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Issue 21 – In Conversation with .. 10!

Welcome to the 21st issue of KALTBLUT. In conversation with Daniel Zillmann, YuYu, ALLIE X, Joseph W. Ohlert, Kid Simius, Emilio, Branko Popovic, Tariq Alsaadi, BEC, Dennis Grigorev, Hümeyra Demircioğlu, BKLAVA, Anita Vieiro and SISSY MISFIT. 404 pages filled with art, fashion and music.

Welcome to the 21st issue of KALTBLUT. In conversation with Daniel Zillmann, YuYu, ALLIE X, Joseph W. Ohlert, Kid Simius, Emilio, Branko Popovic, Tariq Alsaadi, BEC, Dennis Grigorev, Hümeyra Demircioğlu, BKLAVA, Anita Vieiro and SISSY MISFIT. 404 pages filled with art, fashion and music.

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<strong>In</strong> your new album, there is a track called<br />

“Rote Ampel”. Your gift of storytelling<br />

shows. Can you tell me more about this track?<br />

I was driving around town <strong>with</strong> my car when<br />

I saw a young boy standing on the side of the<br />

street looking at my car. I looked at him and<br />

realised how crazy it was because I used to be<br />

a boy looking at cars. Now, I'm the driver.<br />

I started thinking about how much I had to go<br />

through and work to be the person in the car now.<br />

I was thinking about it all my way back and when<br />

I got into the studio I just needed to write a song<br />

about that moment and try to narrow it down to<br />

what it takes to become the driver and not the boy<br />

on the street. The process of writing that song was<br />

a reflection of my journey for me so far.<br />

At such a young age, you have two impressively<br />

successful careers - actor and musician. From how<br />

I perceive it, I would say music is more of a<br />

therapy for you. Is that correct?<br />

For me, music has always been more of a passion<br />

that drives you. The biggest difference is, that in<br />

movies, I play someone else. With my music, I can<br />

open my true self and tell my stories. I get to be<br />

all: the director, the cameraman, the editor and<br />

the writer. <strong>In</strong> film, I’m a part of a huge team that<br />

takes care of a lot of stuff. I trust them and do my<br />

work. As an actor, I get to tell the stories of others<br />

and live through different lives.<br />

All my life, all I wanted to do was to tell stories.<br />

The power of storytelling has always charmed me<br />

since my childhood. It's perfect for me to have that<br />

balance between telling someone’s stories and my<br />

own. With that, I’m able to find myself again in<br />

the songwriting process after an intensive period<br />

of filming. Especially for actors and actresses, it<br />

can be hard because you tend to lose yourself in<br />

the character. Music has been my way to help me<br />

counterbalance it and find myself again.<br />

<strong>In</strong> other interviews, you've openly talked about<br />

your mental health struggles, which I find was<br />

so helpful to many young people. Can you tell<br />

us what's your process for dealing <strong>with</strong> anxiety?<br />

I used to have panic attacks and, luckily, they<br />

have got a lot less since. About two years ago,<br />

I stopped drinking, which helped a lot. During<br />

my day-to-day life, I’m trying to maintain a healthy<br />

lifestyle and prioritise taking time off, spending<br />

quality time <strong>with</strong> my family and respecting my<br />

recovery time.<br />

I must say what helped me most was openly<br />

talking about it. It gave me so much relief<br />

because, until that point, I thought I was sick and<br />

was the only one experiencing those attacks. It<br />

can feel very lonely, and then you can end up in<br />

a negative loop thinking there’s something wrong<br />

<strong>with</strong> you. When I started speaking about it,<br />

I realised I'm not the only one.<br />

Can you tell me more about the meaning<br />

behind your song, “Mond” as it has such<br />

a touching sentiment to it?<br />

It's a very personal song about a friend<br />

who's always stuck in a very negative<br />

situation. We all have friends who have<br />

been in a dark spot for a while, it's nice to<br />

have something to sing along <strong>with</strong> and just<br />

say: “I'm there for you, I'll take care<br />

of you".<br />

Would you say your albums function as<br />

your diary or a form of self-reflection?<br />

Or is it more of an emotional release?<br />

Honestly, my process isn’t very intentional<br />

when I write. It just happens and comes out<br />

of me. I don’t start <strong>with</strong> a specific thought.<br />

Usually, my process is about just letting it<br />

all out of me until the point when I have<br />

around 30 songs. That’s when I started to<br />

puzzle it together - like a director.<br />

Can you pick out a few of your favourite<br />

songs on the album and tell us more about<br />

how they were written, and how did you<br />

come up <strong>with</strong> them?<br />

I'm a big fan of “Fuck It”. <strong>In</strong>itially, we<br />

only had an instrumental <strong>with</strong> a top line<br />

that somehow ended up sounding drunk.<br />

I perform the song as if I'm intoxicated,<br />

thinking about what topics one might<br />

think about or discuss while being drunk.<br />

Pain and love seemed fitting. Now that<br />

I no longer drink, I often observe how<br />

those around me who lose their ability to<br />

maintain a coherent conversation. They<br />

tend to switch topics abruptly.<br />

From that thought process, “Fuck It”<br />

emerged. It captures a particular state<br />

of mind. The song immerses you in a<br />

heightened emotional state and serves as<br />

a compelling opener for the album.<br />

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