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Issue 21 – In Conversation with .. 10!

Welcome to the 21st issue of KALTBLUT. In conversation with Daniel Zillmann, YuYu, ALLIE X, Joseph W. Ohlert, Kid Simius, Emilio, Branko Popovic, Tariq Alsaadi, BEC, Dennis Grigorev, Hümeyra Demircioğlu, BKLAVA, Anita Vieiro and SISSY MISFIT. 404 pages filled with art, fashion and music.

Welcome to the 21st issue of KALTBLUT. In conversation with Daniel Zillmann, YuYu, ALLIE X, Joseph W. Ohlert, Kid Simius, Emilio, Branko Popovic, Tariq Alsaadi, BEC, Dennis Grigorev, Hümeyra Demircioğlu, BKLAVA, Anita Vieiro and SISSY MISFIT. 404 pages filled with art, fashion and music.

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and I think the new music relates more to that than<br />

any of my previous tracks. I’ve navigated the impact<br />

that various features have had on my career (a classic<br />

dance singers tale i think) and how it’s almost set me<br />

back. HOWEVER, it’s never final… and the impact<br />

I hope for this mixtape, will be a reset and hopefully<br />

a deeper understanding to my listeners of what my<br />

sound really is.<br />

You’ve mentioned your upbringing in a household<br />

filled <strong>with</strong> classic rock and a mix of Irish and Lebanese<br />

backgrounds. How have these diverse musical<br />

influences shaped your artistic identity and sound?<br />

I don’t think any of my influences are directly heard<br />

in my music. I’m inspired by so much so I think there’s<br />

little pockets from each corner of the musical entities<br />

I've drawn from over the years. Although saying that,<br />

I intend to do a project focusing on the music from my<br />

heritage and getting more percussive! It’s something<br />

I've said before that is still an ongoing conversation!<br />

As a multifaceted artist <strong>with</strong> a background in singing,<br />

songwriting, and DJing, how do you navigate between<br />

these different creative roles when working on new<br />

projects like "c u l8r"?<br />

<strong>In</strong> your latest project, you mentioned collaborating<br />

<strong>with</strong> underground artists like bullet tooth, Big Ang,<br />

and MJ Cole. How did these collaborations come about,<br />

and what did each collaborator bring to the mixtape?<br />

I’m honoured that such esteemed artists want to work<br />

<strong>with</strong> me! It’s truly a joy and honestly some of these<br />

were like a masterclass. It’s taken me a while to get<br />

others to really understand my vision but <strong>with</strong> this<br />

mixtape, it came together so nicely. It was patience,<br />

trust and a shared love and vision <strong>with</strong> each collab.<br />

I’ve never felt so blessed to work <strong>with</strong> people who<br />

just fucking get it! The priority in all these sessions<br />

was about the feeling and the purpose of the song:<br />

what does this song mean, what are we going for,<br />

what inspirations do we want to draw on. These things<br />

sound simple but are not prevalent in every session,<br />

let alone the core focus. I honestly felt the same level<br />

of care amongst each collaboration.<br />

Your mixtape emphasises the darker, speedier DJ tools<br />

you've utilised since the beginning of your career. How<br />

do you balance showcasing your powerful vocals <strong>with</strong><br />

the production elements in your music?<br />

It’s not been easy! As a singer in the dance/electronic<br />

sector, there’s always a stigma that singing can<br />

take the underground credibility away once vocals<br />

are brought into the mix- especially amongst the<br />

“headsier” listeners or fellow peers. However, I think<br />

this was a bigger problem way back when.<br />

The general tastes and inspos of listeners today feel<br />

more open and varied now than ever before, <strong>with</strong><br />

more artists bringing forward a blend of genres rather<br />

than a straightforward sound. This is essentially the<br />

purpose of my mixtape - to showcase the sonics and<br />

prove that my music can transpire into club spaces<br />

342<br />

This last year I've had time to write and studio time has<br />

taken the reins and all my focus - it has been tunnel<br />

vision onto this project really! This mixtape draws on all<br />

my creative outlets <strong>with</strong> singing and songwriting - along<br />

<strong>with</strong> taking musical inspos from my DJ playlists so yeah<br />

it’s definitely not left anything out!<br />

The mixtape celebrates the energy and essence of club<br />

culture. How do you hope listeners will connect <strong>with</strong><br />

your music on a personal level and experience the<br />

same sense of euphoria and emotional connection you<br />

draw from club settings?<br />

I want new people to find out about me through this<br />

project and kinda neglect my previous work hahah<br />

and i want my DJ friends to play it :D. If you’ve ever<br />

had a strong connection to dance music or can relate<br />

to the rush of euphoria and the essence of community<br />

<strong>with</strong>in club spaces, then this mixtape is for you. I want<br />

it to transport everyone to a place of sanctity. It’s<br />

not the kinda music to listen to before ya go to sleep<br />

though, it’s first thing in the morning and late at night<br />

before or during the shubs hahahah.<br />

With the release of "c u l8r," your move back<br />

from Brighton to London, and your journey as an<br />

independent artist, how has this period of transition<br />

and artistic growth shaped your perception of success<br />

and fulfilment in your career?<br />

I think most people assumed I was still in London<br />

because I was basically commuting there 5 times<br />

a week before anyways haha but being back in<br />

London feels like home to me. I love the new little<br />

pockets I've been finding since being back here and<br />

also surrounding myself in the greener parts of London<br />

has been a bit of a blessing too. I’m always inspired in<br />

London, it’s hard not to be when so many wonderful<br />

people reside here from all walks of life. When it<br />

comes to my independent journey, it all stems from<br />

taking matters into my own hands and having more<br />

control in my narrative. It’s not something I've always<br />

been able to emulate but I do believe these are the<br />

steps to come into my own.

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