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Windward Review Vol. 20 (2022): Beginnings and Endings

"Beginnings and Endings" (2022) challenged South Texas writers and beyond to narrate structures of beginnings and ends. What results is a collection of poetry, prose, hybrid writing, and photography that haunts, embraces, and consoles all the same. Similar to past WR volumes, this collection defies easy elaboration - it contains diverse tones, languages, colors, and creative spaces. Creative pieces within the text builds upon others, allowing polyvocal narratives to interlock and defy the logic of 'beginning-middle-end'. By the end of this collection, you will neither sense nor crave the finality that a typical text brings. Instead, you will be inspired to learn and create beyond a narrative linear structure. Your reading and support is sincerely appreciated.

"Beginnings and Endings" (2022) challenged South Texas writers and beyond to narrate structures of beginnings and ends. What results is a collection of poetry, prose, hybrid writing, and photography that haunts, embraces, and consoles all the same. Similar to past WR volumes, this collection defies easy elaboration - it contains diverse tones, languages, colors, and creative spaces. Creative pieces within the text builds upon others, allowing polyvocal narratives to interlock and defy the logic of 'beginning-middle-end'. By the end of this collection, you will neither sense nor crave the finality that a typical text brings. Instead, you will be inspired to learn and create beyond a narrative linear structure. Your reading and support is sincerely appreciated.

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she moves her h<strong>and</strong> toward my neck—the<br />

h<strong>and</strong> with two thumbs—to unfasten my<br />

necklace. “I give to your teacher,” she says.<br />

“Psychiatric Help: 5 Cents” is what<br />

the sign says that Miss Eloise has on her<br />

desk. We are lined up here at the end of the<br />

day to h<strong>and</strong> in our writer’s notebooks <strong>and</strong><br />

get back our graded spelling tests. When I<br />

put my notebook on top of the stack, Miss<br />

Eloise looks at my costume <strong>and</strong> I look at<br />

hers. She has on a blue dress with a white<br />

collar. It reminds me of Wizard of Oz. “Are<br />

you Dorothy?” I ask.<br />

“Nope.” She shakes her head, smiling.<br />

“Lucy from Charlie Brown.” She kicks both<br />

feet out from under the desk so I can she’s<br />

wearing black <strong>and</strong> white Oreo shoes, not<br />

ruby slippers. “And how about you?” she<br />

says. “A pirate?”<br />

“Nope.” I shake my head so the<br />

dreadlocks of my wig dance around. “I’m a<br />

Counting Crow.”<br />

She slides herself back in her spinning<br />

chair, slaps her desk <strong>and</strong> laughs: “Of course,<br />

of course.” But when I ask, “Can I have back<br />

my test?” her smile goes away.<br />

“Esther,” she says softly. “About your<br />

test.” She leans over her desk <strong>and</strong> opens<br />

her mouth to explain, but then she closes<br />

it again. Then she taps my h<strong>and</strong> twice,<br />

mouths the words, Hold on, <strong>and</strong> calls Mrs.<br />

Rodrigo-Díaz over.<br />

Mrs. Rodrigo-Díaz turns from the<br />

whiteboard <strong>and</strong> walks toward us. My heart<br />

races. I’ve never done badly on a test before.<br />

I’ve never done badly on anything besides<br />

attendance. I can hear her boot heels<br />

clicking in my stomach. If I did badly, that<br />

means Anthony Abinanti did badly, too.<br />

She bends down to make her face level<br />

with mine. I can see her tongue stained dark<br />

blue, can smell blue raspberry bubblegum<br />

on her breath. Up close, her eyes look more<br />

brown than black, more sad than angry.<br />

“Almuerzo mañana,” she whispers.<br />

“Tomorrow we’ll talk.”<br />

When Mrs. Rodrigo-Díaz’ lawyer<br />

friends visit me again in my head, I tell them<br />

more <strong>and</strong> more good things about my dad:<br />

How when my dad is not in Hungary <strong>and</strong><br />

not having depression disease he helps<br />

Theo <strong>and</strong> I both with our habits by letting<br />

<strong>Beginnings</strong> X <strong>Endings</strong><br />

us chop wood with him in the backyard. He<br />

bought a small axe for us to share, whose<br />

name is Barbie Axe. He shows us the right<br />

way to lift Barbie Axe using lower body<br />

strength, to hold Barbie Axe’s h<strong>and</strong>le while<br />

her blade drops through the air, <strong>and</strong> let our<br />

own weight combined with Barbie Axe’s<br />

weight split the log in half—instead of<br />

pushing the log to split with our backs <strong>and</strong><br />

our arms. That’s how you get hurt, he explains.<br />

But we’ve never gotten hurt chopping wood<br />

with him, or helping him pack the wood into<br />

the wheelbarrow, or rolling the wheelbarrow<br />

through the mud, or piling the wood in the<br />

trestle, or building the fire. We never get hurt<br />

doing any of those things with my dad. We<br />

only get tired <strong>and</strong> hungry <strong>and</strong> sometimes the<br />

next day we feel kind of sore, but the good<br />

kind of sore. The good kind, I explain. Case<br />

dismissed. Please depart from my head.<br />

Since I can’t chop wood during school,<br />

my mom started packing pipe cleaners—<br />

the sparkly ones—in my backpack every<br />

morning. That way, when I have the urge to<br />

pull, I can pick at the tiny little pipe cleaner<br />

fibers instead of my hair. We tried silly<br />

putty, stress balls, origami, herbal tea, even<br />

medication from the doctor that my dad<br />

doesn’t know I see. Finally we tried pipe<br />

cleaners—two different kinds. We found<br />

that the colorful, fluffy fibers on regular pipe<br />

cleaners are too soft <strong>and</strong> slippery to really<br />

pull out <strong>and</strong> therefore they don’t work. On<br />

the other h<strong>and</strong>, sparkly pipe cleaners have<br />

fibers that feel stiff <strong>and</strong> detach from the wire<br />

the same way my eyelashes detach from my<br />

lids: Easily with a “pop.” Easily with a “pop.”<br />

Easily with a “pop.” This is why my mom buys<br />

them, because they feel almost the same.<br />

After school, I right click the picture of<br />

Frank Zimmer—my mom’s boss from before<br />

she got laid off—<strong>and</strong> hit copy. Then I exit<br />

LinkedIn, open up Microsoft Word, right<br />

click <strong>and</strong> hit paste. I drag the top right corner<br />

of the picture as far as it goes, until Frank<br />

Zimmer’s face is wide as the entire screen.<br />

Then I drag the top of picture down <strong>and</strong> the<br />

bottom of the picture up in order to squish<br />

Frank Zimmer. Once Frank Zimmer is nice<br />

<strong>and</strong> squished, I right click the picture again,<br />

but this time I click “set as”, <strong>and</strong> then on the<br />

menu that pops up, I hit “wallpaper”. Then I<br />

leave the room until my mom comes back to<br />

her desk with her coffee. I wait outside the<br />

door for the sound of her laugh.<br />

112

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