BLOCKED_11

WHODONEKNIT2024 • RAT UTOPIA • WOOL & FOLK
ISSUE 11
ALL ABOUT EVE • DEAR MR. WEST • OH WHAT A TANGLED WEB WE WEAVE...

Common Knitting & Crochet Pattern Abreviations
Unless otherwise indicated the information,
articles, artwork, patterns and photography
published in BLOCKED Magazine are subject
to copyright ©2023 BLOCKED Magazine.
All rights reserved.
BLOCKED Magazine permits the online
distribution of the magazine in its entirety.
Distribution of any of the contents of this
magazine for purposes of sale or resale
is strictly prohibited.
Editor
Neil of Uknitted Kingdom
For all enquiries:
blockedmagazine@gmx.com
Cover Photography
@shaunastiches
Special thanks to all the knitters who
submitted cover images for consideration.
A selection is shown on page 13.
Contributors:
Wanda North
Cezanne Pellett
Little Sis from @Twosistersandsomeyarn
Yelena of Scythia
Uknitted Kingdom
Patterns:
Tabitha of Murder Knits
Uknitted Kingdom
Proofers:
Karen Juliano
Laura Neubauer
Cézanne Pellett
Denise Pettus
Design and layouts:
BS Studio
Knitting Abbreviations:
BO – Bind off
CO – Cast on
Inc – Increase
Inc’d – Increased
K – Knit
LH – Left Hand
M1L – (make one left; single left-leaning
knit increase) PU strand between just
worked st and next st with left needle
coming from front. Insert right needle
into the lifted strand through back loop
and knit.
M1R – (make one right; single right-leaning
knit increase) PU strand between just
worked st and next st with left needle
coming from behind. Insert right needle
into the lifted strand from left to right
and knit.
P – Purl
PU – Pick up
PM – Place Marker
RH – Right Hand
RS – Right Side
Sl – Slip
SM – Slip marker
Ssk – (Slip, slip, knit) Sl 1 st as if to knit,
sl next st as if to knit, then knit these
2 sts together through back loop.
Sts(s) – Stitch(es)
Tbl – Through back loop
WS – Wrong Side
WYIF – With yarn in front
Yo – Yarn over
() – Work instructions within parentheses
as many times as directed.
** – Repeat instructions to this point
as directed.
Crochet Abbreviations:
() – Work instructions within parentheses
as many times as directed.
Ch – Chain
Sc – Single crochet
Hdc – Half double crochet
Sl – Slip or slip stitch
St(s) – Stitch(es)

Dear Readers,
It’s been an interesting few weeks since issue 10 was released.
Stephen West released his annual mystery knit-a-long only for a couple of knitters to
declare clue 1 was a swastika! Much drama ensued. Before the “Dustlands” could settle,
Wool and Folk hosted their annual yarn festival and unknowingly created a spectacle
which attracted LolaBean Yarns, Magpie Fibers, and many others into the fray. (See page
22 for an expose of Felicia Eve, the Wool and Folk organizer. More details and personal
accounts of the Wool and Folk experience can be found on page 4.)
The theme of this issue is ‘Windmills of Your Mind’. The lyrics of this 1968 ‘Thomas
Crown Affair’ soundtrack end with:
Like a circle in a spiral, like a wheel within a wheel
Never ending or beginning on an ever-spinning reel
As the images unwind, like the circles that you find
In the windmills of your mind!
https://www.songfacts.com/lyrics/noel-harrison/the-windmills-of-your-mind
The song is set after the summer as the autumn leaves fall. All very apt for this time of
year (for those of us in the Northern hemisphere at least).
To me, “The clock whose hands are sweeping past the minutes of its face” represents
the clock changes as we leave official summertime behind.
Almost all the articles and patterns in this issue can be linked to the mind, windmills,
circles, spirals, tunnels, rabbit holes, eternal mobius loops, and even (pin)wheels, in one
form or another.
I hope you enjoy trying to find the links to the song as much as we enjoyed creating
them.
Yours faithfully,
Neil
P.S. Amongst the submissions relating to Stephen West’s 2023 MKAL was this gem:
Dear Mr. West,
You done messed up, A-a-ron.
Sincerely,
The Knittas
3

By Wanda North and Cézanne Pellett
MY DAY AT
Wool&Folk2023
4
Much has been
written, recorded, and
shared about the disastrous
Wool & Folk
2023 Festival that took
place on October 20,
2023. Many details of
the organization and
execution of the festival
have come to light
in the past few weeks
that call into question
the competence and
integrity of the organizers.
This article will not
be about the organizers
or the background
of the festival; there
are already many
sources for that information,
even some in
this issue of Blocked.
Instead, this article will
be about the experiences of
one woman, Wanda, who attended
the festival with her
friend, V. At first, Wanda tried
to quash her concerns over
what happened at the festival,
so she didn’t appear overly dramatic,
something many others
have embraced with gusto.
Wanda wanted to instead focus
on the fun she had with her
best friend and not let that fun
be tainted. After hearing more
and more stories from other
people with experiences at
least as troubling as her own,
and often much, much worse,
she decided to share her story.
Continued on next page...
Wanda and V have
been friends for years.
They originally met in
an online knitting
group, then V bought a
spinning wheel from
Wanda, and they have
been best friends ever
since. “We are each
other’s person,”
Wanda explained, so
much so that V was
Wanda’s maid of honor
at her vow renewal ceremony
with her husband
two years ago.
Since they don’t live
close to each other, the
times they do get together
are very special
and eagerly anticipated
by both women.
In October, they
planned to attend some of the
festivals and activities surrounding
the popular Sheep and
Wool Festival in Rhinebeck,
New York (USA), including the
Wool & Folk Festival. The trip
was not a cheap one for either
woman. Between travel costs,
food, entry fees to each festival,
and a costly Air BnB rental, the
cost added up quickly. They
considered it to be well worth
the price, however, because
they were so looking forward to
spending a weekend enjoying
their mutual love of fiber arts.
Unfortunately, their own planning
could not make up for the

My Day... Continued...
serious lack of planning on
the part of the organizers of
the Wool & Folk Festival.
The first hint of trouble
came three weeks before
the event, when notices
were sent out that the location
had changed to a
venue nearly 40 miles away
from the original location.
The pair had booked their
Air BnB months in advance
and had paid a pretty
penny to get a nice place
close to the festivals they
wanted to attend. Wanda
suffered a mini stroke in
September and has subsequent
mobility and balance
issues requiring her to
walk with a cane. With the
change of venue, the
women made the costly
decision to change their
lodging arrangements to
someplace that wouldn’t require
as much driving, leaving
them more time to
enjoy the festivals.
Not long after, another
troublesome email arrived,
informing the registered attendees
of the parking arrangements
for the event.
To say the “instructions”
were confusing would be
an understatement. There
were multiple parking options listed and distances to the
festival location. The options ranged from a limited
amount of street parking a block away from the event to a
Walmart parking lot well over a mile away. It was later revealed
that the Walmart location had not given approval
for their parking lot to be used or even informed that
people would be sent there. It isn’t certain whether any of
the other businesses were contacted about the use of
their parking lots. From these notices, it was apparent that
the organizers were well aware that the parking available
at their new location was not sufficient for the number of
people they anticipated.
Even more troubling to Wanda and V specifically was
the note that anyone who required handicap parking arrangements
would have to notify
the organizers ahead of time as
there was a very limited number of
handicap spaces available. They
were also told that there would be
enough for everyone who needed
it, confusingly enough. This did not
turn out to be the case.
Despite their concerns about
Wool & Folk, Wanda and V attended
Cakepalooza on Friday
morning and had a good time. The
weather was drizzly with bouts of
heavy rain and Cakepalooza was
outdoors, but umbrellas, raincoats,
and good planning on the part of
the organizers meant that this festival,
at least, was able to be enjoyed
by those in attendance.
After their scheduled time at
Cakepalooza, V’s husband dropped
the women at Wool & Folk shortly
after it opened at 12:30 PM. They
looked for the entrance but didn’t
actually find it until after V’s husband
had driven ten blocks to park
the car and then walked those
same ten blocks back to the venue.
He never did find the shuttles referenced
in the notices about parking
posted on Wool & Folk’s social
media. The drizzly, wet weather
wasn’t letting up at all, but the
weather hadn’t stopped them from
enjoying Cakepalooza, so they
were determined not to let it stop
them at Wool & Folk either.
The new location was an old mill that had been converted
into an artist’s studio campus and event space,
most typically used for weddings, with a stated maximum
occupancy of 500 people. The campus is right at the bottom
of a hill on the edge of Catskill Creek, just off the
Hudson River. As the rain continued through the day,
more and more water came down the hill to pool directly
in the main outdoor vendor area of the festival. It wasn’t
until later in the day, however, that Wanda and V noticed
the water coming down the hill into the outdoor event
space. Long before they noticed the water and the mud,
they noticed that it was incredibly crowded.
The main walkway through the outdoor vending area
was only the width of a narrow sidewalk with foot traffic
Continued on next page...
5

