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Fall 2023 Madison Museum of Contemporary Art (MMoCA) Newsletter

Exhibitions, activities, education programming and more!

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FALL <strong>2023</strong>


CURRENT EXHIBITIONS<br />

FEDERICO URIBE<br />

METAMORPHOSIS | METAMORFOSIS<br />

State Street Gallery, The Shop, and the Lobby<br />

September 30, <strong>2023</strong>–May 26, 2024<br />

2<br />

<strong>MMoCA</strong> presents Metamorphosis | Metamorfosis,<br />

featuring the Colombian-born, Miamibased<br />

artist Federico Uribe’s magical, colorful,<br />

and sculptural menagerie <strong>of</strong> plants and animals<br />

made <strong>of</strong> ordinary materials. Multi-colored<br />

shotgun casings and golden, varying caliber<br />

bullets are brought together to form a lion;<br />

saddles and horseshoes are fashioned into a<br />

horse; and scissors, zip ties, and wool become<br />

a sheep.<br />

Uribe fills a former <strong>MMoCA</strong> <strong>of</strong>fice space adjacent<br />

to The Shop with his magical ecosystem<br />

depicting the flora and fauna found in a coral<br />

reef. A farm scene and a family <strong>of</strong> immigrants<br />

are among the worlds in which visitors can<br />

become immersed.<br />

One might think that Uribe intends to alert<br />

viewers to the exploitation <strong>of</strong> animals and the<br />

environment. But, instead, Uribe aims to use<br />

everyday and sometimes provocative materials<br />

to challenge associations; the goal is against the<br />

grain and utopian—or, as he explains, to “make<br />

people happy”—in spite <strong>of</strong> preconceived connotations.<br />

Uribe shape-shifts feelings <strong>of</strong> sorrow,<br />

rage, and despair to create positive, immersive<br />

environments.<br />

Metamorphosis | Metamorfosis is Guest<br />

Curated by Laura Dickstein Thompson, EdD.<br />

RELATED EVENT<br />

SAVING CORAL REEFS FROM CLIMATE<br />

CHANGE THROUGH SCIENCE AND ART<br />

Saturday, October 22 • 2–3 PM<br />

<strong>MMoCA</strong> Lecture Hall<br />

At first look, Federico’s Uribe’s Plastic<br />

Reef (2018-<strong>2023</strong>) appears to be an underwater<br />

world filled with corals, mussels,<br />

and schools <strong>of</strong> fish. However, everything<br />

is created and replicated using thousands<br />

<strong>of</strong> pieces <strong>of</strong> upcycled plastic carefully<br />

cut, dyed, and arranged. Discarded plastic<br />

bottles, cutlery, flip flops, and other<br />

plastic detritus that highlights the damage<br />

done to the oceans by pollution.<br />

Pupa Gilbert is a Pr<strong>of</strong>essor <strong>of</strong> Physics at<br />

the University <strong>of</strong> Wisconsin-<strong>Madison</strong> and<br />

a visiting faculty scientist at the Lawrence<br />

Berkeley National Laboratory.<br />

This talk is presented in conjunction with<br />

the Wisconsin Science Festival.<br />

FREE ADMISSION<br />

COVER: Federico Uribe, Panda Bear (detail), 2018. Bullet Shells, 60 x<br />

52 x 48 inches. Courtesy <strong>of</strong> the <strong>Art</strong>ist and Adelson Galleries. PAGE 2:<br />

Federico Uribe, The Immigrant, 2021. Suitcases, 61 1/2 x 104 x 44 1/2<br />

inches. Courtesy <strong>of</strong> the <strong>Art</strong>ist and Adelson Galleries.


FLOYD NEWSUM<br />

Evolution <strong>of</strong> Sight<br />

Main Galleries • On view through October 8<br />

Featuring works created over the past 50 years,<br />

Floyd Newsum: Evolution <strong>of</strong> Sight <strong>of</strong>fers opportunities<br />

