐘 活 公 園 拍 攝 一 張<br />
照 片 。( 我 們 結 婚 30 周 年 的 春 季 之 一 天 )<br />
Mixed media: archival inkjet print, spruce wood, acrylic medium<br />
Thirty pieces of wood mounted photograph, 62mm x 62mm x 36mm each<br />
6<br />
Fragments from TIME MACHINE series (LKS, 2018)<br />
Mixed media: archival inkjet print, spruce wood, acrylic medium<br />
(on display) In two horizontal panels, 1810mm x 220mm x 67mm each. Each encased<br />
nine pieces of 190mm x 190mm x 36mm, wood-mounted photographs<br />
(TIME MACHINE series) Approximately 100 pieces of work were created from 2015 to<br />
2019<br />
7<br />
Fragments from ZEN TAO JOURNAL series (LKS, 2010)<br />
Mixed media: archival inkjet print, wood panel, acrylic medium<br />
(on display) Two individual photographs mounted on wood panel, 305mm x 305mm x<br />
38mm each<br />
(ZEN TAO JOURNAL series) Approximately ten pieces of work were created<br />
8<br />
Eight pieces from BOTH SIDE NOW series (HL, 2018)<br />
Front and verso, paired archival inkjet prints in a ready-made frame, works in various<br />
sizes<br />
(BOTH SIDE NOW series) an ongoing project, approximately a dozen pieces were made<br />
9<br />
DUO series (HL, 1991 to 2015)<br />
17x22 inches, archival pigment print<br />
(on display) left: Lady with glossy lips and red nail-polish, 1991 / right: Lady in black<br />
cheongsam with flower patterns, 2015.<br />
10<br />
World Map (HL, 2018)<br />
39”x 19.5”, archival inkjet print in frame<br />
11<br />
Claw Script (HL, 2015)<br />
17”x22”, archival inkjet print<br />
(on display) Selection of one piece from the series<br />
(CLAW SCRIPT series) Nine works in a series
12<br />
Birthday Cakes (HL, 2024)<br />
Installation, approximately 40 x 60 inches<br />
30 individual photographs in ready-made frames, various sizes<br />
13<br />
Friends, Artists and People I Know, Contact prints (HL)<br />
8x10, gelatine silver prints<br />
(on display) Mak Hin Yeung; Leong Ka Tai; Gu Yuan; Chung Ling Ling<br />
(Pictures of Friends, Artists and People I Know series, 1981-86) Approximately 30 work<br />
14<br />
Mothers (HL, 1995)<br />
8x10 chromogenic print<br />
(on display) OP Edition: 18/20<br />
15<br />
Swimming Pool (HL, 1986)<br />
8x10 chromogenic print<br />
(on display) OP Edition: 15/20<br />
16<br />
Holly Lee Selected Photographs (HL, 1996)<br />
5.5” x 5.5”, 24 pages colour booklet<br />
17<br />
Spain Sky (HL, 2018)<br />
3.25” x 3.25”, archival inkjet prints<br />
(on display) 42 photographs in a translucent plastic box<br />
18<br />
Si-Ling and Owltoise series, invitation card, 1985<br />
230mm x 140mm<br />
Holly’s photography exhibition at Photo Center, 1985<br />
19<br />
89 • The Golden Lotus • Footsteps of June, invitation card<br />
200mm x 100mm, chromogenic print, hand-made<br />
89 • The Golden Lotus • Footsteps of June, Holly Lee<br />
Le Carde Gallery, 1989<br />
20<br />
89 • The Golden Lotus • Footsteps of June (HL, 1989)<br />
295mm x 410mm, chromogenic print, in frame<br />
One of the photographs from exhibition “89 • The Golden Lotus • Footsteps of June”<br />
21<br />
Head Scarf (HL, circa 90s)<br />
400mm x 300mm, chromogenic print<br />
Editorial photography assignment, Eve Magazine<br />
22<br />
Eye, nine-sections (HL, 1993)<br />
4<strong>50</strong>mm x 380mm, image transfer on water-colour paper, unique<br />
Photography assignment for paper importer, Polytrade brochure<br />
23<br />
Twenty Photographs (HL, 1995)<br />
10” x 12” photogram, gelatin silver print<br />
For exhibition Restricted Exposure, Fringe Festival 1996<br />
24<br />
(Photo album) An exterior shot of the OP fotogallery in Hong Kong (1998)<br />
4x6 inches, chromogenic print<br />
The former studio of Ka-sing and Holly before they moved to Toronto<br />
25<br />
NCP inauguration booklet (1998)<br />
8.5x11 inches, 8 pages<br />
26<br />
(photo album) NCP inauguration Opening group photo (1998)<br />
8x10 inches, chromogenic print<br />
27<br />
Bauhinia, in front of Hong Kong Harbour, circa 1997 (HL, 1997)<br />
8” x 10”, chromogenic print, an OP edition<br />
From the series “Hollian Thesaurus”. Original photograph in the collection of M+<br />
Museum
28<br />
Firenze Breakfast with Omega 3 Egg (HL, 2000)<br />
8” x 10” archival inkjet print, framed<br />
From the series ‘Hollian Thesaurus’<br />
29<br />
Crane (HL, circa 90s)<br />
20” x 24” photogram, gelatin silver print, unique<br />
30<br />
(object) Butterfly made <strong>by</strong> Iris when she was eight<br />
120mm x 90mm, clay<br />
An object Ka-sing used in Forty Poems series<br />
31<br />
(publication) Exhibition brochure “holly & wingo, camera works” (1981)<br />
428mm x 290mm, 20 pages<br />
Pao Sui Loong Gallery, Hong Kong Arts Centre, 1981<br />
32<br />
Lomo Sampler 040<strong>50</strong>2_090<strong>50</strong>2 (HL, 2002)<br />
2” x 5.5” x 2”, chromogenic prints, photo prints bound with Chicago screw<br />