My Day... Continued...
6
going in both directions.
Anyone who has checked
into Wool & Folk 2023 will
know that they oversold
tickets to the event by as
much as ten times the
space’s recommended capacity,
so it is no surprise that
the space was already very
busy half an hour after the
event opened. Wanda saw
the Pacific Knit Co. booth
and stopped in because she
wanted to buy her first set of
their Doodle Cards. The
booth was obviously much
smaller than the standard
10’x10’ vendor stall and was
so full of shoppers, tables,
and merchandise that she struggled to keep her balance
and move through the crowd with her cane.
After buying her cards and some yarn to make a cowl,
Wanda made her way back out of the booth to find V and
her husband. They had discovered that there were more
vendors inside one of the buildings on site, though it was
difficult to know what was where since there were no signs
or maps anywhere. As soon as they entered the building,
Wanda wanted nothing more than to get back out of it.
Inside the building, it was even more populous than it
had been outside. It was also very warm and humid due to
the combination of too many people and the continuing
rain. It was difficult to move through the mobbed space,
but Wanda, V, and V’s husband managed to get to a few of
the booths on one side of the room. Wanda really wanted
to get the Rhinebeck Weekend colorway from Dragon
Hoard Yarns and was happily able to do so. They also
stopped in at Yarn Cafe Creations and Sinful Yarn and
really enjoyed getting to see their yarns and chat with the
vendors despite the uncomfortable situation.
Due to the lack of maps or signs, it was some time before
the group discovered that there were more vendors
up on the fifth floor of the building and started searching
for an elevator. At this point, Wanda just wanted to get out
of the swarming space, but she also wanted to spend as
much time with V as she could, so she stayed with her
friend. They finally found a small, rickety elevator that
looked like it could have been built in the 19th century
along with the rest of the building. Wanda quickly found
herself smashed into the back corner of the elevator while
more and more people pushed their way into the cramped
space. When the doors finally closed and the elevator
started moving up, she was struck
with the alarming thought that
with so many people packed in
like sardines, they were quite possibly
over the antique elevator’s
weight capacity. At this point, however,
she had no choice but to
ignore her claustrophobia, close
her eyes, and hope that wasn’t
the case.
When the doors opened and
Wanda saw the layout of the fifth
floor, she wanted to stay in the elevator
so she could get back
down to the first floor and out of
the teeming building as quickly as
possible. The fifth floor was so
thronged that the three of them
very quickly decided to leave, this
time taking the stairs despite Wanda’s cane. The stairwell
was about the same size as what would be found in a standard
home, and they were shocked to find that there were
even vendors stuffed into this space. Once they got down
the stairs, the trio decided that their day at Wool & Folk
was over.
In the weeks since, Wanda has learned quite a few things
about the event, some of which were surprising, and some
which were not. No one who was there would be surprised
to learn that tickets had been oversold; the event was obviously
packed to the rafters…even outside! Between
3,000 and 5,000 tickets to the event were sold, in addition
to a vendor list of around 100, even though the venue has
a stated a maximum occupancy of 500. After seeing the
booths, it also wasn’t very surprising to learn that none of
the vendors got the size of booth they were promised. It
was, however, shocking to find out that vendors were
charged different fees depending on the color of their
skin.
The event was obviously very poorly organized and managed.
There were no signs or maps anywhere, nothing announcing
who the sponsors were or where vendors could
be found. There was supposed to be live music and food,
but Wanda and V never saw any sign of either. Reports
from other sources state that there was no music and only
three food trucks ever showed up. The lack of handicap
accessibility was especially shocking to Wanda as she is
handicapped herself, but she couldn’t help thinking how
much worse it would have been for someone who was
more incapacitated than she was. Someone who needed a
walker probably wouldn’t have been able to get five steps
through the narrow walkways and a wheelchair would likely
Continued on next page...

My Day... Continued...
have been impossible to maneuver and
even dangerous to attempt in the muddy
and especially congested areas.
Wanda has spoken with vendors who are
attempting to get their money back from
the organizers of Wool & Folk. Their
requests have not only been ignored, but
they have been blocked on social media by
the event organizers. Wanda attempted to
get her ticket refunded from Eventbrite, as
she was barely able to participate in the
event, but every time she has tried, the website gives her
an error when she hits “submit.” Wanda isn’t as concerned
about getting her $45 ticket refunded when she thinks
about the vendors who paid $900 (or $450 for the nonwhite
vendors) for a 10’x10’ booth who found themselves
on a tiny patch of muddy ground for their brand new yarn
to fall onto, in a tiny, hot, and sticky stairwell, or directly in
the fragrant entrance to the over-worked restrooms at an
event with up to 5,000 people in attendance.
Vendors and attendees alike were promised a place to
sit, knit, and mingle, but nothing like that was to be found
at Wool & Folk 2023. The event organizers did issue an
apology, but most people, Wanda included, found it to be
half-assed at best and seemed to blame
everything on the rain. Whether the
weather had been fair or foul, the event
would still have been oversold and underplanned.
Even if the day had been bright
and sunny, there were many concerning
signs leading up to the event that were
largely ignored until it was far too late to
do anything about them.
Despite the overly full location, the bad
planning, and the fact that she was barely
able to participate in Wool & Folk 2023, Wanda was happy
she got to spend time with her best friend and make new
friends during her time in Rhinebeck. I’m sure we would all
love it if the organizers of Wool & Folk 2023 would not
only do a better job next year, but also take responsibility
for the abysmal job they did this year, but I, at least, would
be satisfied if everyone could try to take a lesson from
Wanda. When a bad thing has already happened and cannot
be changed, let’s try to focus on the good parts and
hold on to those memories. However, going forward, I
think it would serve us all well to learn to keep our eyes
open for the red flags that were evident well before Wool
& Folk took place.
7

DISHIDENT #13
by UKnitted Kingdom
PATTERN DESCRIPTION
Each issue of Blocked will contain a ‘secret’ pattern.
The design will only be revealed as you knit.
The instructions might uncover an image; a
design, or a word/message.
When using cotton these secret squares make
excellent dishcloths. If you make 4 or 5 of each
square in wool or acrylic they can be seamed
together at the end of the year to make a small
Afghan or lap blanket.
GAUGE & MATERIALS
Each dishident uses approximately
41 to 43g of worsted weight 100% cotton.
Follow the yarn manufacturer’s
recommended needle size.
DIRECTIONS
← Row 1 [RS]: K45
→ Row 2: K45
← Row 3: K45
→ Row 4: K45
← Row 5: K45
→ Row 6: K45
← Row 7: K45
→ Row 8: K4, p16, k5, p16, k4
← Row 9: K45
→ Row 10: K4, p16, k4, (k1, p4) 2X, p7, k4
← Row 11: K45
→ Row 12: K4, p16, k5, p2, k3, p11, k4
← Row 13: K45
→ Row 14: K4, p16, k10, p11, k4
← Row 15: K45
→ Row 16: K4, p16, k8, p13, k4
← Row 17: K45
→ Row 18: K4, p16, k6, p15, k4
← Row 19: K45
Dishident Continued on next page...
8

Dishident Continued...
→ Row 20: K4, p15, k6, p16, k4
← Row 21: K45
→ Row 22: K4, p13, k8, p16, k4
← Row 23: K45
→ Row 24: K4, p11, k10, p16, k4
← Row 25: K45
→ Row 26: K4, p11, k3, p2, k5, p16, k4
← Row 27: K45
→ Row 28: K4, p11, k1, p4, k5, p16, k4
← Row 29: K45
→ Row 30: K4, p16, k5, p16, k4
← Row 31: K45
→ Row 32: K4, p16, k5, p16, k4
← Row 33: K45
→ Row 34: K4, p16, k5, p16, k4
← Row 35: K45
→ Row 36: K4, p5, k27, p5, k4
← Row 37: K45
→ Row 38: K4, p5, k27, p5, k4
← Row 39: K45
→ Row 40: K4, p5, k27, p5, k4
← Row 41: K45
→ Row 42: K4, p16, k5, p16, k4
← Row 43: K45
→ Row 44: K4, p16, k5, p16, k4
← Row 45: K45
→ Row 46: K4, p16, k5, p16, k4
← Row 47: K45
→ Row 48: K4, p12, k13, p12, k4
← Row 49: K45
→ Row 50: K4, p12, k13, p12, k4
← Row 51: K45
→ Row 52: K4, p12, k13, p12, k4
← Row 53: K45
→ Row 54: K4, p16, k5, p16, k4
← Row 55: K45
→ Row 56: K4, p16, k5, p16, k4
← Row 57: K45
→ Row 58: K45
← Row 59: K45
→ Row 60: K45
← Row 61: K45
→ Row 62: K45
TIPS
If preferred, slip the first OR the last stitch of every row to create a
neater edge. When purling a stitch immediately after knitting a
stitch; pull the excess yarn out of the purl stitch before knitting or
purling on. This helps to reduce loose/baggy knit stitches.
NOTES
Occasionally a dishident or secret square might not be
suitable for children and ‘polite company’. Where this is
the case it will be made clear.
If you would like to receive notifications of our next issue!
Check out our Patreon!
www.patreon.com/join/BlockedMagazine
9

