01 OC Mag 01-24
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Northwestern<br />
College theatre<br />
professor Bob<br />
Hubbard pages<br />
through a copy<br />
of his book<br />
“Scenes with<br />
My Son: Love<br />
and Grief in<br />
the Wake of<br />
Suicide,” written<br />
as a tribute to<br />
his youngest<br />
of three sons,<br />
August “Auggie”<br />
Hubbard,<br />
pictured as an<br />
infant on his<br />
desk. Auggie<br />
died from<br />
suicide at 19<br />
years old.<br />
something else to do. So, there again in a coffee<br />
shop in Nassau I wrote the book. Looking back, it<br />
was a blessing because I wouldn’t have had that<br />
window of opportunity to write otherwise.”<br />
The three sections of vignettes became “Beautiful<br />
Boy,” which introduces the reader to Auggie;<br />
“The Family Monster,” which chronicles Auggie’s<br />
battle with clinical depression; and “The Life After,”<br />
which recounts the aftermath of Auggie’s suicide.<br />
“As a theatre person, I believe in the power of<br />
story. I wasn’t sure where that would go, but earlier<br />
in my career I studied the theological idea of vocation,”<br />
Bob said. “A misconception is that a vocation<br />
is not necessarily what we do for a living, it can be<br />
more akin to a pilgrimage. Vocations are often not<br />
fun or easy, but things we feel called to do. One<br />
of the reasons I wrote is because I felt a calling or<br />
vocation to try to make sense of what happened.”<br />
“Scenes With My Son,” however, is not a work of<br />
apologetics tackling the problem of pain. Instead,<br />
it’s a story of great loss and hope.<br />
In the wake of Auggie’s death, Bob wrote a few<br />
extensive social media posts about what was going<br />
on so as to not hide or pretend<br />
his son died another way — posts<br />
which various acquaintances said<br />
were helpful. Later, once Bob began<br />
to read again, he, too, found comfort<br />
in hearing people’s stories who have<br />
endured something similar.<br />
“That was comforting,” he said.<br />
“When something so awful happens,<br />
you can feel so alone, like nobody<br />
could possibly understand, and then<br />
you read stories about others who<br />
have gone through something similar<br />
and you find a cloud of witnesses,<br />
you sort of find a community.”<br />
Bob also wanted to share his<br />
struggles even as a man of faith.<br />
“I didn’t want to try to explain<br />
why this happened, I didn’t want<br />
to try to say things like, ‘God is in<br />
control of everything.’ I wanted to do<br />
narrative theology,” he said. “I believe everything is<br />
terribly broken, that we all suffer under the same<br />
sun that rises and sets on us all and having faith<br />
may help endure these hardships but not protect<br />
you from them.”<br />
Another goal is to help others understand or<br />
share his feelings.<br />
“I hope this book will inspire empathy for people<br />
who don’t have any other practical way of understanding<br />
what it’s like to lose a child to suicide,”<br />
he said. “Maybe there will be less stigma around<br />
depression. Maybe others won’t see it as a weakness<br />
because, through this narrative journey, they<br />
see how much Auggie fought.”<br />
Bob also wrote the book to celebrate his son.<br />
“Many of the reviews say they feel like they got<br />
to know my son by reading this,” he said. “I live in<br />
the resurrection, the hope that I will get to see my<br />
son again one day and all of this will be redeemed.<br />
I hope this book isn’t all we have of Auggie, but<br />
right now it is. I want to let people know about<br />
him, so I’m thrilled other people will get to know<br />
this crazy, passionate character and feel like they<br />
have insights into how remarkable he is.” <br />
8 <strong>OC</strong> MAGAZINE | SPRING 20<strong>24</strong>