to look closely and explore the personalized<br />

signs and imagery utilized throughout Newsum’s<br />

artistic career. Each work captures a deeply personal<br />

history <strong>of</strong> the artist, with family photographs<br />

and symbols veiled with richly layered colors and<br />

textures that create tactile surfaces. When placed<br />

in context with each other, themes <strong>of</strong> community,<br />

family, spirituality, and transcendence emerge.<br />

AVA WANBLI<br />

Sertraline Dolls<br />

Imprint Gallery • On view through October 8<br />

RECOLLECT<br />

Sam Gilliam<br />

Henry Street Gallery<br />

On view through March 3, 2024<br />

For over forty years, Sam Gilliam traveled between<br />

his home in Washington, D.C., and <strong>Madison</strong> every<br />

summer. Each trip was marked by a whirlwind <strong>of</strong><br />

artistic activity as well as friendship, mentorship,<br />

and transformation.<br />

Sertraline Dolls is a first-person, single-player<br />

video game in which the player encounters<br />

multiple representations <strong>of</strong> the artist’s body<br />

taken from 3D scans that include various poses,<br />

guises, and personas. Visitors encounter these<br />

renderings as they complete tasks on each <strong>of</strong> the<br />

four levels, collecting various objects needed to<br />

move on to the next level.<br />

The work reflects on the complexities <strong>of</strong> what<br />

it means to be a trans woman in sex work, providing<br />

a meditation on self-production through<br />

sexual expression and consumption <strong>of</strong> the body.<br />

RECOLLECT: Sam Gilliam invites visitors to celebrate<br />

the connections found in his art and through<br />

his art. Guided by stories shared by those who<br />

knew Gilliam, the exhibition is a meditation on individual and extremely personal ties to the artist and<br />

his works. The show is an opportunity to reflect on the innovative production <strong>of</strong> an internationally recognized<br />

artist and his impact on the development <strong>of</strong> <strong>Madison</strong>, Wisconsin’s creative culture.<br />

PAGE 3: Floyd Newsum, Sirigu Janie’s Journey, 2018. Acrylic and oil on paper with collage elements, 55 x 95 inches. Courtesy <strong>of</strong> the <strong>Art</strong>ist. •<br />

Ava Wanbli, Sertraline Dolls (screenshot), 2021–22. Installation, variable. Courtesy <strong>of</strong> the <strong>Art</strong>ist. • Installation view <strong>of</strong> RECOLLECT: Sam Gilliam,<br />

<strong>Madison</strong> <strong>Museum</strong> <strong>of</strong> <strong>Contemporary</strong> <strong>Art</strong>, <strong>2023</strong>.<br />

3


UPCOMING EXHIBITIONS<br />

imaginary i<br />

Main Galleries • November 10, <strong>2023</strong>–April 7, 2024<br />

imaginary i compares how artists and mathematicians<br />

utilize constructs <strong>of</strong> the imaginary,<br />

or complex numbers, to envision the future<br />

and reclaim, retrace, and reveal past patterns.<br />

When examining <strong>MMoCA</strong>’s collecting patterns,<br />

there emerges a history <strong>of</strong> acquisitions that<br />

dovetails with explorations <strong>of</strong> science and math.<br />

Together, art, math, and science explore and<br />

seek out unknown worlds and concepts projecting<br />

future and undiscovered realities. <strong>Art</strong>ists<br />

utilizing mathematical iterative processes, such<br />

as Charles Gaines, those exploring modeling<br />

the infinite, such as Bruce Conner, and Erika<br />

Blumenfeld, who reflects the scientific realm,<br />

reveal new ways <strong>of</strong> looking that open dialogues<br />

on potentialities.<br />

Pairing works from the <strong>MMoCA</strong> collection<br />

with contemporary artists engaged in similar<br />

pursuits, the exhibition postulates that science,<br />

technology, engineering, arts, and mathematics<br />

(STEAM), have coalesced within the collection<br />

for the last half-century. Further research into<br />

the history <strong>of</strong> donors and the relationship with<br />

the University <strong>of</strong> Wisconsin-<strong>Madison</strong> infers an<br />

inherent interest in seeking out the mathematical<br />

and scientific in art. For example, renowned<br />

mathematician and pr<strong>of</strong>essor at UW-<strong>Madison</strong><br />

PAGE 4: Michelle Grabner, Untitled (detail), c. 2005. Painting,<br />

44 x 45 inches. Gift <strong>of</strong> Nancy Mladen<strong>of</strong>f and J.J. Murphy.<br />

Collection <strong>of</strong> the <strong>Madison</strong> <strong>Museum</strong> <strong>of</strong> <strong>Contemporary</strong> <strong>Art</strong>.<br />