10

Join Two Sisters and Some Yarn in our
Think you have what it takes to solve a mystery?
WhoDoneKnit
MAL 2024
https://www.youtube.com/c/TwoSistersAndSomeYarn
How Can You Participate?
Read and create!
In early January 2024, watch our Instagram
and YouTube for the sign-up form to join the
fun! Each week(ish), we will release part of a
murder mystery whodoneknit to be sent to
you via email. All you have to do is read along
with the story and enter your guess each week
along with any details of what you are making
via the form that will be sent with the story.
The story will be released in 4(ish) parts. You
do NOT have to guess each week, but
you must fill out the form each week to declare
your official participation in the make-along.
Some of your favorite podcasters will also be
sharing clues, as well as Blocked Magazine! So
be sure to pay attention to emails and our social
media so you don't miss any clues!
What do you have to make?
Whatever your murderous heart desires! Any
craft, any pattern, anything! Sure, there are
extra points for using the patterns and
supplies of our sponsors, but we aren't picky!
This should be no stress murdering!
You will be warned prior to the final part of the
story being released to give one last guess on
who you think the murderer(s) is! Please keep
your guesses off social media so that you don't
spoil the fun for others! Beta readers have
been sworn to secrecy! The story will be published
in full at a later date!
So, read, create, share the fun on social media
(minus your suspicions!), put on your best detective
hat and join us for the WhoDoneKnit-
Mal!
~Two Sisters and Some Yarn
Extra “points” will be tallied for using the
hashtag #whodoneknitmal on Instagram, as
well as using the patterns, and yarn featured,
or any other murder mystery-y themed items.
Details on those vendors coming soon!
11

Tilting at
by Yelena of Scythia
Swastikas
My dearest friends, I hope you are enjoying this
transition into knitting season.
I had a very busy spring and summer at my dacha.
Now that the harvest is complete and stores have been
replenished for winter, I am back to writing on occasion.
I look forward to cozying up by the wood fire with my
knitting and enjoying the fruits of my labors.
This brings me to one of the most anticipated
events that essentially kicks off knitting season – the
West Knits MKAL( mystery knitalong). Stephen West
has marketed himself as an open and inclusive knitting
designer who is positive and encouraging to all. He encourages
creativity and not worrying about
mistakes. His designs push boundaries and
encourage everyone to learn new techniques
and embrace challenge. His positive
demeanor and creativity has made him
wildly popular and successful. He is a prolific
designer who obviously works very hard.
His annual MKAL is a very popular event,
where thousands of knitters participate.
Many participants save money throughout the year so
they can splurge on the “good yarn” for the MKAL. It is
certainly one of the most popular events in the knitting
community each year.
With the culture wars raging in the knitting community,
West had long been “neutral ground” where everyone
can knit his designs, participate in his MKAL and
other events regardless of which boxes a knitter checks.
Neutral space is important for a healthy culture. It allows
everyone to participate in and enjoy communal
activities without engaging in political infighting. Many
of our cultural institutions traditionally have been neutral
spaces where everyone, regardless of ideological
affiliation could participate and be friendly with others.
However, over the years more and more cultural institutions
have fallen to extreme left wing Marxist ideology.
Very little neutral space remains. In the knitting community,
West and his MKAL was one of the last large
areas of neutral space. Alas, West has fallen.
As a white man, West has long been in the cross
hairs of the culture warriors. He had evaded their fire
until the 2023 MKAL. The first clue of the MKAL is a
gorgeous and interesting modular design, which is
shaped like a pinwheel – a very common motif in quilts.
No one should be surprised that a man who lives in the
Netherlands found artistic inspiration in the windmills
that dot the Dutch landscape. The design also reminds
me of St. Brigid’s Cross which has significant cultural
significance in Ireland.
However, some people saw a swastika in the pinwheel
design West created. Knitters, who swore they
weren’t trying to cause trouble, just had to talk about it
and cause trouble. Ravelry forums and the
Craftsnark subreddit on Reddit exploded
with knitters who started to whine and moan
about seeing Nazis and swastikas everywhere.
They all swear that they don’t think
Mr. West meant to design a swastika, but it
was still there. It doesn’t matter that the majority
of knitters never saw a swastika, including
Jewish knitters. They saw the
pinwheel/St. Brigid’s Cross as West obviously intended.
But of course, their opinions and experiences don’t
matter and none of this mattered to the mob. West
quickly, and rather pathetically, bowed to them.
It wasn’t long before West issued an apology and
added an alternate clue 1. However, the mob was still
not satisfied. West then removed the original clue 1 and
banned the posting of any images of the original clue 1
to his Ravelry group and no MKAL shawls with the original
clue 1 would be considered for prizes. He even had
the audacity to expect people to REKNIT clue 1. It
didn’t matter if MKAL participants had already completed
clue 1. It didn’t matter that his design is NOT a
swastika. It didn’t matter if the knitter is less well-off
and couldn’t afford to rip out many small sections of cut
yarn. It didn’t matter if someone is a loose knitter and
could potentially run out of yarn. It didn’t matter if the
knitter did not have extra time to knit clue 1 again. He
still expected everyone to engage in obeisance to the
mob. And on top of all this, the new clue 1 is BORING.
12

Tilting Continued...
West couldn’t even write the word swastika in his explanation.
His caving to the mob was weak and cowardly.
He destroyed his own brand that he had carefully
developed over the years. He used to be tolerant and
encouraging of creativity and adjustments to make a
design the knitter’s own. However, this time, he expects
all participants to bow to the mob with
him and knit the new clue 1. If we
don’t, we are intolerant and hateful.
Yes, West even accused those who enjoyed
the original clue 1 of being intolerant,
insensitive, and hateful.
While the mob cheered West’s capitulation,
many ordinary knitters became
upset. Granted, as someone who
has no love for Marxist ideology and is
an explicit anti-communist, I don’t expect
left wing knitting designers to
cater to me. I expect to be routinely
disparaged and falsely accused of
being a hateful bigot. However, I was
amazed, and heartened, to see so
many ordinary knitters upset. They didn’t
take well to being called hateful for
seeing and appreciating a lovely pinwheel
design. I am encouraged by so
many knitters just knitting what they
want!
While I don’t know what the fall out
will be, I don’t think West will walk away
unscathed in the long run. I am aware
of West actually issuing refunds. I do
think he did the right thing to issue refunds
because there are knitters who
felt deceived. It remains to be seen,
but I expect a lot less participation in
the MKAL next year. This will not be
good for West Knits nor for the many
yarn dyers who put together unofficial MKAL yarn kits.
Times are tough with our Build Back Better economic
policies in the United States, and I don’t see as many ordinary
knitters wanting to spend money to participate
in an MKAL that could change after it starts. West is no
longer neutral space, and those who want neutral
space will simply avoid it in the future.
What does this all mean? I think this means that
West needs to engage in some serious self-reflection.
If his design really is such a hateful symbol, why didn’t
he and his many test knitters see it? What kind of culture
is he fostering where a test knitter who sees something
troubling doesn’t feel comfortable speaking up?
This whole saga tells us far more about him, the people
he surrounds himself with, and all those who see Nazis
and swastikas under their beds than it does us who see
pinwheels and St. Brigid’s Crosses.
Other implications are quite troubling.
West is an artist who didn’t defend his art. A
free society needs artists who are able to
create freely and do not self-censor. He
erased his own art. He is no better than the
Soviet censors who removed people who ran
afoul of Josef Stalin from photographs. West
did this to himself. He sent himself to the
gulag.
Mr. West, you, sir, could have stood up to
the mob. There are many of us who would
stand up beside you against the mob. We
would have supported you. We have done it
before for others and will gladly do it again.
We choose to not live by lies. Mr. West, I
leave you with some words of the great Aleksandr
Solzhenitsyn from his work “The Gulag
Archipelago.”
“And how we burned in the camps later,
thinking: What would things have been like if
every Security operative, when he went out at
night to make an arrest, had been
uncertain whether he would return alive and
had to say good-bye to his family?
Or if, during periods of mass arrests, as for
example in Leningrad, when they arrested
a quarter of the entire city, people had not
simply sat there in their lairs, paling with
terror at every bang of the downstairs door
and at every step on the staircase, but had
understood they had nothing left to lose and
had boldly set up in the downstairs hall an
ambush of half a dozen people with axes, hammers,
pokers, or whatever else was at hand? … The Organs
would very quickly have suffered a shortage of officers
and transport and, notwithstanding all of Stalin’s thirst,
the cursed machine would have ground to a halt! If…
if…We didn’t love freedom enough. And even more –
we had no awareness of the real situation…. We purely
and simply deserved everything that happened afterward.”
Whatever the consequences of bowing to the mob
are, Mr. West, you deserve the fallout.
13

