Issue 21 – In Conversation with .. 10!

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How has the Berlin art scene influenced your work, especially considering the city’s rich history in the arts? The Berlin art scene mirrors the city itself! remarkably diverse. This diversity provides ample opportunities for artists like myself to connect with our audiences and engage in meaningful interactions. In Berlin, the cultural landscape offers something new virtually every day, from exhibitions and museums to performances, providing constant inspiration. Moreover, Berlin itself serves as a profound source of inspiration for me. Its vibrant streets, diverse inhabitants, underground culture, international atmosphere, and sense of freedom all contribute to shaping my artistic vision and creativity. What role do you believe art plays in creating dialogue around sensitive issues, particularly in the context of the Arab world? Art can play a crucial role in addressing sensitive issues within the Arab world, including queerness, which unfortunately remains a contentious topic due to various societal factors. In this context, art can illuminate queer moments from Arab history, showcasing instances of direct acknowledgement of queer and gay love and sexuality in Arabic literature and art, even at times when Europe grappled with issues surrounding queerness. By highlighting these historical queer moments, art serves to educate both queer and non-queer Arab audiences, emphasizing that queerness has always been a part of our culture and history, rather than an imported phenomenon to be rejected. Art, with its symbolic language, offers a softer approach compared to direct discussions, providing a starting point for dialogue and facilitating progress towards further understanding and acceptance. Do you have any projects that specifically address the experiences of the LGBTQ+ community within the Arab diaspora? I collaborated on a project with a Syrian platform based in Berlin that focused on highlighting queer characters depicted in Syrian telenovelas from the 2000s era. During the 90s and 2000s, Syrian TV dramas and series experienced a golden era and garnered immense popularity across the Arab world. Many of these series featured queer characters, although their sexual orientation or gender identity was not explicitly addressed. Despite this, it was widely understood that these characters were gay, lesbian, or transgender. These series hold significant cultural and identity value for Syrian millennials, both queer and non-queer, many of whom are now part of the diaspora. In our project, we aimed to shine a spotlight on these queer characters, providing them with more visibility than they originally received as secondary characters in TV dramas. By directly addressing their queer identity, we sought to create a space for dialogue and reflection on our experiences as queer individuals while maintaining a connection to our cultural heritage. This project emerged from a sense of nostalgia that binds us together, serving as a testament to our shared experiences and our desire to remain connected to our culture. Finally, what is your vision for the future of queer art, and how do you see yourself contributing to it? At times, I find it challenging to label queer art as „queer art” because art inherently embodies queerness in its essence, regardless of the artist’s sexual orientation. Furthermore, queer artists have long served as a significant source of inspiration for all artists and have contributed immensely to the evolution of the art scene. However, as queer artists, we must remain vigilant to ensure that we retain the freedom to openly express queer themes in society. Unfortunately, our existence and ability to express ourselves are often subject to political factors that can change rapidly. Therefore, we must continue advocating for our rights and the development of our art within a supportive political and social environment, free from exploitation or “pinkwashing” for profit. It is our responsibility to ensure that queer themes remain present and visible in our artworks, sharing our stories and addressing our issues to pave the way for future generations of queer artists. By doing so, we contribute to the ongoing progress and empowerment of queer artists, striving for a future where we can express ourselves freely and authentically without fear or exploitation of our identities. Interview by Marcel Schlutt Follow Tariq via @tariq_saadi and @tariq_illustration 181
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ISSUE 21 - 04.2024 Daniel Zillmann
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N HAND DEN MUS 5
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P. 020 Kid Simius P. 046 BEC P. 064
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THE VISITOR Photography/Edit/Concep
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Photography by Linda Ambrosius www.
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It seems the "younger generation" d
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Left Coat: Prada Pants: Bonsai Righ
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When you listen back to tracks befo
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Pullunder: Marni Jewelry: Girls and
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That enjoyment still comes across,
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THE HYPER REALISM OF THE FUTURE CLU
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Emrah Polywka In a world where labe
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LD LIGHT Photographer: Labros Tyrli
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IN CONVERSATION uYu WITH In the eve
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Now my process of creation is less
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How significantly does the reading
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In this new re-interpretation, the
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A blockchain-based system of tokeni
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"LOVE LETTERS" by Hümeyra Demircio
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With an international audience in m
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In 2023, Laufey captivated the musi
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pants by MAGSINO necklace & ring by
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jacket Vintage from PWC Milano skir
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top with detachable sleeves by LAMA
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skirt and detachable pants by MAGSI
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What inspired you to create the “
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In what ways do you think the media
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JOSEPH WOLFGANG OHLERT What advice
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Y Dress by IRENSENCE Shoes by ZARA
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Left: Jacket by JUNEYEN Pants by JU
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Page 183 and 184: MODELS: MALINKA / @ZOFIA_______ AND
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This editorial reinterprets and upd
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Creative idea Maria Sánchez Garcí
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We had the pleasure of sitting down
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The album cover, with you clutching
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In this issue, we take a moment to
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Festival is now a means to present
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Sometimes we literally give someone
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underwear FALKE 293
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dress GUOVARDE shoes Steve Madden 2
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Immerse yourself in the vanguard of
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Carla Martini + Valeria Schwindt Ca
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RUE CAMELS Photography by Steven Ko
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In the ever-evolving tapestry of fa
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In what ways do you believe your Fi
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“The Virgin Suicides” offers a
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What challenges have you faced as a
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Can you tell us about the inspirati
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Interview by Nicola Phillips 'c u l
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"THREADING symbolizes a virtual wir
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“We’re not collecting money to
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Photography by Amanda M. Jansson @a
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A MAGICAL OASIS UNVEILED: VASSILIKI
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Koukou’s work is a heartfelt expl
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Vasiliki Koukou (b. 1996) graduated
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Exhibition Details: Dates: April 25
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We caught up with Istanbul-born, Lo
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Could you walk us through the creat
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