Rudolph Langer provided the founding gift <strong>of</strong><br />

artwork that established <strong>MMoCA</strong>’s collection.<br />

Complemented by humanities-based programming,<br />

collaboration with K-12 educators, and<br />

onsite activities for families in the Learning<br />

and Activity Centers, the exhibition will utilize<br />

data visualization techniques to develop conversations<br />

around the vital role <strong>of</strong> the arts and<br />

humanities in conjunction with science, technology,<br />

engineering, and mathematics (STEM).<br />

RELATED EVENTS<br />

ARTIST TALK: ANNE LINDBERG<br />

Friday, November 10 • 6–7 PM<br />

<strong>MMoCA</strong> Lecture Hall • Free admission<br />

New York-based artist Anne Lindberg<br />

creates textured, abstract compositions<br />

inspired by textiles and by the neurological<br />

and physiological networks <strong>of</strong> the<br />

human body. Lindberg will discuss her<br />

yet-to-be titled installation commissioned<br />

by <strong>MMoCA</strong> and on view in imaginary i,<br />

along with her artistic practice, which<br />

generates fundamental questions about<br />

time, causality, and perception. The talk<br />

takes place during the imaginary i exhibition<br />

celebration. Seating is limited in the<br />

Lecture Hall.<br />

4


EDUCATION PROGRAMS<br />

<strong>MMoCA</strong> CINEMA FALL SERIES<br />

<strong>MMoCA</strong> Lecture Hall • Thursdays at 7 PM<br />

October 12, 19, 26 & November 2, 9, 16, 30<br />

The <strong>Fall</strong> <strong>MMoCA</strong> Cinema series is coming up, with seven screenings—including a live cinema performance—taking<br />

place on Thursday evenings at 7 PM, from October 12 to November 30. For additional<br />

