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Northwestern<br />

College theatre<br />

professor Bob<br />

Hubbard pages<br />

through a copy<br />

of his book<br />

“Scenes with<br />

My Son: Love<br />

and Grief in<br />

the Wake of<br />

Suicide,” written<br />

as a tribute to<br />

his youngest<br />

of three sons,<br />

August “Auggie”<br />

Hubbard,<br />

pictured as an<br />

infant on his<br />

desk. Auggie<br />

died from<br />

suicide at 19<br />

years old.<br />

something else to do. So, there again in a coffee<br />

shop in Nassau I wrote the book. Looking back, it<br />

was a blessing because I wouldn’t have had that<br />

window of opportunity to write otherwise.”<br />

The three sections of vignettes became “Beautiful<br />

Boy,” which introduces the reader to Auggie;<br />

“The Family Monster,” which chronicles Auggie’s<br />

battle with clinical depression; and “The Life After,”<br />

which recounts the aftermath of Auggie’s suicide.<br />

“As a theatre person, I believe in the power of<br />

story. I wasn’t sure where that would go, but earlier<br />

in my career I studied the theological idea of vocation,”<br />

Bob said. “A misconception is that a vocation<br />

is not necessarily what we do for a living, it can be<br />

more akin to a pilgrimage. Vocations are often not<br />

fun or easy, but things we feel called to do. One<br />

of the reasons I wrote is because I felt a calling or<br />

vocation to try to make sense of what happened.”<br />

“Scenes With My Son,” however, is not a work of<br />

apologetics tackling the problem of pain. Instead,<br />

it’s a story of great loss and hope.<br />

In the wake of Auggie’s death, Bob wrote a few<br />

extensive social media posts about what was going<br />

on so as to not hide or pretend<br />

his son died another way — posts<br />

which various acquaintances said<br />

were helpful. Later, once Bob began<br />

to read again, he, too, found comfort<br />

in hearing people’s stories who have<br />

endured something similar.<br />

“That was comforting,” he said.<br />

“When something so awful happens,<br />

you can feel so alone, like nobody<br />

could possibly understand, and then<br />

you read stories about others who<br />

have gone through something similar<br />

and you find a cloud of witnesses,<br />

you sort of find a community.”<br />

Bob also wanted to share his<br />

struggles even as a man of faith.<br />

“I didn’t want to try to explain<br />

why this happened, I didn’t want<br />

to try to say things like, ‘God is in<br />

control of everything.’ I wanted to do<br />

narrative theology,” he said. “I believe everything is<br />

terribly broken, that we all suffer under the same<br />

sun that rises and sets on us all and having faith<br />

may help endure these hardships but not protect<br />

you from them.”<br />

Another goal is to help others understand or<br />

share his feelings.<br />

“I hope this book will inspire empathy for people<br />

who don’t have any other practical way of understanding<br />

what it’s like to lose a child to suicide,”<br />

he said. “Maybe there will be less stigma around<br />

depression. Maybe others won’t see it as a weakness<br />

because, through this narrative journey, they<br />

see how much Auggie fought.”<br />

Bob also wrote the book to celebrate his son.<br />

“Many of the reviews say they feel like they got<br />

to know my son by reading this,” he said. “I live in<br />

the resurrection, the hope that I will get to see my<br />

son again one day and all of this will be redeemed.<br />

I hope this book isn’t all we have of Auggie, but<br />

right now it is. I want to let people know about<br />

him, so I’m thrilled other people will get to know<br />

this crazy, passionate character and feel like they<br />

have insights into how remarkable he is.” <br />

8 <strong>OC</strong> MAGAZINE | SPRING 20<strong>24</strong>

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