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Issue 21 – In Conversation with .. 10!

Welcome to the 21st issue of KALTBLUT. In conversation with Daniel Zillmann, YuYu, ALLIE X, Joseph W. Ohlert, Kid Simius, Emilio, Branko Popovic, Tariq Alsaadi, BEC, Dennis Grigorev, Hümeyra Demircioğlu, BKLAVA, Anita Vieiro and SISSY MISFIT. 404 pages filled with art, fashion and music.

Welcome to the 21st issue of KALTBLUT. In conversation with Daniel Zillmann, YuYu, ALLIE X, Joseph W. Ohlert, Kid Simius, Emilio, Branko Popovic, Tariq Alsaadi, BEC, Dennis Grigorev, Hümeyra Demircioğlu, BKLAVA, Anita Vieiro and SISSY MISFIT. 404 pages filled with art, fashion and music.

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Festival is now a means to present the results<br />

of various projects and processes. For<br />

example, we have residency programs.<br />

At the New Fashion Narratives residency<br />

we invite designers to curate the exhibition<br />

program for the festival <strong>with</strong> us.<br />

<strong>In</strong> 2024 we have a new residency program<br />

around Decoloniality and fashion. Creating<br />

space for thinking about decoloniality,<br />

unlearning, revaluing, restoring, etc. is<br />

more important than putting even more new<br />

products into the world.<br />

The Clash House program, <strong>with</strong> its aim of<br />

developing performances and crossover<br />

between fashion and other art forms, remains<br />

an important focus to contribute to innovation.<br />

With your considerable influence on the<br />

modern fashion scene, how do you perceive its<br />

current trends and future trajectories?<br />

As far as we are concerned, there are<br />

mainly inspiring initiatives among the new<br />

generation of makers. The big brands and the<br />

powerful industry are too slow to bring about<br />

the change needed to save the world from<br />

destruction.<br />

It is important that there are independent<br />

platforms and that value-driven initiatives<br />

receive more attention.<br />

At the end, we are just a small player in<br />

a big world where a lot of power and money<br />

is converted. But we believe that impact<br />

on a small scale is just as valuable. That is<br />

what FASHIONCLASH will try to continue<br />

providing.<br />

What are some aspirations for FASHIONCLASH<br />

in the next edition that you haven’t fulfilled<br />

in previous years?<br />

The program design for this year will not be<br />

very different from last year, we have had<br />

many new activities since last year that we are<br />

very excited about. And we see that there is<br />

a lot of interest in this among the community,<br />

so we are going to further develop a number<br />

of formats.<br />

Attention to decoloniality is a new program<br />

that we will give a real platform to for the<br />

first time this year <strong>with</strong> the residency and<br />

participation in the Global Fashion Assembly.<br />

We are working on a possible cool new<br />

location. And we are entering into several<br />

new partnerships that will connect fashion<br />

<strong>with</strong> other art forms. <strong>In</strong> particular, we want<br />

to investigate collaboration <strong>with</strong> music, sound<br />

and language disciplines, for example.<br />

Festival edition in November will be<br />

a beautiful and full program.<br />

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