details and ticket information, visit mmoca.org/cinema.<br />

October 12<br />

Ears, Eyes and Throats:<br />

Restored Classic and Lost<br />

Punk Films 1976-1981<br />

Various <strong>Art</strong>ists | 105 minutes<br />

October 19<br />

A Common Sequence<br />

Mike Gibisser, Mary Helena<br />

Clark | <strong>2023</strong> | 77 minutes<br />

October 26<br />

Last Things<br />

Deborah Stratman | <strong>2023</strong><br />

50 minutes<br />

Optimism<br />

Deborah Stratman | 2018<br />

15 minutes<br />

November 2<br />

<strong>Madison</strong> Brookshire and<br />

Tomonari Nishikawa:<br />

Cinema Performances<br />

November 9<br />

The Sun Quartet<br />

Colectivo Los Ingrávidos | 2017<br />

60 minutes<br />

Coyote<br />

Colectivo Los Ingrávidos<br />

<strong>2023</strong> | 15 minutes<br />

November 16<br />

Unrest<br />

Cyril Schäublin | 2022<br />

93 minutes<br />

November 30<br />

The Films <strong>of</strong> Edward Owens,<br />

presented in restored 16mm prints<br />

Autre Fois J’ai Aimé Une Femme<br />

1966 | 24 minutes<br />

Tomorrow’s Promise<br />

1967 | 42 minutes<br />

Remembrance: A Portrait Study<br />

1967 | 6 minutes<br />

Private Imaginings and Narrative Facts<br />

1968-70 | 9 minutes<br />

5


EDUCATION PROGRAMS<br />

All events are admission-free unless otherwise noted.<br />

Science on the Square<br />

Thursday, October 19 • 5–8 PM<br />

Learn more about the science that surrounds us<br />

every day while exploring downtown <strong>Madison</strong><br />

as part <strong>of</strong> the Wisconsin Science Festival and<br />

the <strong>Madison</strong> Night Market! On Thursday,<br />

October 19, Science on the Square will feature<br />

STEM-themed activities for guests <strong>of</strong> all ages<br />

throughout State Street and the Capitol Square.<br />

At <strong>MMoCA</strong>, create artwork inspired by Federico<br />

Uirbe’s colorful environments, and consider<br />

math-based art as a preview for imaginary i,<br />

which opens at <strong>MMoCA</strong> on November 11.<br />

Participating venues and activities:<br />

wisconsinsciencefest.org/scienceonthesquare<br />

Sam Gilliam: A Generosity <strong>of</strong><br />

Time<br />

Saturday, December 2 • 2 PM<br />

Henry Street Gallery<br />

Kind. Generous. Silly. Surprising. All words<br />

that Bruce Crownover uses to describe artist<br />

Sam Gilliam, with whom he frequently collaborated.<br />

In this gallery talk, the <strong>Madison</strong>-based<br />

Crownover will share memories, stories, and<br />

lessons learned from his 35-year friendship<br />

with Gilliam, using the artwork on display in<br />

RECOLLECT: Sam Gilliam as a starting point.<br />

In addition to being an artist, Bruce Crownover<br />

previously worked as a master printer at<br />

Tandem Press, and is currently <strong>MMoCA</strong>’s<br />

Installations and Facilities Associate.<br />

<strong>MMoCA</strong> Cinema:<br />

Midwest Matrix<br />

Thursday, January 25 • 6 PM<br />

<strong>MMoCA</strong> Lecture Hall<br />

Midwest Matrix is a documentary tracing the<br />

post-World War II history <strong>of</strong> fine art printmaking<br />

in the American Midwest, exploring the<br />

synergy among Midwest universities, workshops,<br />

and their participants. The film allows<br />

these artists to provide accounts <strong>of</strong> their experiences,<br />

their training, and their involvement<br />

with the development <strong>of</strong> print departments and<br />

studios. The film highlights Sam Gilliam and<br />

his time at Tandem Press.<br />

After the screening, join us for a conversation<br />

and Q&A with the film’s director, Susan<br />

Goldman. In addition to founding Lily Press,<br />

Susan Goldman is an artist, master printmaker,<br />

curator, filmmaker, and a Founding Director <strong>of</strong><br />

the Printmaking Legacy Project, a non-pr<strong>of</strong>it<br />

organization dedicated to documentation<br />

and preservation <strong>of</strong> printmaking practice and<br />

history.<br />

Sam Gilliam: Abstraction and<br />

Innovation Beyond the Color<br />

Field and the Color Line<br />

Saturday, January 27 • 2–3 PM<br />

<strong>MMoCA</strong> Lecture Hall<br />

Scholar and artist Freida High Wasikhongo<br />

Tesfagiorgis will explore how select Black artists<br />

from the American South turned towards<br />

abstraction in the post-World War II era,<br />

6<br />

continues on p 7


PROGRAMS& EVENTS<br />

centering on Sam Gilliam’s work and artistic processes,<br />

and incorporating other artists, including<br />

Mel Edwards and Floyd Newsum (recently on view at<br />

<strong>MMoCA</strong>). High’s talk will explore the ways in which<br />

artists are and were true to themselves in abstraction<br />

and figurative compositions amid cultural and<br />

social issues and debates, long before the Black Lives<br />

Matter Movement.<br />

Freida High Wasikhongo Tesfagiorgis, MA, MFA,<br />

PhD, is a painter, printmaker, art historian, curator,<br />

Emerita Pr<strong>of</strong>essor <strong>of</strong> African and African American<br />

<strong>Art</strong> History and Visual Culture, Departments <strong>of</strong><br />

Afro-American Studies, Gender & Women’s Studies,<br />

and <strong>Art</strong> at the University <strong>of</strong> Wisconsin-<strong>Madison</strong>.<br />

Her expertise is on African American, African, and<br />

feminist art history/criticism. Among her many<br />

accolades, she has recently been awarded the 2021<br />

Lifetime Achievement Award as <strong>Art</strong>ist and Scholar,<br />

Porter Colloquium, Howard University, and a 2022<br />

Wisconsin Visual <strong>Art</strong> Legacy/Lifetime Achievement Award by the <strong>Museum</strong> <strong>of</strong> Wisconsin <strong>Art</strong>, Wisconsin<br />

Visual <strong>Art</strong>ists, and the Wisconsin Academy <strong>of</strong> Sciences, <strong>Art</strong>s, and Letters.<br />

GALLERY NIGHT<br />

Gallery Night returns to <strong>Madison</strong> this fall on<br />

Friday, November 3 from 5-9 pm. Dozens <strong>of</strong><br />

venues in the Greater <strong>Madison</strong> area will open<br />

their doors to celebrate the vibrant local art<br />

scene. Organized by the <strong>Madison</strong> <strong>Museum</strong> <strong>of</strong><br />

<strong>Contemporary</strong> <strong>Art</strong>, Gallery Night <strong>of</strong>fers patrons<br />

an opportunity to enjoy a wide variety <strong>of</strong> visual<br />

art <strong>of</strong>ferings throughout the area.<br />

Getting out on Gallery Night is an excellent way<br />

to support local artists and small businesses in<br />

the community. During the event, local businesses,<br />

galleries, artist studios, and nonpr<strong>of</strong>its<br />

will host special exhibitions, demonstrations,<br />

and receptions. It’s the perfect opportunity to shop local and pick up something to brighten up your own<br />

space, or buy a one-<strong>of</strong>-a-kind gift for an upcoming celebration.<br />

To view a list <strong>of</strong> participating venues, and peruse an online map, visit mmoca.org/gallerynight. Please<br />

follow all social distancing and masking guidelines set by participating venues as you enjoy the evening.<br />

ABOUT THE MUSEUM<br />

The <strong>Madison</strong> <strong>Museum</strong> <strong>of</strong> <strong>Contemporary</strong> <strong>Art</strong> is an independent organization<br />

that exhibits, collects, and preserves modern and contemporary art to provide<br />

transformative experiences that educate, reflect, and inspire us as individuals<br />

and a community.<br />

Hours: Thursday–Sunday: 12–6 PM<br />

Closed Monday–Wednesday<br />

Admission to <strong>MMoCA</strong>'s galleries is always free.<br />

Visit mmoca.org for information about accessibility, memberships, employment,<br />

volunteer opportunities, and more.<br />

PAGE 6: Federico Uribe, Plastic Reef (installation,) <strong>2023</strong>. Recycled plastic, variable. Courtesy <strong>of</strong> the <strong>Art</strong>ist and Adelson Galleries. PAGE 7: Tandem<br />

