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Windward Review Vol. 20 (2022): Beginnings and Endings

"Beginnings and Endings" (2022) challenged South Texas writers and beyond to narrate structures of beginnings and ends. What results is a collection of poetry, prose, hybrid writing, and photography that haunts, embraces, and consoles all the same. Similar to past WR volumes, this collection defies easy elaboration - it contains diverse tones, languages, colors, and creative spaces. Creative pieces within the text builds upon others, allowing polyvocal narratives to interlock and defy the logic of 'beginning-middle-end'. By the end of this collection, you will neither sense nor crave the finality that a typical text brings. Instead, you will be inspired to learn and create beyond a narrative linear structure. Your reading and support is sincerely appreciated.

"Beginnings and Endings" (2022) challenged South Texas writers and beyond to narrate structures of beginnings and ends. What results is a collection of poetry, prose, hybrid writing, and photography that haunts, embraces, and consoles all the same. Similar to past WR volumes, this collection defies easy elaboration - it contains diverse tones, languages, colors, and creative spaces. Creative pieces within the text builds upon others, allowing polyvocal narratives to interlock and defy the logic of 'beginning-middle-end'. By the end of this collection, you will neither sense nor crave the finality that a typical text brings. Instead, you will be inspired to learn and create beyond a narrative linear structure. Your reading and support is sincerely appreciated.

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Emily Hargitai is an English <strong>and</strong> History teacher with an MFA in Creative Writing. She enjoys<br />

writing stories about writing stories <strong>and</strong> currently has about twelve gray hairs. She spends<br />

her free time wondering who put them there <strong>and</strong> strongly suspects it was you. Yes, you.<br />

Natasha Haas is a student at Texas A&M University-Corpus Christi. She is an English<br />

major with an emphasis in Literary Studies. She fell in love with poetry while studying for<br />

her Network Administration <strong>and</strong> Information Security degree at Del Mar College. Natasha<br />

is a Student Worker at the Mary <strong>and</strong> Jeff Bell Library where she assists her patrons<br />

with the library’s resources <strong>and</strong> general research guidance. In September <strong>20</strong><strong>20</strong> she was<br />

selected by the CAHSI Women in Computing Sciences to attend the Great Minds in STEM<br />

Conference where she participated in workshop events held by tech industry leaders.<br />

Natasha is currently a member of TAMU-CC’s Honors Program <strong>and</strong> is collaborating with<br />

her peers to improve her communities’ water pollution problem. In her free time, Natasha<br />

cares for her vegetable garden <strong>and</strong> enjoys watching Pop Culture films with her wife, Bianca.<br />

She also enjoys baking peanut butter treats for her two rescue dogs, Molly <strong>and</strong> Daisy. She<br />

will deny that she loves spoiling her cat, Asuka, rotten. After graduation, she plans to<br />

pursue a master’s degree in English. Natasha hopes to have a career where she can use her<br />

writing to help those who grew up like she did.<br />

Robin Latimer has been writing poetry <strong>and</strong><br />

essays since she was able to use a pencil. She<br />

has degrees in English <strong>and</strong> in Education from<br />

Duke University <strong>and</strong> Lamar University <strong>and</strong><br />

graduated in Spring <strong>20</strong>22 from UT-El Paso’s<br />

online Creative Writing MFA. Her thesis was<br />

directed by Andrea Cote-Botero <strong>and</strong> Daniel<br />

Chacon, as well as Roger D. Jones from<br />

Texas State University. A recent publication<br />

appeared in Cape Rock ( “Effigy” <strong>20</strong>19).<br />

El Paso native Amairani Llerena is a mother,<br />

self-proclaimed poet, artist, published model<br />

<strong>and</strong> all around creator. She is currently working<br />

on her BA in creative writing at the University<br />

of Texas in El Paso, though motherhood has<br />

slowed the progression. “We are on no one’s<br />

timeline but our own. Embrace your present<br />

moment <strong>and</strong> lavish in the goodness of it, even<br />

when there’s not much there—for it is in<br />

goodness <strong>and</strong> gratitude that we learn to grow.”<br />

Born <strong>and</strong> raised in Houston, Texas, Charity<br />

McCoy (22) is a student-creative who enjoys<br />

journaling <strong>and</strong> writing poetry about social<br />

issues <strong>and</strong> love. Also enrolled at Texas A&M<br />

University-Corpus Christi (TAMU-CC),<br />

Charity is pursuing a Bachelor’s in Healthcare<br />

Administration with a minor in sociology.<br />

Though the two disciplines differ in many<br />

respects, Charity values how both areas enable<br />

her to depict the complexities of the human<br />

experience <strong>and</strong> advocate for those who cannot<br />

speak for themselves.<br />

Tiffany Lindfield is a social worker by<br />

day, trade, <strong>and</strong> heart who advocates<br />

for climate justice, gender equality, <strong>and</strong><br />

animal welfare. By night she is a prolific<br />

writer <strong>and</strong> reader of anything decent.<br />

John C. Mannone has poems in<br />

Windhover, North Dakota Quarterly,<br />

Poetry South, Baltimore <strong>Review</strong>, <strong>and</strong><br />

others. He won the Impressions of<br />

Appalachia Creative Arts Contest in<br />

poetry (<strong>20</strong><strong>20</strong>), the Carol Oen Memorial<br />

Fiction Prize (<strong>20</strong><strong>20</strong>), <strong>and</strong> the Joy<br />

Margrave Award (<strong>20</strong>15, <strong>20</strong>17) for<br />

creative nonfiction. He was awarded<br />

a Jean Ritchie Fellowship (<strong>20</strong>17) in<br />

Appalachian literature <strong>and</strong> served as<br />

the celebrity judge for the National<br />

Federation of State Poetry Societies<br />

(<strong>20</strong>18). His full-length collections are<br />

Disabled Monsters (Linnet’s Wings<br />

Press, <strong>20</strong>15); Flux Lines: The Intersection<br />

of Science, Love, <strong>and</strong> Poetry (Linnet’s<br />

Wings Press, <strong>20</strong>21); Sacred Flute (Iris<br />

Press, <strong>20</strong>22); <strong>and</strong> Song of the Mountains<br />

(Middle Creek Publications, <strong>20</strong>23). He<br />

edits poetry for Abyss & Apex <strong>and</strong> other<br />

journals. A retired physics professor,<br />

John lives in Knoxville, Tennessee.<br />

Arik Mitra lives in Kolkata, India. An<br />

IT professional, he has been writing<br />

for three years now. He writes mainly<br />

short stories <strong>and</strong> poetry in English <strong>and</strong><br />

Bengali (mother tongue). His work has<br />

been published by Clarendon House<br />

Publications, Red Penguin Books, Rosey<br />

Ravelston Books-Dyst Journal, Writers <strong>and</strong><br />

Reader’s Magazine <strong>and</strong> more.<br />

<strong>Beginnings</strong> X <strong>Endings</strong><br />

174

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