33<br />
89 • The Golden Lotus • Footsteps of June, test strip (HL)<br />
(Peter Suart) 100mm x 95mm, Cibachrome<br />
34<br />
89 • The Golden Lotus • Footsteps of June, test strip (HL)<br />
(Pia and Margaret) 95mm x 95mm, Cibachrome<br />
35<br />
Photo-booth self-portrait (HL, 1995)<br />
205mm x 40mm, chromogenic print<br />
For the Photo-booth issue in Dislocation, Feb, 1995<br />
36<br />
Portrait series, Lau Kin Wai and Leung Mei Sang (HL, circa 90s)<br />
11 x 14 inches, direct contact from 8x10 negative, gelatin silver print<br />
37<br />
Portrait series, Iris Lee (HL, 90s)<br />
11 x 14 inches, direct contact from 8x10 negative, gelatin silver print<br />
38<br />
After the tunnel emerge gigantic trees and towers (HL, 2010)<br />
555mm x 200mm, archival inkjet print framed in glass stand<br />
Shan Hai Jing series<br />
39<br />
(object) A large format camera Ka-sing constructed for Holly for her Shan Hai Jing<br />
series (2010)<br />
1<strong>50</strong>mm x 190mm x 40mm, wood, metal, with Schneider lens. For 4x5 sheet or 612 roll<br />
films<br />
40<br />
A diptych of two photographs taken in the same moment of a group of artists<br />
participated in the exhibition at the soon to be demolished Eu Family Mansion<br />
(HL, 1987)<br />
510mm x 210mm, gelatin silver print<br />
A work print for the brochure cover of OUT OF CONTEXT 外 圍 , The 15 Kennedy Road<br />
Exhibition, 1987<br />
41<br />
(object) How to read the lines of the hand<br />
140mm x 60mm, folding card<br />
Holly used this object in her Hong Kong Memories series<br />
42<br />
(photo album) An old photograph of Holly’s mother circa early <strong>50</strong>s<br />
135mm x 85mm, gelatin silver print<br />
Holly used this photo in her Hong Kong Memories series<br />
43<br />
Holly Lee name card (circa 93)<br />
87mm x 111mm, 4-colour offset printed on both sides<br />
Photographs <strong>by</strong> Holly Lee, designed <strong>by</strong> Ka-sing
44<br />
Holly & Wingo Lee Studio stationary (1977)<br />
Letter-sheet: 290mmx206mm (name card, envelop not on display)<br />
45<br />
One of three original photographs for Holly & Wingo Lee Studio stationary (1977)<br />
8x10 inches gelatin silver print in ready-made frame<br />
One of three self-portrait photographs taken for the usage of studio letterhead<br />
46<br />
Studio branding design for Holly Lee <strong>by</strong> Philip Kwok of Illustration Workshop (1981)<br />
Name card: 110mm x 90mm); envelope: 90mm x 220mm; letter-sheet (not on display)<br />
47<br />
Studio branding design for Holly Lee <strong>by</strong> Philip Kwok of Illustration Workshop (1981)<br />
Original Polaroid used for the design, 110mm x 90mm, photo <strong>by</strong> Philip Kwok<br />
48<br />
A testing with Cibachrome paper directly exposed through a 4x5 view camera<br />
(circa 90s)<br />
4x5 inches, Cibachrome<br />
Holly photographed <strong>by</strong> Ka-sing<br />
49<br />
(monograph) Hong Kong Memories (HL, 2023)<br />
210mm x 260mm, 110 pages, hard cover<br />
A book featuring the Hong Kong Memories series <strong>by</strong> Holly Lee created in 1993<br />
<strong>50</strong><br />
(photo album) Holly, Diana Thorneycroft and Ka-sing<br />
270mm x 105mm, chromogenic print, taken at 301 Candy Factory Lofts, circa 2005<br />
51<br />
(publication) OP Editions catalogue (1995)<br />
140mm x 140mm, 24 pages each<br />
(on display) Issue 9<strong>50</strong>1, 9<strong>50</strong>2, 9<strong>50</strong>3, 9<strong>50</strong>4<br />
OP editions, a quarterly catalogue for OP Print Program. 17 issues were published<br />
52<br />
Clouds etc. (HL, 2011)<br />
Hand-made flip book, 152mm x 52mm x 23mm, chromogenic photographs<br />
Photograph 2011, flip book produced in 2017, #2 of two editions<br />
53<br />
Woodcut block, image of Donna Lok (HL, circa late 70s)<br />
460mm x 200mm, pine wood (unfinished)<br />
54<br />
Istanbul Postcards (HL, 2019)<br />
Stack of 18 original postcards, 147mm x 94mm each, archival inkjet print, hand-writings<br />
A fictional work <strong>by</strong> Holly Lee, with images <strong>by</strong> Ka-sing, and box made <strong>by</strong> Kai Chan<br />
55<br />
(object) Envelope from Istanbul carrying back the postcards for the Istanbul Postcards<br />
project (2019)<br />
56<br />
(photo album) ON HONG KONG exhibition at City Hall (1996)<br />
125mm x 125mm, chromogenic print, two pieces<br />
57<br />
(photo album) PERSPECTIVES exhibition in New York (1997)<br />
125mm x 125mm, chromogenic print<br />
PERSPECTIVES, exhibition organized <strong>by</strong> Ka-sing and Holly, Space Untitled Gallery, 10<br />
Hong Kong photographers<br />
58<br />
(publication) PERSPECTIVES exhibition catalogue (1997)<br />
140mm x 140mm, 24 pages<br />
PERSPECTIVES, Space Untitled Gallery. Photographers: Karl Chiu, Lau Ching Ping, Holly<br />