Press founder Bill Weege, left, and Sam Gilliam, in rural Wisconsin, c. 1978. Photo courtesy <strong>of</strong> Sue Steinmann. • Photo by Sharon Vanorny.<br />

7


IN MEMORIAM<br />

A TRIBUTE TO MARIAN BOLZ,<br />

1929-<strong>2023</strong><br />

The <strong>Madison</strong> <strong>Museum</strong> <strong>of</strong> <strong>Contemporary</strong> <strong>Art</strong> has suffered<br />

a great loss in the passing <strong>of</strong> longtime Trustee and friend,<br />

Marian Bolz. Knowing Marian was to know friendship,<br />

loyalty, warmth, compassion, excitement, enthusiasm,<br />

kindness, and more.<br />

For sixty years, Marian was a dedicated member <strong>of</strong> the<br />

<strong>Museum</strong>’s Board <strong>of</strong> Trustees. If she was not the chair, she<br />

was a member <strong>of</strong> the committee, helping steer projects<br />

such as <strong>Art</strong> Cart, <strong>Art</strong>s Ball, the <strong>Museum</strong> Store, Holiday <strong>Art</strong><br />

Fair, Trash and Treasure, and <strong>Art</strong> Partners, along with lectures,<br />

travel tours, and much more. Many <strong>of</strong> these activities,<br />

programs, and events continue today. In addition, she<br />

represented the organization at international conferences<br />

<strong>of</strong> the Volunteer Committees <strong>of</strong> <strong>Art</strong> <strong>Museum</strong>s (VCAM) and<br />

served as Co-Chair <strong>of</strong> VCAM’s Mid-West Regional District.<br />

Image from <strong>MMoCA</strong> <strong>Art</strong>s Ball 2006<br />

As President <strong>of</strong> the <strong>Art</strong> League she recruited volunteers from all avenues <strong>of</strong> the <strong>Madison</strong> community who,<br />

in turn, joined her in supporting the <strong>Museum</strong>’s mission. When she was elected President <strong>of</strong> the Board <strong>of</strong><br />

Trustees, she helped the organization transition from the <strong>Madison</strong> <strong>Art</strong> Center on Gorham Street to the<br />

current downtown <strong>Madison</strong> location on State Street.<br />

In 1986, she was named a <strong>Madison</strong> <strong>Museum</strong> <strong>of</strong> <strong>Contemporary</strong> <strong>Art</strong> Life Trustee, an honor she accepted<br />

with great pride and responsibility. She never lost sight <strong>of</strong> her commitment to <strong>MMoCA</strong> and helped guide<br />

the <strong>Museum</strong> with accountability and transparency.<br />

The loss <strong>of</strong> Marian Bolz has left a void in the cultural and non-pr<strong>of</strong>it <strong>Madison</strong> community and beyond. She<br />

would be pleased to know that her legacy continues.—Valerie Kazamias, Fellow Life Trustee and Friend<br />

IN MEMORY OF THEODORA<br />

“TEDDY” ZEHNER, 1944-<strong>2023</strong><br />

For over 30 years, Teddy was a fixture at <strong>MMoCA</strong> dating<br />

back to the days when it was called <strong>Madison</strong> <strong>Art</strong><br />

Center. She was a regular at exhibition openings, lectures,<br />

gallery tours, fundraisers, and art fairs. Not only<br />

was the <strong>Museum</strong> a source <strong>of</strong> joy and artistic stimulation<br />

for Teddy, but it was also where she formed some<br />

<strong>of</strong> her most meaningful friendships.<br />

Teddy’s enthusiasm, passion, and generosity were<br />

influential and infectious, making her a valuable leader<br />

Image courtesy <strong>of</strong> Katie Dowling-Marcus and mentor on <strong>MMoCA</strong>’s Board <strong>of</strong> Trustees and committees.<br />

She served as president <strong>of</strong> <strong>Art</strong> League, <strong>MMoCA</strong><br />

Volunteers, and chaired multiple successful fundraisers including Design <strong>MMoCA</strong> and Hair Affair. She<br />

was also a regular volunteer at Holiday <strong>Art</strong> Fair and <strong>Art</strong> Fair on the Square.<br />

Teddy especially valued her role as an <strong>MMoCA</strong> Docent and was part <strong>of</strong> the very first class trained in<br />