SALTSTRAUMAN COWL
DESCRIPTION
The Saltstraumen Strait is a series of whirlpools (maelstroms)
located in Norway. The strait is one of the strongest tidal currents
in the world. Each module of this cowl represents one of the
Strait’s whirlpools.
By Uknitted Kingdom
14
MATERIALS
• 162g (470 m) of King Cole Riot in 3440 - Waterways
• 4mm/F crochet hook
• Stitch marker
• Tapestry needle to weave in loose ends
GAUGE
The diameter (edge to edge at the widest point) of each
circle/octagon should be approximately 9cm (3.5”).
FINISHED SIZE
Approximately 27 cm/11” high x 40.5cm/16” wide
NOTES
All terminology is US standard crochet.
Each circle/octagon uses approximately 6g of DK yarn.
Do not join any round with a sl st. Work in a continuous spiral.
Use a stitch marker to show the end of each round.
After round 1 all stitches are made into the very back loop of the stitch.
This forces the front and middle loops forward to create the spiral pattern.
The 2nd round can be tricky as the back bump of a sc is often tight and
hard to see.
ABBREVIATIONS
Ch
Sc
Hdc
Sl
St/sts
chain
single crochet
half double crochet
slip or slip stitch
stitch(es)

Saltstrauman Cowl Continued...
INSTRUCTIONS
(MAKE 27)
Make a magic circle (or ch 4 and join into a circle)
Round 1: Ch 1, sc 8 into the circle. Pull circle tight.
Round 2: 2hdc into the bump at the back of each sc. (16 sts)
Round 3: (2hdc, 1hdc) repeat around. (24 sts)
Round 4: (2hdc, 1hdc, 1hdc) repeat around. (32 sts)
Round 5: (2hdc, 1hdc, 1hdc, 1hdc) repeat around. (40 sts)
Round 6: (2hdc, 1hdc, 1hdc, 1hdc, 1hdc) repeat around. (48 sts)
Round 7: (2hdc, 1hdc, 1hdc, 1hdc, 1hdc, 1hdc)
repeat around. (56 sts)
Round 8: 2hdc, 1sc, 1sc, 1sc, sl1, sl1, sl1, sl1.
(only work 9 sts of the final round)
Break yarn and weave in the ends.
To make up
Place the circles with the right sides facing inward.
Using the very back loops only, sc the back loops of the
circles’ corresponding stitches together (8 sc).
Join the circles into 3 strips of 9.
You will now have 3 strips.
Join along each strip: 1 to 10, 2 to 11, 3 to 12, 4 to 13, 5 to 14, 6 to 15, 7 to 16, 8 to 17, and 9 to 18.
Repeat: 10 to 19, 11 to 20, 12 to 21, 13 to 22, 14, to 23, 15 to 24, 16 to 25, 17 to 26, and 18 to 27.
To finish, join the edge of piece 1 to the edge of piece 9, join piece 10 to piece 18, and piece 19 to piece 27.
Wash and block.
SALTSTRAUMAN BLANKET
To use the same circles/octagons to make a blanket, make as many pieces as you need to create the width of
your blanket. Then repeat in strips, joining as you go, until the blanket is the size desired.
15

By Uknitted Kingdom
Rat Utopia, Mouse Paradise,
AND KNUTTER NIRVANA
16
Disclaimer: I’m not a medical professional, the
points made following are not armchair diagnosis, but
rather, opinions based upon observation and a layman’s
knowledge of mental illness and personality disorders.
Anxiety, depression, panic attacks, and suicide are
not new. Mental health issues can and do affect
anyone without prejudice. However, there’s been a
different form of mental illness taking hold almost exclusively
in Western countries. It is this I will be referring
to, not the common, every day, ordinary,
pedestrian, “boring” mental health issues
we’ve all come to accept and recognize.
We’ve often said, or heard it said, that
the knitting world is a concentrated microcosm
of the insanity that is befalling
the wider Western world. There are other
microcosms out there but, arguably, the
knitting world has been particularly observable
from under a bell jar for some
years.
Whether we like to acknowledge this
or not, there appear to be two very distinct,
and, in the main, diametrically opposed
knitting camps (there may well be
a hidden silent majority supporting
either of the camps).
1. A larger, very vocal, very militant
group of political left-wingers.
2. A smaller, less vocal group, more
conservative or centrist in their political beliefs.
There is a trend amongst the “internet influencers”
and prominent businesses from the first group; a willingness,
nay, a joyful compulsion, to self-declare mental
illness, personality disorders, and/or body dysmorphia,
and to project the diagnosis as an essential aspect of
character. Every single one of the Group One You-
Tubers and public-facing businesses (that I have seen)
has proclaimed a mental illness of one or several forms.
This isn’t to say no one in Group Two has any mental illnesses;
I’m sure many do. The notable difference is the
figurative “pride parade” of over-sharing.
There are a myriad of theories and explanations for
these illnesses. However, I want to focus on the most
disruptive and damaging (to those around them) - narcissism,
queerness, and gender dysphoria.
To clarify the terms.
NARCISSISM
When discussing narcissism, I do not mean
low level vanity. I’m referring to Narcissistic Personality
Disorder (NPD). This is characterized by:
• A grandiose sense of self-importance.
• Preoccupation with fantasies of unlimited
success, power, brilliance, beauty,
and/or ideal love.
• Believing that they are “special”
and unique and can only be
understood by, or should associate
with, other special or high-status
people (or institutions).
• Requiring excessive admiration.
• A sense of entitlement (unreasonable
expectations of especially
favorable treatment or automatic
compliance with their expectations).
• Being interpersonally exploitative
(taking advantage of others to
achieve their own ends).
• Lacking empathy (unwilling to
recognize or identify with the feelings
and needs of others).
• Often being envious of others or believing that
others are envious of them.
• Showing arrogant, haughty behaviors or attitudes.
Diagnostic and statistical manual of mental disorders:
DSM-5 (5th ed.). Arlington, VA: American Psychiatric Association.
2013. pp. 72–669. ISBN 978-0-89042-554-1.
OCLC 830807378
Thinking of some of the most prominent Group
One yarn dyers and YouTubers, and their posts, behavior,
and attitude, do you think these characteristics fit?
Far be it from me to assert my own opinions as fact, but
I do have my suspicions.
Continued on next page...