Lee, Lee Ka-sing, Patrick Lee, Leung Chi Wo, So Hing Keung, Bob<strong>by</strong> Sham, Ringo Tang,<br />
Dickson Yewn<br />
59<br />
(publication) WORKS MAGAZINE, Volume 2, 1988<br />
297mm x 217mm, 16 pages<br />
A promotional publication from the studio of Ka-sing and Holly. Three issues were<br />
released. The displayed issue focused on Ka-sing’s work
60<br />
(publication) 4 VIEWS exhibition catalogue (1996)<br />
140mm x 140mm, 24 pages<br />
Exhibition organized <strong>by</strong> Ka-sing and Holly, of photography works <strong>by</strong> So Hing Keung,<br />
Patrick Lee, Yau Leung and Stephen Cheung. Fringe gallery, September 1996<br />
61<br />
(object) Name card holder, the archive of name cards of Holly and Ka-sing in the past<br />
years<br />
105mm x 188mm x 13mm<br />
Name cards for applications of the studio, publications, and gallery, Hong Kong, New<br />
York to Toronto<br />
62<br />
LEE, KA-SING GALLERY Promotional card, Nobuyoshi Araki (2001)<br />
204mm x 152mm<br />
63<br />
LEE, KA-SING GALLERY Promotional card, Xing Danwen (2001)<br />
204mm x 152mm<br />
Featuring Xing Danwen’s China Avant-Garde series, with Christopher Phillips’ writing on<br />
verso of the card<br />
64<br />
(publication) Wingochrome & Holliblad (1979)<br />
430mm x 570mm, printed on both sides<br />
studio promotion, two issues were released<br />
65<br />
(object) Wire Mandala<br />
100mm x 100mm x <strong>50</strong>mm, an object Ka-sing used in a photograph of the Z FICTION<br />
series<br />
66<br />
Building a University Through the Lens of Lee Ka-sing, test strip with blue sky<br />
(LKS, 1991)<br />
130mm x 270mm, photogram on Cibachrome paper<br />
Project commissioned <strong>by</strong> The Hong Kong University of Science and Technology<br />
67<br />
Test strip with clock panel (LKS, 1995)<br />
202mm x 62mm, Cibachrome paper<br />
Test strip for “The Clock and a Classical Interpretation of Time”, Forty Poems series<br />
68<br />
PHOTO PICTORIAL Rebranding (2004-2005)<br />
(on display) 3 issues: #462 (cover: Diana Thorneycroft), #464 (cover: parkeharrison),<br />
#466 (cover: Holly Lee). In 2004 Ka-sing was helping to reform PHOTO PICTORIAL, from<br />
publication redesign to content restructuring. Issue 462 to 477, from 2004 to 2005<br />
69<br />
Test strip with images of ground glass, lens and other objects (LKS, 1991)<br />
180mm x 130mm, gelatin silver print<br />
Test strip of an assignment photo for “Asian Exposure”, DISCOVERY magazine cover<br />
70<br />
(monograph) Forty Poems (LKS, 1998)<br />
207mm x 259mm, 96 pages, OP fotogallery<br />
With publication grant from Hong Kong Arts Development Council<br />
71<br />
(object) Plastic blue figure with movable joints<br />
180mm x 80mm, an object Ka-sing used in the Forty Poems series<br />
72<br />
Think Poetry, an original 8x10 Polariod (LKS, 1995)<br />
203mm x 268mm, Polaroid<br />
Served as key image for one of the layered photographs in Forty Poems series<br />
73<br />
“Water” (The Elements of Nature) for Cathay Pacific flight menu series<br />
(LKS, circa 90s)<br />
445mm x 280mm<br />
One of the five photographs, from a series of commissioned work Ka-sing created for<br />
Cathay Pacific
74<br />
(object) Dried sea horse<br />
140mm x 70mm, an object Ka-sing used in the photograph “Water” for Cathay Pacific<br />
flight menu series<br />
75<br />
(object) The wedding invitation card of Holly and Ka-sing, with woodcuts <strong>by</strong> Ka-sing<br />
(1981)<br />
180mm x 152mm<br />
76<br />
Self-portrait of Lee Ka-sing taken at his father’s studio with a LINOHF Technika<br />
(LKS, 1974)<br />
244mm x 219mm, gelatin silver print (Kodak mural paper)<br />
77<br />
Ask For A Brand Plastic Harvest (LKS, 1991)<br />
(on display) editioned print in 8x10, chromogenic print<br />
The original work, a 43x58 inch chromogenic print mounted on wood panel with steel<br />
frame, is in the collection of M+ Museum<br />
78<br />
(object) Circular metal instruction plate, an object Ka-sing used in his Forty Poems<br />
series<br />
222mm in diameter<br />
79<br />
三 魚 集 Three Fish, book cover image and design <strong>by</strong> Lee Ka-sing (1988)<br />
180mm x 183mm, 三 魚 集 a fictional work <strong>by</strong> Leung Ping Kwan<br />
Tian Yuan Books, 1988<br />
80<br />
劉 霜 陽 畫 框 內 外 The Interior and Exterior of Picture Frames. Book design, cover and<br />
6 section divider images <strong>by</strong> Lee Ka-sing (1992)<br />
141mm x 208mm, 260 pages, Tian Yuan Books, 1992<br />
A collection of art criticism <strong>by</strong> Lau Kin Wai<br />
81<br />
Test strip paper with over-printed images <strong>by</strong> a copying machine (LKS, circa 90s)<br />
278mm x 128mm, chromogenic print<br />
82<br />
(fiction) 林 海 L.H. (LKS, 2024)<br />
A fictional work written in Chinese. A special edition covering the first 16 fragments,<br />
published for the exhibition <strong>THE</strong> <strong>50</strong> <strong>GLADSTONE</strong>, 2024<br />