2006. She enjoyed gaining first-hand knowledge from artists and curators in order to lead educational<br />

tours <strong>of</strong> exhibitions.<br />

The <strong>Museum</strong> benefited, and continues to benefit, in countless ways from Teddy’s time, energy, and<br />

generosity. Remembered for her sense <strong>of</strong> humor and her warm, magnetic charm, Teddy will be deeply<br />

missed by <strong>MMoCA</strong> staff, artists, her friends, and so many in our community. Per her wishes, donations<br />

can be made to <strong>MMoCA</strong> in her honor.—Katie Dowling-Marcus<br />

8


FELINE FELICITY<br />

A Behind-the-scenes <strong>MMoCA</strong> Exhibition<br />

One <strong>of</strong> the perks <strong>of</strong> working at <strong>MMoCA</strong><br />

is viewing contemporary artwork hanging<br />

in the <strong>Museum</strong> conference room<br />

during business meetings. These internal<br />

shows typically have a theme and<br />

are organized by staff members. At<br />

the moment, Feline Felicity is on view,<br />

including 10 objects featuring cats, wild<br />

and domestic. Organizer Marilyn Sohi,<br />

Head Registrar, Permanent Collection,<br />

shared a behind-the-scenes look at the<br />

impetus for the show.<br />

What inspired your choice <strong>of</strong><br />

cat-focused artwork for the conference<br />

room?<br />

Via Zoom staff meetings, I noticed a<br />

number <strong>of</strong> cats in attendance. Even on<br />

the PBS NewsHour, household pets were parading. As I was solo in the <strong>Museum</strong>’s Works-on-Paper Study<br />

Center, I began to include a cat-<strong>of</strong>-the-week work <strong>of</strong> art when I reported. The Director picked up on this<br />

and asked me to put together a conference room exhibition.<br />

Was there a theme you were after?<br />

I wanted to take a less serious approach incorporating the theme <strong>of</strong> cats. I was especially pleased during<br />

the reaccreditation when an evaluator commented on how fun the show was, which was exactly what I<br />

was after!<br />

Was it easy to find the number <strong>of</strong> works you<br />

needed, or did you use all the cat-themed<br />

artworks in the Permanent Collection?<br />

Since I had several examples already in mind, it<br />

made it easy, plus I expanded into tigers represented<br />

in the collection. Yet, even then I did not<br />

use all the cat-themed works <strong>of</strong> art I found.<br />

To your mind, why is it important to have<br />

mini exhibitions in the conference room?<br />

It’s an ideal opportunity to illustrate the range <strong>of</strong><br />

the collection, from various media, time periods,<br />

and artistic styles or techniques.<br />

Are you a cat person or a dog person?<br />

Either way, did any <strong>of</strong> the works resonate<br />

with you?<br />

While I lean towards Westies (West Highland<br />

Terriers), one <strong>of</strong> my favorite works in the collection<br />

is a woodcut by Kiyoshi Saito <strong>of</strong> a pair <strong>of</strong><br />

Siamese cats.<br />

When did these conference room exhibitions<br />

begin?<br />

The history <strong>of</strong> informal, staff-selected exhibitions<br />

in the conference room began with my mentor,<br />

Janet Ela, a former Curator Emerita, who named<br />

one <strong>of</strong> her cats Goya.<br />

PAGE 9: Kiyoshi Saito, Cats (detail), c. 1950. Woodblock print on paper, 14x16 inches. Bequest <strong>of</strong> Rudolph and Louise Langer. • Richard Bosman,<br />

Bad Kitty, 2019. Woodcut and relief. 23 1/2 x 17 inches. Gift <strong>of</strong> Valerie and Andreas Kazamias.<br />

9


MEMBERSHIP & GIVING<br />

MEMBERS MAKE IT HAPPEN!<br />

Join or Renew Your Membership Today<br />

Community support is vital to <strong>MMoCA</strong>’s success, but we also recognize<br />

the barriers that have existed in traditional membership models.<br />

<strong>MMoCA</strong> is committed to serving as an inclusive and welcoming<br />

resource.<br />

<strong>MMoCA</strong> membership is even available for free. Become a Friend<br />

<strong>of</strong> <strong>MMoCA</strong> to enjoy invitations and free admission to <strong>MMoCA</strong><br />

Openings, films, and art talks; a subscription to <strong>MMoCA</strong>’s newsletter<br />

and membership mailings; a subscription to <strong>MMoCA</strong> Notes<br />

e-newsletter; and more!<br />

If you are in a position to have a paid membership, please know that<br />

Shalicia Johnson / Arrowstar photography<br />

your contribution directly supports <strong>MMoCA</strong>’s mission to provide<br />

transformative experiences that educate, reflect, and inspire us as individuals and a community. Gifts<br />

<strong>of</strong> any size support the <strong>Museum</strong>’s dynamic exhibitions, robust education programming, and engaging<br />

events <strong>of</strong>fered free-<strong>of</strong>-charge to the public.<br />

To view a list <strong>of</strong> membership benefits, renew, or join as a member, visit mmoca.org/membership.<br />

Questions about membership? Contact us at membership@mmoca.org or 608.257.0158.<br />