Rat Utopia Continued...
QUEERNESS
“Queer” is a term used (often without consent or
agreement) for any person who is not traditionally heterosexual
or whose gender identity does not align with
the person’s primary and secondary genitalia.
It is important to note that most older homosexual
men and women, and most older transgender people,
do not align themselves with the “queer” identity.
Please do not assume that men and women who define
themselves as gay or lesbian are part of this movement.
It is those who identify as “queer” who believe in the
“queer agenda.”
The queer identity emerged from an academic off
shoot of post-structuralist critical theory called “Queer
Theory.” Regardless of denials by the uneducated proponents
of queerness, queerness does include and accept
bestiality and pedophilia, as well as any
non-traditional sexual kink, persuasion, and perversion,
including scat (please don’t Google this if you don’t
know what it is) and blood. Only sex and sexuality considered
heteronormative (aka “normal”) is excluded.
Where once Queer Theory involved reimagining
popular culture through a queer lens * for an example,
see “Batman, Deviance and Camp” by Andy Medhurst,
Ref. 1) It is now a political and social movement with
the aim to queer the world. For an example, see the
“Queering the World Workshop” with Lo Moran.
https://fiveoaksmuseum.org/queering-the-world-workshop-with-lo-moran/
As a response to religious conversion therapies
which claimed to “cure” homosexuality, this event
openly plans ways to convert heterosexuals into becoming
queer.
“This project invites Queer people to give instructions
for exercises and therapies to bring more queerness,
openness and fluidity into a cis heteronormative
dominated world.”
Other examples follow:
In this campaign the aim is to “queer the field [of
science]” https://jcom.sissa.it/article/pubid/JCOM_2001_2021_C05/
Friends of the Earth Australia even want us to believe
the very Earth is queer!
https://www.foe.org.au/queering_the_earth
In her “Dismantling Hierarchy, Queering Society” article,
Andrea Smith calls for a complete dismantling of
the family, society and culture, and rebuild a Queer
Utopia. https://muse.jhu.edu/article/609372
In the knitting world we are seeing otherwise heterosexual
individuals aligning as “queer” without ever
having a homosexual experience.
GENDER DYSPHORIA
Gender dysphoria is currently at the forefront of the
queer movement, closely followed by pedophilia, so it
is important to define what it is in isolation.
Prior to the queer movement there were different
categories of “trans”:
A drag queen is usually a homosexual man who
mocks women by dressing and performing in highly exaggerated
sexual ways. The more convincing he is as a
woman the more he is described as “fishy,” or a “fish.”
This is an extremely offensive term used in drag to
imply women’s genitalia smells of fish.
A transvestite is usually (but not always) a heterosexual
man who obtains sexual gratification from wearing
women’s clothing.
A transexual is a homo or heterosexual person who
has physically and/or hormonally altered their bodies
to live as the opposite sex.
A transgender person does not identify as the sex
observed at birth, though surgery is not always something
a transgender person will undertake. Individuals
may or may not look like either gender or a composite
of the two genders.
When considering men, all the above may or may
not be autogynephilic: a man who is sexually aroused
imagining he has breasts, female genitalia, menstruates,
becomes pregnant, etc.
There is a similar diagnosis for women who become
sexually aroused at the thought of being a man (autoandrophilia),
but this is currently disputed.
Since the queer movement became established;
the umbrella “trans” moniker is preferred by most of the
above. (Ref 2.)
Non-binary is a term used by (mostly) young people
to set him or herself outside of the biological reality of
male and female. Often using made up pronouns (most
famously the singular they/them), neopronouns (such
as ze/zir, or frog/frogself) and xenopronouns (which
cannot be pronounced or understood by humans – I
can’t believe I’m actually writing these words!). More
often than not, the non-binary person acts and presents
as obviously male or female yet demands to be addressed
by their constructed pronouns both in person
and when not there. This is a social contagion which has
spread like wildfire through high schools, colleges, and
universities.
Ref 1: https://academic.oup.com/mississippi-scholarship-online/book/15631/chapter-abstract/170382411?redirectedFrom=fulltext
Ref 2: https://www.thepinknews.com/2018/03/19/transsexual-transgender-transvestite-what-should-you-call-trans-people/
Continued on next page...
17

Rat Utopia Continued...
There is one other term, “cis,” or “cisgender,” used for,
what most people would describe as, normal or usual
for men and women. Cis was first claimed to have been
used in 1994 by Dana Defosse “I Coined The Term 'Cisgender'
29 Years Ago. Here's What This Controversial
Word Really Means” HuffPost. Archived from the original
on February 18, 2023. Retrieved February 18, 2023.
The idea behind the term is to avoid using the usual
terms of “man” and “woman” to differentiate from “trans
man” and “trans woman.” It is an attempt to stop society
from seeing trans people as other or abnormal.
The term cisgender originates from the Latin prefix
cis-, meaning “on this side of,” which is the opposite of
trans-, meaning “across from” or “on the other side of.”
Many view “cis” as an offensive term used specifically
to decentralize what is actually normal (standard,
usual, typical, or expected). If we look at statistics (this is
not meant to be derogatory) queer people can in no
way be described as standard, usual, typical, expected,
or normal. You may have had an indoctrinated, visceral
reaction to the term “normal.” It has long been frowned
upon to acknowledge typicality. “What is normal?” I
have often heard when someone uses the word. The
answer to this is “Anything standard, usual, typical, or
expected.”
Returning to the knitting world.
As mentioned earlier, Group One businesses and
influencers will declare him/herself to be “queer” (one
example uses “they” pronouns, is heterosexual, but
likes to have multiple concurrent sexual partners) or
make a huge deal of his or her proximity to a queer
person (usually a son or daughter). Other times, in a
vain attempt to appear atypical, the influencer/business
will declare he/him or she/her pronouns in some misguided
attempt at allyship.
Again, it is important to acknowledge that Group
Two businesses and influencers might also be homosexual
or have queer/non binary relatives, but will rarely
use this as leverage to appear more virtuous in some
way. They will rarely if ever, declare pronouns, instead
trusting people to see they are men or women.
RAT UTOPIA, MOUSE PARADISE,
AND BEHAVIORAL SINK
With the terms and definitions established I can
now proceed to the actual point of my observations.
Between 1958 and 1962 John B. Calhoun made a
series of repeatable experiments on rats. He placed
them into safe enclosed spaces, protected from
weather and predators, where the rats had access to
unlimited amounts of food and water. As the rats bred,
more food and water were made available, yet the enclosure
remained the same size.
As the population grew larger the following behavior
was observed:
“Many [female rats] were unable to carry pregnancy
to full term or to survive delivery of their litters if they
did. An even greater number, after successfully giving
birth, fell short in their maternal functions. Among the
males the behavior disturbances ranged from sexual
deviation to cannibalism and from frenetic overactivity
to a pathological withdrawal from which individuals
would emerge to eat, drink and move about only when
other members of the community were asleep.
Calhoun, J. B. (1970). "Population density and social
pathology". California Medicine. 113 (5): 54. PMC
1501789. PMID 18730425.
Between 1968 and 1972 Calhoun conducted
further experiments, this time on mice.
[The mice] exhibited a variety of abnormal, often
destructive, behaviors including refusal to engage in
courtship, and females abandoning their young. By the
600th day, the population was on its way to extinction.
Though physically able to reproduce, the mice had lost
the social skills required to mate.
"The Behavioral Sink". Cabinet Magazine. Summer
2011. Archived from the original on 2020-02-15. Retrieved
2012-08-24.
The mice split into several groups: dominant males,
subordinate males, homosexuals, extremely passive,
fertile females, infertile females, and the Probers.
“The aggressive, dominant animals were [observed]
going berserk, attacking females, juveniles and the less
active males, and showing a particular predilection -
which rats do not normally display for biting other animals
on the tail.”
“Although they [the subordinate males] never at-
18
Continued on next page...

Rat Utopia Continued...
tempted to engage in sexual activity with any of the females,
they were likely, on those rare occasions when
they encountered the dominant male, to make repeated
attempts to mount him. Generally, the dominant
male tolerated these advances.”
“Below the dominant males both on the status scale
and in their level of activity were the homosexuals-a
group perhaps better described as pansexual. These
animals apparently could not discriminate between appropriate
and inappropriate sex partners. They made
sexual advances to males, juveniles and females that
were not in estrus. The males, including the dominants
as well as the others of the pansexuals’ own group,
usually accepted their attentions.”
“A group of extremely passive mice emerged.
Usually left alone by the other groups these mice, on
appearance alone, “would have appeared to be the
healthiest and most attractive members of the community.
They were fat and sleek, and their fur showed
none of the breaks and bare spots left by the fighting in
which males usually engage.” These mice seemed to
only be interested in self-grooming, eating, and little
else.
The most dangerous of the mice were labelled
“Probers.” These hyperactive males would forgo all the
usual mating rituals and, to put it bluntly, rape the females.
“They were the most active of all the males in the
experimental populations, and they persisted in their
activity despite attacks by the dominant animals. In addition
to being hyperactive, the probers were both hypersexual
and homosexual, and in time many of them
became cannibalistic.”
https://gwern.net/doc/sociology/1962-calhoun.pdf
In the simplest terms, the Rat Utopia and Mouse Paradise
experiments showed that rodents with unlimited
resources, no predators, but living in a limited environment,
will, eventually, always descend into “behavioral
sink.”
The females will become one of the following:
• Infertile
• Fertile but neglects her offspring (extremely low
survival rate)
• A harem member where the “sister-wives” care for
each other’s offspring (yet only a 50% survival rate)
The males will become one of the following:
• A dominant heterosexual aggressor with a harem
of females yet tolerant of homosexual advances.
• A subordinate male who is no longer interested in
sexual activity with females but often tries to mount the
dominant male.
• A pansexual male, who engages in sexual activity
with infertile females, other males, and juveniles.
• An asexual, overweight narcissist engaging in
constant self-grooming.
• A hyperactive, rapist cannibal.
In every case the societies collapsed.
I can’t help but draw parallels with modern Western
societies living in cities and overpopulated environments.
Perhaps, apart from cannibalism (even this has been
documented in modern humans), all of the above behaviors
are becoming more and more prevalent across
both genders in our society.
Pedophilia, child neglect, infanticide, abortion, infertility,
homosexuality, pansexuality, polygamy, obesity,
narcissistic transgenderism, even the rare emergence
of hyper dominant males, such as Andrew Tate, our
world is accelerating toward “behavioral sink.”
In the microcosm of the knitting world these behaviors
are even more apparent. We even see figurative
cannibalism where knitters from Group One “eat their
own” in frenzied bullying attacks. At what point, if at all,
will they eventually decide to chomp down on Andrea
Mowry or Stephen West?
This raises dozens of questions, such as: “Do the
mice, and in turn we, have any choice in our behaviors?”
“Are we destined to become one of the groups
observed?” Or “Will these behaviors emerge in our
children, or our grandchildren?”
Only one thing can be certain, those displaying
these behaviors want to spread the malaise. They abhor
any form of traditional societal norms. Even if they
didn’t choose this behavior, they do not want to adopt
traditional, long-accepted behaviors.
With almost every Group One knitter living in
“Knutter Nirvana,” displaying one or several of these
deviant traits, are we about to witness societal collapse?
Is the antidote to this “doomsday scenario” to escape
over population, with its relative safety and abundance
of food, and go to live in a sparsely populated
environment where nests have to be built, food has to
be grown, reared, and worked for?
I can’t say. Although I have my suspicions.
19