83<br />
(publication) <strong>50</strong> Hong Kong Contemporary Photographers 1996, CD-ROM<br />
142mm x 120mm<br />
A collection of photography works <strong>by</strong> <strong>50</strong> Hong Kong photographers, edited <strong>by</strong> Ka-sing,<br />
Holly and the committee of NuNaHeDuo Organization of Hong Kong Contemporary<br />
Photography<br />
84<br />
(object) The Artist’s Proof, exhibition catalogue (1979)<br />
190mm x 190mm, 20 pages, designed <strong>by</strong> Li Kam Fai<br />
Holly and Ka-sing are founding members of the GRAPIC ART ASSOCIATION<br />
85<br />
(object) Brush for wood-block printing, used <strong>by</strong> Holly and Ka-sing in the 70s<br />
230mm x 80mm x 80mm<br />
86<br />
Hello, Hong Kong (LKS, 1988)<br />
453mm x 300mm, magazine tear-sheet<br />
Editorial photo for Mandarin Oriental Hotel Magazine, for the “When Worlds Collide”<br />
article <strong>by</strong> Lyan Pan and Ian Buruma<br />
87<br />
(object) Red Star, used for the photograph “Hello, Hong Kong”<br />
40mm x 40mm, plastic with metallic paint, in box<br />
88<br />
Hua Xiang Zhuan ( 畫 像 磚 ), carved wood block (LKS, circa 76)<br />
105mm x <strong>50</strong>mm x 10 mm, wood, ink<br />
Ka-sing created this in the mid seventies, intended to use as the logo for the publishing<br />
venture in planning<br />
Hua Xiang Zhuan was initially launched in 1975 <strong>by</strong> Ka-sing and Holly, a set (of 6) art<br />
books were published
89<br />
The Floating City, test strip (LKS, 1997)<br />
190mm x 170mm, gelatin silver print<br />
90<br />
Leaves (LKS, 2021)<br />
405mm x 202mm, archival inkjet print with hand painted acrylic medium on both sides<br />
91<br />
(fiction) 花 • 1996 年 10 月 19 日 回 想 錄 • 香 港 A Floral Transformation (LKS, 2024)<br />
8x10 inches, 92 pages<br />
A fictional work presented as a book for the exhibition “Another Day in Hong Kong”, Asia<br />
Art Archive, 2024<br />
92<br />
So You Think You Are God, image <strong>by</strong> Lee Ka-sing for the Call for Entry poster for Hong<br />
Kong Designers Association HKDA DESIGN 96 (LKS, 1996)<br />
720mm x 434mm, printed with multi layers of metallic colour, poster designed <strong>by</strong><br />
Anothermountainman<br />
93<br />
(object) So You Think You Are God, postcard (LKS, 1996)<br />
148mm x 102mm<br />
94<br />
(publication) DISLOCATION (1992-1999), and beyond (2023)<br />
8x10 inches, 336 pages, hard cover. DOUBLE DOUBLE special issue, Feb/Mar 2023<br />
With a main article <strong>by</strong> Holly, on the story of DISLOCATION, its background history from<br />
the 80s up to the developments in present days<br />
95<br />
(object) “Mr. Lee 真 挈 紳 士 ” Coaster signed <strong>by</strong> Araki (circa late 90s)<br />
95mm x 95mm<br />
96<br />
(object) Coaster in lip shape, ROUGE Jazz bar (circa late 90s)<br />
“ 祝 李 家 昇 照 片 冊 ”, signed <strong>by</strong> Nobuyoshi Araki<br />
97<br />
(poetry collection) 十 人 詩 選 之 李 家 昇 散 冊 潔 本 並 序 (early poems 1971-1996)<br />
(LKS, 2023)<br />
8×10 in (20×25 cm), 60 pages, hardcover<br />
A selection of Ka-sing’s early poems written in Chinese, an edition published in 2023<br />
98<br />
2K 5.0 (On the Crown of a Silver Maple) (LKS, 2023)<br />
8x10 inch, 268 page, DOUBLE DOUBLE special issue June-October 2023<br />
A collaboration work with Kai Chan<br />
99<br />
Two Poems (presented in the format of books) (LKS, 2020, and 2022)<br />
“The Travelogue of a Bitter Melon” (8x10, inches, 36 pages, 9 Polaroids, 2020) / “That<br />
Afternoon” on Mubi, a dialogue: Tsai Ming-Liang and Lee Kang-Sheng” (8x10 inches,<br />
36 pages, 16 photographs, 2022)<br />
100<br />
An interview with a movie director (LKS, 2019)<br />
Small print in two versions, 93mm x 143mm each, archival inkjet print<br />
(Jia Zhangke) originally an editorial image created for BEING HONG KONG<br />
101<br />
(object) 梁 秉 鈞 Leung Ping Kwan’s letter to Lee Ka-sing about a special issue of his<br />
poems in QuiYing ShiKan 秋 螢 詩 刊 (1986)<br />
205mm x 275mm, original<br />
102<br />
(publication) QuiYing ShiKan 秋 螢 詩 刊 , #28, a special issue of Leung Ping Kwan’s<br />
poems (1986)<br />
32 x 6 inches in 8 folds<br />
103<br />
(object) XUESHENG SHOUCE 學 生 手 冊 (Student handbook) (1961)<br />
127mm x 174mm<br />
A piece of document of Ka-sing when he was a primary student in Guangzhou. An object<br />
he photographed as a work for the exhibition “holly & wingo camera works” in 1981
104<br />
(object) NEW IMAGES FROM HONG KONG exhibition promotional postcard (1996)<br />
155mm x 105mm, image created <strong>by</strong> Lee Ka-sing<br />
Tower Gallery, Yokohama, 1996. Exhibition curated <strong>by</strong> Kōtarō Iizawa<br />
105<br />
NEW IMAGES FROM HONG KONG exhibition promotional image, test print (LKS, 1996)<br />
3 pieces of test prints, electrostatic print, 420mm x 297mm each<br />
106<br />
