The Queen's College Record 2023
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Reports and <strong>College</strong> Activities<br />
A YEAR IN THE CHAPEL CHOIR<br />
Officers: Organist Prof. Owen Rees; Organ Scholars Isaac<br />
Adni, Luke Mitchell; Maurice Pearton Choral Scholar and<br />
recipient of the Hilde Pearton Vocal Training Alaw Evans;<br />
Hildburg Williams Lieder Scholar Lizi Vineall; Librarians<br />
Rosanna Milner, Oisin Byrne; Choir Manager Melissa<br />
Talbot, Jake Sternberg<br />
Professor O L Rees<br />
Organist<br />
During the winter of 1950, Kenneth Leighton – then in<br />
his final year at Queen’s reading Classics – composed<br />
the cantata Veris gratia, dedicating it to the then <strong>College</strong><br />
Organist, Bernard Rose and the Eglesfield Musical Society,<br />
who gave the first performance on 8 June 1951. For our ‘Music for a Summer’s<br />
Evening’ concert in June <strong>2023</strong> the Choir resurrected this unknown but exquisite<br />
work, and we went on to record the piece for CD in September, performing it with the<br />
Britten Sinfonia, an ensemble specialising in modern British repertoire. For the CD<br />
(to be released next Autumn) we paired Leighton’s cantata with another work which<br />
received its first performance in the Eglesfield Musical Society’s Trinity Term concert<br />
(one year later, in 1952): Vaughan Williams’s An Oxford Elegy, a late masterpiece to<br />
complement Leighton’s early work. <strong>The</strong> recording sessions were a fitting finale to<br />
what had been a particularly strong year in terms of the Choir’s musical standards.<br />
A few weeks before the CD recording sessions, the Choir was on tour in southern<br />
Germany. We spent six days in Munich (our spirits undampened by continuously wet<br />
weather), giving concerts to capacity audiences in two of the city’s most impressive<br />
churches, the <strong>The</strong>atinerkirche and the Ludwigskirche, as well as two other recitals in<br />
the area, before travelling East, to Neustadt an der Weinstrasse (presenting a prequel<br />
concert to their early music festival), and then to Trier, singing in the breathtaking<br />
gothic splendours of the Liebrauenkirche. <strong>The</strong> intensive work together on such a<br />
tour bears fruit in terms of the ensemble’s disciplined and compelling projection of<br />
the music, and we were delighted to receive standing ovations at the end of the<br />
concerts, and likewise a warm reception after singing Mass at the Jesuitenkirche in<br />
Heidelberg to end the tour. <strong>The</strong> whole project was expertly organised by the Choir<br />
Manager, Jake Sternberg, with invaluable assistance from members of the Choir –<br />
Lizi Vineall and Bastian Bohrmann – with local knowledge.<br />
In Chapel throughout the academic year the work of the Choir benefitted from the<br />
warm support of our new Chaplain, Alice Watson. Half way through Michaelmas<br />
Term the BBC returned to Queen’s to broadcast Choral Evensong on Radio 3,<br />
with music marking the anniversary of the death of Robert Parsons and the birth of<br />
Thomas Tomkins, both of which occurred in 1572. Michaelmas Term also saw the<br />
first annual Queen’s Choir Association lunch and Evensong, an enjoyable opportunity<br />
46 <strong>The</strong> Queen’s <strong>College</strong> | <strong>College</strong> <strong>Record</strong> <strong>2023</strong>