Knitting Patterns, Hand-Dyed Yarns,
Tools, Notions & More!
www.knittymcpurly.com
Hand-dyed yarns, Opal yarns, patterns, tools, and notions.
https://www.etsy.com/de/shop/AnnaKnitterYarns
New Zealand yarn store.
Ships worldwide.
www.skeinz.com
Knitting Patterns
https://www.ravelry.com/designers/liz-clothier
Anne Pinkava
Knitting Patterns
www.lovecrafts.com/en-us/user/maker/fdba7e1e-93b6-4b6f-9f82-06ef18d0ec8c
Knitting Patterns
https://galilee-life.com/vendor/deplorable-knitter/
20

Amigurumi/Crochet Patterns
http://www.yankeerose.etsy.com/
Wise Owl Knits
Knitting Patterns and Tutorials
www.wiseowlknits.com
Karen Juliano
Blogger
& Knitter
Fabrics, Sewing Patterns,
and Tutorials
https://littleragamuffin.com/
Knitting Patterns:
https://www.lovecrafts.com/en-us/user/maker/647c869e-a568-4b05-8fb4-b8f868600ec4
Knitting Patterns and Tutorials
https://www.ravelry.com/stores/birdie-beanie
Love Stitched
https://galilee-life.com/vendor/love-stitched/
21

By Uknitted Kingdom
All About (Felicia) Eve
Much has been said and written about the recent
Wool and Folk knitting festival (including within these
very pages). I know many will be expecting me to discuss
the event and many of the incidents which happened. Although
these incidents are worthy of coverage, I’m more
interested in the Wool and Folk organizer, Dr. Felicia
Stenhouse Eve, and her privilege and political connections.
Felicia Stenhouse was born in New York state in 1967.
Not much information about Felicia is publicly available,
however, in an interview with Kristy Glass,
https://youtu.be/eZka8ogG4zY?si=31tEItQcp7y245Sf Felicia told of how
she met her husband when they attended school together,
lost touch during their college years and reconnected
as adults. Felicia and Eric married in June 1997.
The pair were married in St. Paul’s Episcopal Cathedral in
Buffalo, New York. The wedding reception was held at
the nearby Brierwood County Club in Hamburg, New
York. The couple honeymooned in Greece and, upon
their return, moved to Washington, D.C. so Eric could
commence working in the White House.
https://buffalonews.com/news/dr-stenhouse-eric-eve-wed-travel-to-greece/article_9e0666f7-01ae-5d66-bfdf-fd10226208a9.html
POLITICAL POWER AND CONNECTIONS
Felicia’s husband, Eric V. Eve, and his family, are
prominent players in the Democrat Party.
Felicia’s father-in-law, Arthur O. Eve, served as a Democrat
member of the New York Assembly from 1967 to
2002, and Deputy Speaker of the Assembly from 1979 to
2002. https://en.wikipedia.org/wiki/Arthur_Eve
Felicia’s sister-in-law, Leecia R. Eve, is a New York attorney
and has worked in both Federal and New York
State government positions. Leecia was a candidate for
Lieutenant Governor of New York during the 2006 election.
She worked as an aide to both Joseph Biden and
Hillary Clinton when they were U.S. Senators. Leecia
served as a senior advisor during Hillary Clinton’s 2008
election campaign. She was Deputy Secretary for Economic
Development in the Executive Chamber of New
York Governor Andrew M. Cuomo. Leecia was defeated
in the 2018 Democrat primary election for Attorney General
for New York State.
https://en.wikipedia.org/wiki/Leecia_Eve
Felicia’s husband, Eric V. Eve, worked as Special Assistant
for Political Affairs to President William Jefferson
Clinton. He currently heads Ichor Strategies with his
sister Leecia. https://www.ichorstrategies.com/eric-eve
Felicia ran the “Friends of Leecia Eve” election campaign
and has been extremely active in the Democrat
Party. However, she certainly doesn’t appear to have
been a braggadocious name-dropper in the yarn world,
so one can only speculate if she or her husband knew
Cuomo, Biden, or the Clintons socially.
At some point prior to her marriage to Eric, Felicia
qualified as a Doctor of Podiatry. There has been much
speculation on knitting forums as to whether Felicia was
being untruthful about being a Doctor of Podiatry. I can,
however, confirm that she worked at the Washington
Foot Health Center from May 2006 until August 2007.
After leaving this position, she didn’t practice as a podiatrist
until she launched her own business in December
2014, Stenhouse Podiatry, PC, where she practiced for 8
years.
After the death of her mother in 2015, Felicia inherited
$250,000 in cash, which she chose to invest in a yarn
store. In the summer of 2017, she opened String Thing
Studio in an exclusive area of Brooklyn, NY.
https://www.stringthingstudio.com/
As touched upon earlier, Felicia came to prominence
in the yarn world after her November 2017 appearance
on Kristy Glass’s YouTube channel. Felicia overlapped
running the yarn store with practicing podiatry for several
years.
GOFUNDME
In 2020, during/after Covid lockdowns Felicia, like
many small business owners, appeared to be in financial
difficulty. Alongside Gaye Glasspie (GG) and Shelbey
Glasspie-Logan (GG’s daughter), Felicia launched a Go-
FundMe fundraiser to “Keep String Thing Studio Open.”
The campaign description read:
Who will benefit? - The fiber community at large, but
specifically the Black Fiber community. Black yarn shop
owners are far and few in between. StringThing Studio is
the only Black owned yarn shop in NYC and we want the
shop to continue to exist.
What will the funds will be used for? - To pay the rent
and prepare to make the changes to be compliant so the
shop can re-open.
How soon do you need the funds? - As soon as possible.
What does this support mean to me? - This will mean
the world to me. My people have shown support already
but at this particular point it will be monumental.
22
Continued on next page...