Lee Ka-sing name card (circa 90s)<br />
176mm x 43mm, both sides, folded<br />
image: detail of an image originally for Lau Kin Wai’s book cover<br />
107<br />
Building a University Through the Lens of Lee Ka-sing, test strip with building in<br />
purple colour (LKS, 1991)<br />
100mm x 305mm, photogram on Cibachrome paper<br />
Project commissioned <strong>by</strong> The Hong Kong University of Science and Technology<br />
108<br />
Photography for Watsons Personal Store company brochure, test strip with lemon and<br />
lime slices (circa 90s)<br />
100mm x 2<strong>50</strong>mm, photogram on Cibachrome paper<br />
109<br />
Cantonese Rod Puppets, a hand-bound portfolio with 16 photographs (LKS 1976)<br />
260mm x 375mm, 20 pages, 16 toned gelatin silver prints in size 123mm x 200mm and<br />
158mm x 177mm<br />
Mak Siu-Tong 麥 兆 棠 Cantonese Rod Puppet master and his group<br />
110<br />
wingo lee, a photoessay, original card for an photo exhibition (LKS, 1976)<br />
93mm x 223mm, hand-made gelatin silver print<br />
Lee Ka-sing’s first mounted photography exhibition, an exhibition on Cantonese rod<br />
puppets, 8x10 photographs. Art Promotion gallery, 13-26 Novermber 1976<br />
111<br />
(object) A collection of books ( 文 化 視 野 叢 書 ) published <strong>by</strong> Youth Literary Book Store<br />
(1996-1999)<br />
Format: 140mm x 215mm, each volume in different page counts<br />
Lee Ka-sing created the visual branding of this series, and designed all the book covers.<br />
Over twenty volumes were published<br />
112<br />
An album of Postcards for Holly and Ka-sing from friends and artists (2010 to 2024)<br />
Album size: 120mm x 158mm x 33mm, postcards in various sizes<br />
113<br />
An album of Postcards produced and published <strong>by</strong> Ka-sing and Holly (1980s to 1990s)<br />
Postcard size: 157mm x 104mm, album size: 118mm x 158mm x 35mm<br />
114<br />
Eight original prints, collaboration with Tsang Tsou Choi 曾 灶 財 (LKS, 1995)<br />
200mm x 255mm, electrostatic print<br />
A series of work, in pair with a local artist (Tsang Tsou Choi) created for the exhibition<br />
CULTURAL CHOP SHUI, curated <strong>by</strong> Lau Kin Wai<br />
115<br />
CULTURAL CHOP SHUI exhibition catalogue (1995)<br />
253mm x 253mm, 24 pages, exhibition catalogue designed <strong>by</strong> Lee Ka-sing<br />
Curated <strong>by</strong> Lau Kin Wai, CULTURAL CHOP SHUI was an exhibition with works <strong>by</strong> three<br />
contemporary artists: Christopher Doyle, Lee Ka-sing and Ellen Pau. Each artist’s work<br />
was in reaction to a local artist of his choice. Fringe Gallery, 1995<br />
116<br />
Facsimile copies of Lee Ka-sing’s DISLOCATION M column at MILK magazine<br />
(LKS, 2004-2005)<br />
305mm x 203mm, chromogenic print<br />
Lee Ka-sing wrote a column for MILK magazine, based on the materials from<br />
DISLOCATION. From 2004 to 2005, 39 pieces were written
117<br />
A suite of 20 pieces of original 8x10 photograph, used for a special feature at UNITAS<br />
聯 合 文 學 (LKS 1993)<br />
A special feature at UNITAS, co-authored with Ping-kwan, about the 1992 Eastern Europe<br />
journey with Ping Kwan and Holly. UNITAS issue 103, May 1993<br />
118<br />
(photo album) A HONG KONG PORTFOLIO, exhibition organized for Asia Society at<br />
Hong Kong Convention & Exhibition Centre (1997)<br />
Organized <strong>by</strong> Ka-sing and Holly, an one-day exhibition event on May 15, 1997. Works<br />
<strong>by</strong> 16 photographers: Chan Wai Man, Karl Chiu, Victor Chiu, Chung Man Lurk, Alfred<br />
Ko, Lau Ching Ping, Holly Lee, Lee Ka-sing, Patrick Lee, Leung Chi Wo, Soman Lo, Mak<br />
Fung, Bob<strong>by</strong> Sham, So Hing Keung, Ringo Tang and Yau Leung<br />
119<br />
(object) A HONG KONG PORTFOLIO, box set with photo book and event programme<br />
booklet for Asia Society Hong Kong Center 7th Annual Dinner (1997)<br />
145mm x 198mm x 15mm, for an one-day exhibition and event at Hong Kong Convention<br />
& Exhibition Centre on May 15, 1997<br />
120<br />
(publication) ON HONG KONG, Dislocation special issue, volume 8 (1997)<br />
Featuring 18 photographers on Hong Kong, edited <strong>by</strong> Ka-sing, Holly and the committee<br />
NuNaHeDuo Organization of Hong Kong Contemporary Photography<br />
121<br />
(object) Poésie #88, Chinese Poetry special issue (2001)<br />
Ka-sing created images for cover and inside pages of this special issue featuring four<br />
poets: Zhang Wei, Yu Jian, Leung Ping-kwan, Song Lin<br />
122<br />
(object) Manuscript in notebooks, of Ka-sing’s writing in the eighties (circa 80s)<br />
Writings on photography, for columns at Photo Pictorial, Photo Art, Sing Tao Weekly<br />
123<br />
Walter Ma fashion catalogue (HL, 1989)<br />
260mm x 375 mm, 14 pages<br />
Photography assignment, Holly Lee<br />
<strong>THE</strong> <strong>50</strong> <strong>GLADSTONE</strong>: 123<br />
124<br />
