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Redefining Reality - The Intellectual Implications of Modern Science

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<strong>The</strong> possibility <strong>of</strong> life on other planets has been a constant fascination<br />

<br />

sent messages into space on our Voyager crafts, and we are using<br />

radio telescopes to listen for messages that may have been sent to us. In<br />

our solar system, Mars is the only other planet that has the likelihood <strong>of</strong><br />

being home to life, now or in the past. But the search for planets around<br />

neighboring stars is perhaps our best hope; in this search, we have found at<br />

least 21 possible candidates.<br />

<br />

<br />

<br />

discovery <strong>of</strong> life on another planet. Scientists are dedicating<br />

resources to this search and have had some promising leads, but<br />

artists have been on the case even longer. Artistic portrayals <strong>of</strong><br />

the subject tend to come in four varieties: aggressive, exploratory,<br />

cooperative, and transcendental.<br />

<br />

<br />

<strong>The</strong> aggressive version is the central plot device <strong>of</strong> H. G. Wells’s<br />

War <strong>of</strong> the Worlds, in which Martians invade Earth with the intent<br />

<strong>of</strong> seizing control. Wells’s story was famously revived on the radio<br />

in 1938. At the time, World War II was looming, and thoughts <strong>of</strong><br />

mass killings and the possibility <strong>of</strong> invasion by those considered<br />

“other” were not far from the cultural mind.<br />

Director Steven Spielberg gave us representations <strong>of</strong> extraterrestrials<br />

<br />

Third Kind and <br />

come to Earth to study humans, not to conquer us. Produced in<br />

<br />

hopefulness that those who seem different can come to understand<br />

each other and coexist.<br />

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