All about...
To step up at this time means you not only support
String Thing Studio, but you are also supporting this
Black woman, this Black business owner. I need the
community if I am to keep String Thing Studio alive and
would be devastating if the shop is lost.
I will be so eternally grateful to continue to build
this space that is so welcoming, so inclusive and open
to all craft levels. I will be most grateful to continue to
shine a light for other Black owners to follow their
dreams. String Thing Studio is more than a yarn shop,
it’s family.
https://www.gofundme.com/f/keep-string-thing-studio-open
IN TOTAL, FELICIA RAISED $28,407.00.
The 627 donations ranged from $10.00 to
$1,000.00. Notable donors included: Shelley Brander
($1,000), Espace Tricot ($500), Dami Hunter ($500),
Adella Colvin ($500), Lady Dye Yarns (£250), Brooklyn
Boy Knits (£250), Jodi of the Grocery Girls ($200),
Stephen West ($100), Gaye Glasspie (£100), and Shelbey
Glasspie-Logan ($25).
Sadly, not too long after, Felicia closed the store.
WOOL AND FOLK
After the pandemic lockdowns, many knitters, crocheters,
and yarn lovers were itching to attend fiber festivals
again.
Felicia launched the Wool & Folk Fiber Festival. She
held the event during the lead-up to the much larger,
and more established, Wool and Sheep Festival in
Rhinebeck. This was a clever move on Felicia’s part. It allowed
her to be “Rhinebeck adjacent” without any official
affiliation. For three years (2021, 2022, and 2023)
vendors who couldn’t get a booth at Rhinebeck were
able to set up their stalls and sell. Many of the Rhinebeck
attendees also attended Wool and Folk as an “add
on” festival. If they were booking accommodation for a
weekend anyway, why not add a day or two?
Wool and Folk 2023 has become notorious for several
reasons. There has been much talk amongst
R/Craftsnarkers of vendors allegedly suing Felicia for
lost income, broken contracts, and physical injury. I’m
not going to write about the details of Wool and Folk
2023 in this article. You can read more about it, and
some of the vendor and attendee’s stories, on page 4.
Almost immediately after the Wool and Folk Festival,
Felicia advertised her home for rent. Her Brooklyn
brownstone home was listed within days of the festival
and became vacant for a tenant to occupy on 1 November
2023. Of course, this could be entirely unrelated
to the events of Wool and Folk, but the timing
piqued my curiosity to learn more about what might be
going on.
When I first drafted this article, and the first set of
eyes checked it for accuracy, I was asked if I had “class
envy.” For a moment I felt defensive, but, if I’m honest, I
do. Coming from a poor, working class area in the north
of England, where I was the first in my family to attend
university (self-funded by working five evenings per
week whilst studying full time), I can’t imagine the idyllic
lifestyle of a significantly richer, more privileged, and
politically connected business owner such as Felicia.
To me, holding a fundraiser, where donors do not
receive anything for their donation(s), is morally bankrupt.
It goes against everything I believe as a proud,
working class, Northerner. I’m a product of the twin
cities of Salford and Manchester, the birthplace of the
Suffragettes, workers’ rights, and the Industrial Revolution.
Our symbol is the worker bee. We pride ourselves
on working hard, fighting for our rights,
defending the underdog, and never suffering fools.
When I learned of Felicia’s property portfolio I was
incensed.
Felicia solely owns three New York properties with
15 bedrooms between them. I can’t help but imagine
all the homeless people she could house. How many
bedrooms does one person need?
Continued on next page...
23

All about...
PROPERTY 1
Inherited June 2016
Felicia inherited her mother’s 6-bedroom Buffalo,
New York home. With 2,445 square feet of living
space and sitting on 4,992 square feet, the property is
a stunning blue, two-story detached house with cellar
and attic space. The value of the property, at the time
of deed transfer in 2016, was $96,000.00.
PROPERTY 2
Purchased outright Feb 2022
Felicia made a cash purchase of $1,800,000.00 to
buy a Brooklyn brownstone townhouse, which she
previously owned jointly with her husband, Eric. Features
include 5 bedrooms, 2.5 bathrooms, and 4 classic
marble fireplaces. The home became available to
rent on 1 November 2023 at a monthly rent of
$14,475.00.
PROPERTY 3
Purchased (with a part mortgage) Sept 2022
Felicia purchased a new build, Accord,
New York farmhouse for
$915,000.00. As of 2022 the outstanding
mortgage on the property is
$516,707.00. It is currently valued at
$1,019,800.00.
The property is a beautiful, isolated,
white, 2,520 square foot house
nestled in 5 acres of Accord countryside.
With no neighbors in sight, the
family home boasts magnificent
views. There are several rooms: Living
room, family room, dining room, kitchen, 4 bedrooms,
3 bathrooms, office, media room, playroom, and an
enormous cellar. All the rooms have hardwood flooring
with under floor heating, radiators, and a ductless
cooling system.
Assets do not equal disposable income, however
the $173,700.00 annual rental income from just one of
her properties is more than most professionals earn in
a year. As a teacher, at the height of my career, I only
earned a fraction of this amount. UK surgeons and
doctors working for the NHS wouldn’t even match this.
So yes, I’m biased. I struggle to accept a business
begging for handouts from people who are clearly
less affluent and clearly do not possess the same level
of privilege. I understand that business is business,
and a good entrepreneur should attempt to keep their
business and personal finances clearly delineated. I
also accept that this is why I don’t run a for-profit business
myself. I do not possess the detachment required
to take money from those poorer than I am.
Upon further self-reflection I realize that I am applying
the same standards to Felicia as those demanding
reparations for black people from white people.
Inheriting intergenerational wealth is perfectly acceptable
regardless of how that wealth was initially
earned. Felicia no more owes any of her wealth to
those less privileged than her, than any other wealthy
person owes his/her fortune to those less privileged.
I’m still uncomfortable with rich people (relative to
my own income) begging for money. It seems to me
that we, of the working classes, are barely keeping
afloat yet regularly get blamed for the sins of rich
people’s fathers. We are expected to give the little we
have, in recompense or tribute, to those richer than
ourselves.
Too often now, black women in particular (in the
knitting world and beyond), accuse working class
white people of possessing “white privilege” and intergenerational
wealth gained from the sweat of black
slaves in plantations across the United
States and beyond. At best, this belief
could be seen as being disingenuous,
but for the vast majority of white
people, it is simply not true.
As an active black rights activist,
Felicia, along with other prominent
and prosperous black female makers,
present as victims of white patriarchy.
This is demonstrably false. It is the deceit
and gaslighting required to paint
oneself as underprivileged, the victim
of oppression, and in need of financial support, whilst
living between three properties with 15 bedrooms,
that I find the most abhorrent and problematic.
Preaching about inclusion, racial equality, and
equity to the left, whilst practicing exclusion, racial
prejudice, and discrimination to the right, is not acceptable.
To reiterate this point, Felicia’s Wool and Folk website
displays a statement of principles and conduct. It
says:
Discrimination based on gender, age, race, ethnicity,
color, national origin, religion, sexual orientation,
gender identity, family status, disability, medical or a
genetic condition will not be tolerated.
However, the ticket prices for Wool and Folk 2023
clearly show that white vendors were charged TWICE
the amount as their BIPOC counterparts. Where a
BIPOC vendor was able to rent a booth for $450, a
white vendor was charged $900, for the exact same
service/product! Not only is this direct discrimination
24
Continued on next page...

All about...
based upon an immutable racial characteristic (skin
tone) it also contravenes The Civil Rights Act of 1964,
which “outlaws discrimination based on race, color,
religion, sex, and national origin.”
The rationale behind Felicia’s decision is flawed due
to several unreasonable assumptions:
• All BIPOC vendors are unable to afford the full
ticket price.
• All white vendors are at least twice as wealthy as
BIPOC vendors.
• All BIPOC vendors are comfortable being subsidized
by white vendors.
• All White vendors feel obliged to subsidize BIPOC
vendors.
I would be very interested in hearing from any Wool
and Folk 2023 vendors who questioned or opposed
this racist charging system.
I suspect this isn’t the last we’ll hear of Felicia. Having
reinvented herself as a Dr, a political campaigner, a
yarn store owner, a consultant, and an event organizer,
I think we’ll be sure to see her in another incarnation
soon enough.
In trying to find out all about Felicia Eve, I have
learned things I didn’t expect: my own class biases,
Felicia’s overt racism, and the cost of a Brooklyn
Brownstone townhouse.
25

MAELSTROM HAT
MATERIALS
• Yarn: Chicken Lady Fiber Arts AMERICAUNA (dk)
100% Superwash Merino 245 yd / 115g / 3-ply
• Color A: “Blackety Black” 60g and
• Color B: “Meh” 40g
• 4 mm hook.
• 3 mm hook for the band.
• 2 Stitch markers.
• Ruler or tape measure.
• Tapestry needle.
GAUGE
• As you’re working to measurements; matching gauge isn’t essential.
However, in the example shown 20 stitches x 15 rows = 4” x 4”
SIZES
All measurements exclude the brim. The height measurement looks short,
when worn, however, the crown adds to the height.
• Small, (crown diameter 5.5”, height from top of crown to bottom of band 8”)
• Medium, (crown diameter 6”, height from top of crown to bottom of band 8.5”)
• Large, (crown diameter 6.5”, height from top of crown to bottom of band 9”)
NOTES
• Do not join any round with a sl st unless the directions specify to do so.
Work in a continuous spiral throughout.
• Use 2 stitch markers to show the end of each half-round.
• Except for row 1, all stitches are made into the very back loop of the stitches.
This forces the front and middle loops forward to create the spiral pattern.
• Take care when crocheting into the back bumps of sc and slip stitches.
The second round can be particularly tricky as the back bump of a sc is often tight and hard to see.
26