(object) At FCC, Kotaro Iizawa ( 飯 沢 耕 太 郎 ) made a sketch of Lee Ka-sing on the back<br />
side of 4 VIEWS exhibition card (1996)<br />
180mm x 125mm, 4 VIEWS was an exhibition at Fringe Gallery, with photography <strong>by</strong> So<br />
Hing Keung, Patrick<br />
Lee, Yau Leung and Stephen Cheung, curated <strong>by</strong> Lee Ka-sing<br />
125<br />
(object) Araki and other Japanese friends signed on a wine bar (Le Meridien Pacific)<br />
notecard for Ka-sing and Holly (1997)<br />
260mm x 185mm<br />
A gathering on the day after the judging of NEW COSMOS OF PHOTOGRAPHY in Tokyo<br />
126<br />
Diptych, Rose and flower pot with ice (LKS, 2013)<br />
Mixed media: archival inkjet print, spruce wood, acrylic medium<br />
254mm x 125mm x38mm<br />
127<br />
(monograph) Language of Fruits and Vegetables (LKS, 2004)<br />
5.5 x 5.5 inches, 288 pages, with a poem <strong>by</strong> Leung Ping Kwan, published <strong>by</strong> Ocean<br />
Pounds. Hong Kong Heritage Museum<br />
128<br />
(object) Two pieces of unfinished print-making woodblocks (LKS, circa 70s)<br />
5<strong>50</strong>mm x 455mm each, pine wood<br />
129<br />
(publication) DOUBLE DOUBLE, a test version (2006)<br />
455mm x 305mm, diptych in two individual sheets, chromogenic print<br />
Ka-sing’s image vs. Leung Ping Kwan’s poem “<strong>50</strong> Gladstone Avenue” (with English<br />
translation <strong>by</strong> Luo Hui)<br />
130<br />
A suite of 16 picture-haiku LKS made in the year 2013 (LKS, 2016)<br />
Mixed media: archival inkjet print, spruce wood, acrylic medium<br />
A composition of 16 individual pieces in one vertical wood frame, 56.5x9.5x2.5 in
131<br />
After climbing intensively for three days (LKS, 2010)<br />
17”x22”, archival inkjet print<br />
(on display) Selection of one piece from the series<br />
(Z FICTION series) Approximately 70 pieces were made, 2009- 2013<br />
132<br />
Selection from De ci de là des choses series (LKS, 2004)<br />
17”x22”, archival inkjet print<br />
(Z FICTION series) 20 works were made in De ci de là des choses series, for a<br />
collaborative exhibition with Ping Kwan in Paris<br />
133<br />
(object) Some of the archive boxes for bw Negatives / Polaroids / Transparencies<br />
(1976-2000)<br />
134<br />
(publication) OP Print Program catalogue (circa 2000)<br />
140mm x 214mm, 32 pages<br />
135<br />
(publication) OP NEWS (1997-1998)<br />
8.5 x 11 inches, 8 pages each issue, 6 issues were published<br />
136<br />
Mom Says, “Come home for dinner tonight” (LKS, 1996)<br />
30x40 inch, inkjet on canvas, mounted on wood panel<br />
(FOODSCAPE series) 10 works in a series, for exhibition in Vancouver chapter, 1997<br />
137<br />
CITY AT <strong>THE</strong> END OF TIME at ASIAN VIEW, Tokyo Metropolitan Museum of<br />
Photography (1996)<br />
Exhibition promotional pamphlet, 298mm x 210mm<br />
CITY AT <strong>THE</strong> END OF TIME (1992) <strong>by</strong> Lee Ka-sing, the work was acquired <strong>by</strong> the<br />
museum after exhibition<br />
138<br />
(collection) OP edition INSTITUTION COLLECTION<br />
Approximately 200 original 8x10 photographs in two archival boxes<br />
OP edition INSTITUTION COLLECTION, five sets were organized<br />
139<br />
Istanbul Journal (LKS, 2019)<br />
178 diptych photographs, 329mm x 159mm each<br />
140<br />
Hong Kong. Two Visits, 2016, 2017 (LKS, 2018)<br />
A hand-made book, with 119 diptych photographs. 216mm x 559mm, 125 pages,<br />
archival inkjet print, unique<br />
141<br />
A Trilogy (LKS, 2020-2023)<br />
Ka-sing’s dedication to a city, a suite of three pieces of original work presented in book<br />
form - CODA 終 章 (2020, 227 photographs, 480 pages), Diary of a Sunflower, Book Two<br />
(2022, 176 photographs, 372 pages), fly-in-love 飛 天 情 書 (2023, 193 photographs, 428<br />
pages). The first and the third pieces were created for invitational group exhibitions held<br />
in Hong Kong<br />
142<br />
Songs from the Acid-free Paper Box (LKS, 2022)<br />
An installation on-paper. An original work presented in the format of a book, 60<br />
photographs.<br />
(on display) Trade edition (300mm x 300mm, 106 pages), Facsimile edition (200mm x<br />
2<strong>50</strong>mm, 128 pages). Museum edition of this work (not on display) 300mm x 300mm,<br />
106 pages, printed with 7-colour digital offset, and in 5 editions<br />
143<br />
Journey (LKS, 1993)<br />
1220mm x1780mm, chromogenic print, in frame, printed in 1993<br />
A vintage photograph from the exhibition THIRTY-ONE PHOTOGRAPHS, Hong Kong Arts<br />
Center, 1993<br />
144<br />
(publication) DOUBLE DOUBLE paperback editions (2022 January to current)<br />
8x10 inches, page counts for each issue varied from 1<strong>50</strong> pages to 200 pages or more.<br />
Since January 2022, DOUBLE DOUBLE has become a monthly publication, released in<br />
both paperback (POD) and ebook versions.
