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Rebecca Boersma, Ella Poppema, Kylie Kurtz, Amelia Calsbeek and queen Avery Kelch make up<br />

the 20<strong>24</strong> Tulip Court. The high school seniors spend the months leading up to the festival getting<br />

to know each other and participating in the Road Show, in which they make public appearances.<br />

designs are worn by the members of the<br />

Queen’s Court. The presiders over the<br />

Tulip Festival wear a different design<br />

of dress every year, their outfits coordinated<br />

from literally head to toe — from<br />

hats to socks and footwear.<br />

Until the completed dresses are unveiled<br />

at the extravaganza in March, the<br />

exact design and what province of Holland<br />

it originated from, remains a mystery<br />

to everyone outside the Tulip Court<br />

and the Queen’s Costume Committee,<br />

the group behind designing and creating<br />

the costumes. The three-person<br />

team, made up of Haverdink, Denise de<br />

Vries and Marlys Hop, spend hundreds<br />

of hours each year developing the design,<br />

sourcing the fabric, and stitching<br />

the dress and accessories.<br />

“One thing that has always been a<br />

priority in Orange City is authenticity,”<br />

Haverdink said. “We want it to be<br />

as close to what it actually would have<br />

been as possible.”<br />

For that reason, the costume committee<br />

conducts extensive research on<br />

the region of Holland the dress originates<br />

from. Sometimes, patterns already<br />

exist, but that is not always the<br />

case. Last year, the team developed the<br />

court’s dresses from the city of Leeuwarden<br />

in northern Holland. They<br />

looked at pictures and ordered samples.<br />

Once they had a cohesive pattern<br />

and sourced all the fabric, they waited<br />

for the tulip court announcement in<br />

November before they could start sewing<br />

with the exact sizing.<br />

The sewing process itself is intricate<br />

and, at times, tedious. Skirt fabrics,<br />

cross-stitching, beadwork, lace and<br />

hats all take hours to create and get<br />

exactly correct. The job is not for the<br />

faint of heart, but Haverdink said piecing<br />

the project together, building a pattern<br />

and a design, and working through<br />

the challenges is a rewarding process.<br />

“I love the challenge of creating<br />

something new that’s never been done<br />

before,” Haverdink said.<br />

She started sewing at 6 years old,<br />

and now has been sewing Dutch costumes<br />

for 14 years.<br />

Haverdink, de Vries and Hop work<br />

several years in advance when it comes<br />

to costumes.<br />

They know the Tulip Court’s 2025<br />

dress costume before 20<strong>24</strong>’s design has<br />

even been unveiled, keeping the Tulip<br />

Court the best dressed at the festival for<br />

years to come. <br />

We want it to be as close to what it actually would have been as possible.”<br />

— AMANDA HAVERDINK QUEEN’S COMMITTEE MEMBER<br />

SPRING 20<strong>24</strong> | <strong>OC</strong> MAGAZINE 23

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