HELP OTHERS TO LIVE MORE<br />

ARTFULLY<br />

Generous supporters like you allow <strong>MMoCA</strong> to<br />

serve wide and diverse audiences with free admission<br />

and targeted programming. Your support<br />

enables the <strong>Museum</strong> to be a hub for contemporary<br />

art and independent film, and a place to see,<br />

learn, enjoy, laugh, wonder, and share inspiration.<br />

Support the <strong>Museum</strong> and its mission to provide<br />

transformative experiences that educate, reflect,<br />

and inspire us as individuals and a community<br />

with a gift. Contributions can be made at mmoca.<br />

org/donate or by calling 608.257.0158.<br />

Shalicia Johnson / Arrowstar photography<br />

NEW LANGER SOCIETY MEMBERS, APRIL 1–AUGUST 15, <strong>2023</strong><br />

Sarah Boulton and Brent Hawkinson, Jennifer Davis, Naomi Goldman-Nagel and Dylan Kosson-Healy,<br />

John Hart and Katherine Cramer, Jane McKenna and J. Humphries, Samuel Neale and Lucille Preysz,<br />

Emily Nestingen-Palm and Ryan Haugen, Matthew Rehlinger and Johanna Pender<br />

NEW MEMBERS, APRIL 1–AUGUST 15, <strong>2023</strong><br />

Andy Adams, Fadia Afaneh, Behrad Ahmadian, Vicki Alexander, SJ Botting, Michael Boulware, Tyler<br />

Brady, Tayla Brown, Chelsea Cameron, Sri Chenna, Amy Chi, Esther Choe, Nora Clifton, Brice Clifton,<br />

Denise Dreifuerst, Savannah Dube, Ally Duong, Kate English, Kyle George, Jay Gold, Sue Goldwomon,<br />

Allison Gomes, Madelyn Greco, Melissa Her, Alana Herro, Julie Holperin, Rachael Huempfner, Jihyun<br />

Hwang, Kathryn Johnson, Patrice Johnson, Gina C. Kim, Michelle Koop, Kristin Kowal, Anne Larme,<br />

Ximena Linares Rodriguez, Andrew Lopez, Joey Lorenz, Alex Lovendahl, Annie Lovendahl, Jeff Maiers,<br />

Jacob Miller, Rebecca Mongeon, Jinko Naganuma, Andy Nguyen, Jasmine Null, Breahan Pautsch, Leanne<br />

Potratz, Lauren Proctor, Jess Ralyn, Katherine Rosing, Kevin Ryan, Gregg Schutt, Jaidaa Shafaei, Yingkit<br />

Shi, Natalie Shpringman, Zana Sijan and Nikolay Nakev, Vidhi Singh, Ivy Smith, Cecily Smith, Sarah<br />

Streiff, Arson Sweet, Corrisa Terrien, Catalina Toma, Jo Turner, Sophia Ulmer, Nick Wilkes, Peggy<br />

Wohlford, Pau Xiong, Ahleea Zama<br />

10


BUSINESS, FOUNDATION,<br />

& GOVERNMENT DONORS<br />

<strong>MMoCA</strong> gratefully recognizes the businesses, foundations, and government agencies making contributions<br />

to <strong>Museum</strong> exhibitions, education programs, events, and ongoing operations. Thanks to this support,<br />

<strong>MMoCA</strong> can <strong>of</strong>fer compelling and thought-provoking programming, which makes this community and<br />

region more vibrant. Through their gifts, the organizations below have established themselves as engaged,<br />

generous community leaders. <strong>MMoCA</strong> thanks the following for their support.<br />