145<br />
(poetry collection) Nine Years (HL, 2020)<br />
A selection of Holly Lee’s poetry work between 2010 to 2018. The book consists of<br />
158 pages, 57 poems, mostly written in English, except a few in Chinese, or in hybrid<br />
languages, including emoji.<br />
146<br />
(poetry collection) The Air is like a Butterfly (HL, 2021)<br />
108 pages, The Air is like a Butterfly is Holly Lee’s second book of poetry, a compilation<br />
of 49 poems written between 2018 to 2020<br />
147<br />
(publication) Istanbul Postcards (2019)<br />
8x10 inches, 60 pages, DOUBLE DOUBLE Winter 2, 2019 special issue ISTANBUL<br />
POSTCARDS, a fiction <strong>by</strong> Holly Lee in 18 postcards<br />
148<br />
(publication) The Portrait series (LKS, 2019 to 2023)<br />
Home visiting photographs as a portrait. Three volumes of photographs in book format:<br />
Swan House (published 2019, home of Malgorzata and Gary Michael Dault at Napanee,<br />
156 photographs, 348 pages); An afternoon at Greenwood (published 2022, home of<br />
Kai Chan and Glenn Beech, 38 photographs, 56 pages); Re-visit: Tomio Nitto (published<br />
2023, 20 diptych photographs, 56 pages)<br />
149<br />
(publication) A number of monographs of photography work <strong>by</strong> Lee Ka-sing<br />
(2021-2022)<br />
Eighty Two Photographs (published 2021, 180 pages); Time Machine (published 2021,<br />
80 photographs from TIME MACHINE series, paired with haiku <strong>by</strong> Gary Michael Dault,<br />
180 pages); The galloping jelly pink horse with pea green spots (published 2022,<br />
DOUBLE DOUBLE special issue, of Ka-sing’s Z FICTION series, 40 photographs with<br />
English texts, 34 photographs with Chinese texts, 180 pages)<br />
1<strong>50</strong><br />
(publication) Small Paintings and Notebooks of Gary Michael Dault (2022)<br />
On display, three books Ka-sing designed and published for Gary Michael Dault.<br />
Facsimile edition of his notebooks and small paintings on the occasion of Gary’s<br />
exhibition at the gallery. The Book of the Poem (Facsimile edition, 60 pages): A Book of<br />
Vessels (Facsimile edition, 164 pages); <strong>THE</strong> NEARBY FARAWAY: Small Paintings on<br />
Cardboard (97 paintings, 216 pages)<br />
151<br />
(publication) Books designed and published for various artists (2011-2013)<br />
Ten books on display, which Ka-sing and Holly published for various artists on occasion<br />
of exhibitions at the gallery. Artists: include: Tomio Nitto, Kai Chan, Fiona Smyth, Shelley<br />
Savor, Lib<strong>by</strong> Hague, Malgorzata Wolak Dault, Bill Grigs<strong>by</strong> and others<br />
152<br />
(object) DOUBLE DOUBLE: Box-in-a-Valise, signage and introduction in picture frame<br />
(2020)<br />
425mm x 525mm<br />
DOUBLE DOUBLE: Box-in-a-Valise, an exhibition featuring the ARCHIVE of Ka-sing and<br />
Holly held from May to September 2020. The show was not able to open to the public<br />
due to the Covid pandemic. It becomes the blueprint this current exhibition: <strong>THE</strong> <strong>50</strong><br />
<strong>GLADSTONE</strong><br />
153<br />
(publication) DOUBLE DOUBLE: Box-in-a-Valise (on-site), (2020)<br />
220mm x 280mm, 64 pages<br />
Published on the occasion of exhibition DOUBLE DOUBLE: Box-in-a-Valise<br />
154<br />
(publication) DOUBLE DOUBLE: Box-in-a-Valise (a close-cropped), (2020)<br />
220mm x 280mm, 40 pages<br />
Published on the occasion of exhibition DOUBLE DOUBLE: Box-in-a-Valise<br />
155<br />
(object) Tomio Nitto Camerashop signage (2012)<br />
56x18 inch, hand-written <strong>by</strong> Tomio when he had a small section in the gallery<br />
showcasing his drawings of cameras owned <strong>by</strong> Ka-sing, Holly, and other artists<br />
156<br />
(publication) TERRAIN, collaborative project with Gary Michael Dault (2022 to present)<br />
On display, six volumes of books - TERRAIN, One to TERRAIN, Six (116 pages,<br />
hardcover, each volume includes <strong>50</strong> photographs <strong>by</strong> Ka-sing, and <strong>50</strong> responding<br />
haiku from Gary). The project began in 2022, the final goal will be at 20 volumes of<br />
photographs with a thousand pieces of responding haiku
157<br />
(object) HKIPP Biennial Photography Awards Trophy, with original sculpture <strong>by</strong><br />
Antonio Mak Hin-yeung (1993 and 1995)<br />
On display, five award trophies for photography: Lee Ka-sing- Best Advertising<br />
Photography (1993), Best Editorial Photography (1993); Holly Lee- Best Digital Imaging<br />
(1995), Grand Award, for The Most Distinguished Photography in HKIPP Awards 1995;<br />
Best Use of Photography Award (1995) for applying test-strip images from Ka-sing and<br />
Holly studio for the Masthead Design of the DISLOCATION publications<br />
143<br />
158<br />
(object) ARTIST OF <strong>THE</strong> YEAR AWARDS Trophy for Lee Ka-sing, Photographer of the<br />
Year Award 1989<br />
ARTIST OF <strong>THE</strong> YEAR AWARDS presented <strong>by</strong> Hong Kong Artists’ Guild<br />
159<br />
Photography for Watsons Personal Store company brochure, test strip (circa 90s)<br />
95mm x 340mm, photogram on Cibachrome paper<br />
160<br />
(object) Red White Blue banner work for INDEXG <strong>by</strong> Anothermountainman (2006)<br />
Approximately 168x18 inch, plastic<br />
Anothermountainman designed and contributed these exterior banners to Ka-sing and<br />
Holly during the inauguration of their galleries at <strong>50</strong> Gladstone Avenue in 2006. Four<br />
pieces were made, two of them have been used over the years.<br />
8
162<br />
161<br />
163<br />
162<br />
(object) Calligraphy of Lu Xun 魯 迅 - “ 橫 眉 冷 對 千 夫 指 俯 首 甘 為 孺 子 牛 ”, two<br />
lines from his poem<br />
In pair, 270mm x 770mm each, replica printed in the 70s<br />
161<br />
TIME MACHINE series, on paper version (LKS, 2021)<br />
208mm x 208mm, archival inkjet print with hand painted acrylic medium on both sides.<br />
A test print for the on paper version<br />
163<br />
colour / yanse (LKS, 2016)<br />
Mixed media: archival inkjet print, spruce wood, acrylic medium<br />
A composition of 17 individual pieces in one vertical wood case 69x8x3 inch<br />
Yanse 顏 色 in Chinese means colour, 顏 also means face, and 色 <strong>by</strong> itself refers to colour
164<br />
165<br />
166<br />
167<br />
164<br />
(collection) Photograph <strong>by</strong> Elaine Ling<br />
24x30 inch, gelatin silver print, frame size 31x36 inch<br />
165<br />
(collection) Mixed media painting <strong>by</strong> Henrik Drescher<br />
262mm x 360mm<br />
166<br />
(collection) Mixed media painting <strong>by</strong> Gary Michael Dault<br />
218mm x 158mm<br />
167<br />
Triptych photograph with hand painted medium on both sides (LKS, 2021)<br />
420mm x 144mm
171<br />
168<br />
172<br />
174<br />
169<br />
173<br />
170<br />
168<br />
(collection) A pair of photo work <strong>by</strong> Leung Chi Wo<br />
Collage gelatin silver prints, each work encased in 31x35 inch frame<br />
169<br />
(collection) Two Women, photograph <strong>by</strong> Yau Leung<br />
16x20 inch, gelatin silver print, frame size 25x29 inch<br />
170<br />
(collection) Photograph from Eroto series <strong>by</strong> Nobuyoshi Araki<br />
20x24 inch, gelatin silver print, frame size 29x33 inch<br />
171<br />
A flock of gold-shedding birds flew past the woods (HL, 2010)<br />
555mm x 200mm, archival inkjet print framed in glass stand<br />
Shan Hai Jing series<br />
172<br />
(collection) New York, New York, 1979. Photograph <strong>by</strong> Tseng Kwong Chi<br />
16x20 inch, frame size 25x29 inch<br />
Series “East Meets West,” 1979–89<br />
173<br />
(collection) Photograph <strong>by</strong> Diana Thorneycroft<br />
8x10 inch, chromogenic print, frame size 15x19 inch<br />
Doll Mouth series<br />
174<br />
(collection) Photographs in boxes, various artists<br />
Archival boxes, size 390mm x 315mm x 60mm<br />
Works <strong>by</strong> Christopher Doyle, Tomio Nitto, Kwok Man Ho, and Hideo Suzuki etc.
178<br />
175<br />
176<br />
177<br />
175<br />
(collection) Mixed media work <strong>by</strong> Shelley Savor<br />
1<strong>50</strong>mm x 110mm<br />
176<br />
A love poem for Holly, after her new work - CLAW SCRIPT (LKS, 2013)<br />
Mixed media: archival inkjet print, pine wood, acrylic medium<br />
115mm x 86mm x 36mm<br />
177<br />
(object) Large LCD display panel with wooden frame constructed <strong>by</strong> Ka-sing, for an<br />
installation of his work “I would have written a long poem” in 2017<br />
46x27.5x2.75 inch<br />
178<br />
(collection) OP EDITION photographs in boxes, various photographers<br />
Photographs in 8x10 inch
179<br />
183<br />
182<br />
180<br />
181<br />
179<br />
MOVIOLA (LKS, 2015)<br />
Mixed media: archival inkjet print, pine wood, acrylic medium<br />
47x46.5 inch, composition of 234 pieces of photo squares (2.5”x2.5”x1.5” each)<br />
180<br />
(collection) Mixed media work <strong>by</strong> Kai Chan<br />
570mm x 100mm<br />
181<br />
An installation of small mixed media works (LKS, 2022)<br />
Mixed media: archival inkjet print, pine, oak, acrylic medium, various size<br />
182<br />
(collection) Painting <strong>by</strong> Kwok Man Ho (Frog King)<br />
63x15 inch, ink on paper<br />
183<br />
89 • The Golden Lotus • Footsteps of June (HL, 1989)<br />
(Peter Suart) 18x36 inch, frame size 36x49 inch, chromogenic print<br />
This photograph was printed for the exhibition CONTEMPORARY PHOTOGRAPHY<br />
MAINLAND CHINA, HONG KONG AND TAIWAN, 1994
184<br />
186<br />
185<br />
184<br />
(collection) Self portrait of Rembrandt, a later print from the original lithograph plate<br />
of Rembrandt studio<br />
230mm x 280mm, on paper, frame size 470mm x 380mm<br />
186<br />
(collection) Photograph <strong>by</strong> Gary Michael Dault<br />
chromogenic print, frame size 155mm x 200mm<br />
185<br />
(collection) Photograph <strong>by</strong> Shozo Ushiroguchi<br />
gelatin silver print, frame size 670mm x 670mm
188<br />
187<br />
190<br />
191<br />
189<br />
192<br />
187<br />
(collection) Photograph <strong>by</strong> Balint Zsako<br />
in frame, 41 x 31 inches, chromogenic print<br />
188<br />
(collection) Photograph <strong>by</strong> Diana Thorneycroft<br />
6<strong>50</strong>mm x 6<strong>50</strong>mm, chromogenic print, frame szie 1030mm x 770mm<br />
189<br />
(collection) Painting <strong>by</strong> Rupen Kunugus<br />
290mm x 290mm<br />
190<br />
(collection) Photographs <strong>by</strong> Patrick Lee<br />
Various sizes, archival inkjet prints, framed<br />
191<br />
(collection) Mixed media object <strong>by</strong> Kwok Man Ho (Frog King)<br />
80mm x 110mm<br />
192<br />
(collection) Painting <strong>by</strong> Shelley Savor<br />
610mm x 510mm
195<br />
196<br />
197<br />
193<br />
194<br />
195<br />
(collection) Photograph <strong>by</strong> David Donald<br />
Chromogenic print in frame 330 x 330mm<br />
196<br />
On Sunday afternoon, June 10th, at the Sony Centre for the Performing Arts, I<br />
encountered the Spiral Object with Wings during Philip Glass’ ‘Einstein on the Beach’<br />
performance (LKS, 2012)<br />
Mixed media: archival inkjet print, pine wood, acrylic medium<br />
12<strong>50</strong>mm x 86mm x 36mm<br />
193<br />
(collection) Mixed media object <strong>by</strong> Kai Chan<br />
230mm x 130mm<br />
197<br />
(collection) Blacksmith from Prague, wooden puppet purchased in 1992<br />
470mm x 130mm x 95mm<br />
194<br />
On Photography (LKS, 2012)<br />
Mixed media: archival inkjet print, pine wood, acrylic medium<br />
12<strong>50</strong>mm x 86mm x 36mm
198<br />
200<br />
199<br />
198<br />
(collection) Crane, Kite purchased in Tianjin 1986<br />
36 x 20 inch<br />
199<br />
(collection) Shadow puppet purchased in Beijing 1981<br />
12x12 inch<br />
200<br />
We knew each other since tender age (HL, 1996)<br />
16x20 inch, gelatin silver print<br />
Duo series (1991-2015)