BENEFACTOR ($10,000+)<br />

The Andy Warhol Foundation<br />

for the Visual <strong>Art</strong>s<br />

Block 100 Foundation<br />

Eugenie Mayer Bolz<br />

Family Foundation<br />

The DeAtley Family Foundation<br />

John J. Frautschi<br />

Family Foundation<br />

W. Jerome Frautschi<br />

Foundation<br />

The David and Paula Kraemer<br />

Fund<br />

<strong>Madison</strong> Community<br />

Foundation<br />

<strong>MMoCA</strong> Volunteers<br />

National Endowment<br />

for the <strong>Art</strong>s<br />

Nimick Forbesway Foundation<br />

Pleasant T. Rowland<br />

Foundation<br />

Theda and Tamblin Clark Smith<br />

Family Foundation<br />

Wisconsin <strong>Art</strong>s Board<br />

SPONSOR ($5,000)<br />

<strong>Art</strong>ful Home<br />

The Cummings Christensen<br />

Family Foundation<br />

Dane <strong>Art</strong>s<br />

Findorff<br />

Hooper Foundation<br />

Johnson Financial Group<br />

SMS Foundation<br />

State Farm<br />

Summit Credit Union<br />

SupraNet Communications Inc.<br />

Venture Investors<br />

Waunakee Remodeling<br />

Wildwood Productions<br />

Wisconsin Heartland<br />

Honda Dealers<br />

LEADER ($2,500)<br />

Access Information<br />

Management<br />

All Energy Solar<br />

The Capital Times Kids Fund<br />

Dirigible Studio<br />

Isthmus<br />

Leaf Home<br />

<strong>Madison</strong> Magazine<br />

<strong>Madison</strong> Media Partners<br />

Magic 98<br />

Milwaukee Valve Company<br />

Next Door & Window<br />

Wisconsin Lottery<br />

Wisconsin State Journal<br />

WKOW TV<br />

PARTNER ($1,000)<br />

Custer Financial Services<br />

DoubleTree by Hilton <strong>Madison</strong><br />

Ho-Chunk Gaming <strong>Madison</strong><br />

Lake Effect HR & Law<br />

<strong>Madison</strong> <strong>Art</strong>s Commission<br />

The Terry Family Foundation<br />

The Sow’s Ear<br />

Widen Enterprises<br />

DONOR<br />

Kinship LLC<br />

Perkins Coie<br />

SUPPORTER<br />

Blue Scissors Media<br />

UW <strong>Madison</strong><br />

Division <strong>of</strong> the <strong>Art</strong>s<br />

GIFTS IN TRIBUTE<br />

In memory <strong>of</strong> Theodora Zehner:<br />

Anonymous; Bobette F. Heller;<br />

Barbara Katz and Stephen<br />

Fleischman, Brian Merson;<br />

Kathie Nichols; Marc Vitale and<br />

Darcy Kind.<br />

In honor <strong>of</strong> Stephen Fleischman:<br />

Paula S. Kraemer<br />

IS YOUR BUSINESS<br />

AN <strong>MMoCA</strong><br />

SUPPORTER?<br />

In addition to receiving special benefits<br />

at the <strong>Museum</strong> for their employees,<br />

business members gain visibility in the<br />

community as economic and cultural<br />

leaders, while supporting free access<br />

to modern and contemporary art.<br />

For more information on becoming a<br />

corporate supporter, contact Kaitlin<br />

Kropp at kaitlin@mmoca.org or<br />

608.257.0158 x249<br />

<strong>MMoCA</strong> BOARD OF TRUSTEES<br />

Colin Good,<br />

President<br />

Juliet Page,<br />

Vice-President<br />

Leslie Smith III,<br />

Vice-President<br />

Tina Virgil,<br />

Vice-President<br />

Jennifer Ridley<br />

Hanson, Treasurer<br />

Erin Bemis,<br />

Secretary<br />

Dan Abrahamson<br />

Matthew Braunginn<br />

Gina Carter<br />

Max Duckworth<br />

Veronica Figueroa<br />

Velez<br />

Erica Fox Gehrig<br />

Evan Gruzis<br />

Chele Isaac<br />

Valerie Kazamias,<br />

Life Trustee<br />

Jennifer Pruitt<br />

Francesca Rodriquez<br />

Douglas Rosenberg<br />

Eric Smithback<br />

Jonathan Stenger<br />

Tracy Tompkins<br />

11


227 State Street • <strong>Madison</strong>, WI 53703<br />

RAVES FROM <strong>2023</strong> ART FAIR ON THE<br />

SQUARE ARTISTS AND FAIRGOERS!<br />

Shalicia Johnson / Arrowstar photography<br />

Save the date for the 66th<br />

annual <strong>Art</strong> Fair on the<br />

Square on Saturday and<br />

Sunday, July 13 & 14, 2024.<br />

@HannahLongJewelry: I love <strong>Art</strong> Fair on the Square<br />

so very much! That was one <strong>of</strong> the best shows I’ve<br />

ever done for a multitude <strong>of</strong> reasons. I had such a fun<br />

time with the educated and kind patrons, my sales<br />

were phenomenal and the treatment <strong>of</strong> the artists by<br />

<strong>MMoCA</strong> was absolutely incredible.<br />

@MelindaWolff: Thank You <strong>Madison</strong>!! What a fabulous weekend at @mmocamadison <strong>Art</strong> Fair on the<br />

Square! Supportive art lovers, dreamy weather, great art show neighbors, wonderful art show organizers,<br />

the list goes on and on!<br />

@NicoleHouff: A huge THANK YOU to everyone that made my first out-<strong>of</strong>-state art fair an absolute dream<br />

@dripThang (fairgoer): This was the best @artfaironthesquare I’ve ever been to. Well done with the artist<br />

selection this year.<br />

@TactileCraftWorks: Wowowow <strong>Madison</strong>, you sure showed up. Thank you so much for an incredible<br />

weekend, we hope to see you next year!!<br />

@WendyFranklin<strong>Art</strong>: MADISON! Ohhhhh, you know how to show an artist some love. Thanks<br />

@mmocamadison!<br />

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