INSTRUCTIONS
With color A make a magic circle.
Round 1: With A, sc 4 into the circle. Place marker in 4th stitch.
Join B next to the 4th stitch. Sc 4 into the circle. Place marker in the 8th stitch. (8 sts)
Cinch the circle closed by gently pulling the tail of color A.
From this point on, you will work half of each round in each color.
Round 2: With A, 2hdc into the bump at the back of each sc until you reach the marker. (8 sts)
With B, 2hdc into the bump at the back of each sc until the next marker. (8 sts) (16 sts total)
After each round move both markers to the last stitch on each half of the circle.
Round 3: With A, (2hdc, 1hdc) 4X. With B, (2hdc, 1hdc) 4X. Repeat around. (24 sts)
Round 4: With A, (2hdc, [1hdc 2X]) 4X. With B, (2hdc, [1hdc 2X]) 4X. (32 sts)
Round 5: With A, (2hdc, [1hdc 3X]) 4X. With B, (2hdc, [1hdc 3X]) 4X. (40 sts)
Round 6: Following the pattern and colors as established (2hdc, [1hdc 4X]). (48 sts)
Round 7: (2hdc, [1hdc 5X]). (56 sts)
Continue increasing in this fashion until the diameter measures 5.5” (6”, 6.5”).
Make a note of how many stitches you crocheted between increases on this final increase row.
You’ll need this number (N) for the brim.
From this point, 1 hdc into the back of every stitch around. Changing colors at the halfway point and moving
the markers as you progress. Continue for 7.5” (8”, 8.5”) or until the hat rests just above the eyebrows.
With color A: Sc1, sc1, sl1, sl1, break yarn and weave in ends.
With Color B: Hdc until 8 stitches before where color A ends. Sc1, sc1, sl1, sl1, break yarn and weave in ends.
BAND
Turn the hat inside out. The following is the same pattern, in reverse, using one color only.
Using a 3mm hook and color B, rejoin the yarn into the very back loop with a slip stitch.
Sl1, sc1, sc1, hdc around for 1.5” finishing on the same side of the hat where you weaved in the ends.
BRIM
Turn the hat back to the right way around.
Count ahead a few stitches and rejoin color B with a 4mm hook and a sl stitch.
Sl1, sc1, sc1, hdc x (N), increase, hdc x(N), continue increasing in this fashion until
a few stitches before the spot where you rejoined the yarn. Using a stitch marker,
keep the live stitch secure.
Join color A to the back bump of the next unworked stitch with a sl stitch.
Sl1, sc1, sc1, hdc x (N+1), increase, hdc x (N+1), continue increases in the same way as for the crown.
Continue around alternating the 2 colors and increasing in the same manner as for the
crown until the brim is 1.5” deep (or your preferred depth).
Continue in pattern with color B until you reach the back of the hat where you previously
ejoined (the exact position isn’t important). Sc1, sc1, sl1, sl1, break yarn and weave in end.
FINAL ROUND
With color A: Sc into the back bump of every stitch around. Do not increase.
When you complete the final round, sl1, sl1, sl1, break yarn and weave in ends.
27

Dear Mr. West
& fellow knitters,
I take it back.
Okay, I don't take it ALL back, but I take a huge
chunk of what I said back in the previous issue of
Blocked, about us all having a little more Stephen
West in us.
I do still believe we should be brave, try new
things, and encourage our crafting tribe to step out of
their comfort zone. I fully believe that, and I admired
your zany patterns, bold color choices, and beautiful
knitwear. It takes a confident knitter to follow your
lead, Mr. West.
Then you called us nazis. For a pattern YOU designed.
For a pattern YOU had tested. For a pattern
that you saw NOTHING WRONG WITH until a few select
zealots chose to find hate and ugly where there
was none.
And I was on your side, for a bit. I said, "You know
what, I can see it now that the idea was
planted in my head. I COULD slightly see how someone
could misconstrue the design into a hate symbol."
So you offered up an alternative design, which I think
was overkill. You could have nipped this ALL in the
bud by simply saying "it's a pinwheel you idiots."
But I get it, damage control, public relations, yada
yada yada. So fine, you were kind enough to throw out
an alternative pattern in ten minutes, for the whiners.
Your business, your pattern, your choice. Fine. We are
good to that point.
Then, you dear sir, for whatever reason, decided
that if anyone chose to knit the pattern that YOU designed
(did we all forget that? HE DESIGNED THE
DAMN THING), YOU decided and declared that those
who knit the original clue, they were
racists/nazis/homophobes.
Um, sir? What? Excuse me? That's hella privileged
to declare that folks just rip that crap right out
and start over, when (from what I'm told), doing so
would have likely wasted precious yarn. I don't know
what rock you may live under, Mr. West, but times are
tight. EVERYTHING costs more and there are many
folks who save their precious dough for your stupid
mystery make-a-longs, and that's the only one they'll
do.
Do you realize you basically just said "screw you,
toss out your yarn, waste your money and if you don't
you MUST be a nazi."
The fact that I write this while an ENTIRE COUNTRY
faces being wiped out by actual modern day 'nazi's',
makes your wussy, lazy, faux rage declarations all the
more abhorrent and awful. To quote Greta, how dare
you? How dare you place such a description of people
who simply want to make a shawl that YOU designed,
because they love and admire your work? People who
gave YOU their hard earned money, willing to spend
their time knitting a shawl that is quite simply, a PIN-
WHEEL design?
I apologize for my ranting Dear Reader. So, should
we still be like Stephen West?
In some ways, yes. Be bold, confident, and brave in
your knitting. Even if that means continuing to knit a
design that very clearly is a simple pinwheel when
folks tell you it's a hate symbol.
But, when faced with stupidity that you know to be
untrue, do not be like Mr. West and cave to the pressures
of others. Know your truth, know your worth,
know when you do the right thing and ignore the rest.
Sometimes a pinwheel is just a pinwheel.
~~Little Sis
Two Sisters and Some Yarn
©Yo-Yo
28

Knitters were once
made of tougher fiber.
They saw actual
swastikas on their
streets, or in their skies,
and did not crumble.
These knitters faced
physical harm and
survived more than a
mere bad day out at a
yarn festival.
"We shall go on to the
end. We shall [knit] in
France, we shall [knit] on
the seas and oceans, we
shall [knit] with growing
confidence and growing
strength in the air, we
shall defend our
[knitting], whatever the
cost may be. We shall
[knit] on the beaches, we
shall [knit] on the
landing grounds, we shall
[knit] in the fields and in
the streets, we shall [knit]
in the hills; we shall
never surrender."
– Winston Churchill,
1940.
29

30
by Tabitha of Murderkits

Bloggers
& Vloggers
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
Adventures With Yarn - https://www.youtube.com/channel/UCbFHj9k5Uxc44g1pnlgiQjg
For all the latest drama in the fibre world – Fun, quirky, and full of energy.
Anna Knitter - https://www.youtube.com/channel/UCkE2h6s400fRkasl6zyX_jg
A podcast about knitting and crocheting with glimpses of a roman-catholic life.
Blocked Magazine - https://www.youtube.com/channel/UCAY880IYHF8gJ8b-UdEWAxQ
For all the latest drama in the fibre world – including what didn’t make it into the magazine!
Deprogrammed - https://www.youtube.com/c/KeriSmithDeprogrammed/featured
Interviews intended to better understand and make sense of her old belief system, Social Justice ideology. Including those in the crafting community.
Herd knitunity - https://herdknitunity.locals.com/
Shepherd and ‘woolfluencer’, a sheep to sweater kinda gal.
Knitty McPurly - https://www.youtube.com/channel/UCyIInmPUQGqoohNgUj0Zmow
A virtual saint!
Little Ragamuffin - https://www.youtube.com/channel/UCaogzXKmOJ9FO8fsjurrEcw/videos
Sewing tutorials of both slow paced and quick speed styles, fun random sewing oddities, Ragamuffin news, and problematic interviews & conversations.
Murder Knits - https://www.youtube.com/channel/UCbrSeXmJuT0_BglI_pzi1jg
If your children watch, they'll become serial killers!
Politically Incorrect Knitters - https://www.youtube.com/channel/UCm8CME6h72cFfQ7ZBNGCj5w
Topical, informative, and fun!
Skeinz Diaries - https://www.youtube.com/channel/UCswGNOSxnHlPZsQMCC2YHxQ
Take off your ‘gummies’, put your feet up and prepare for a ‘tiki tour’ of yarny goodness!
High Fiber Diet - https://www.youtube.com/channel/UCzQ4cCawQzD6RDfwLhlZ0hQ/featured
Thick skinned with no “F’s Given!”
Two Sisters & Some Yarn - https://www.youtube.com/c/TwoSistersAndSomeYarn
Two sisters and some yarn – is exactly what it says on the tin!
Wise Owl Knits - https://www.youtube.com/channel/UCg8N6NhDdKf44_HigLiP4Ug
Knitting Tutorials
ShaunaStitches - https://www.youtube.com/channel/UCCOfV6wkBgB6288iVQ1V9Ww/videos
Knitting, spinning, crochet, quilting, and many other crafts are shown and discussed.
AStitchInTheSky - https://www.youtube.com/channel/UCCxq6HphzSbjU2lb7t8c6Ww/videos
Knitting, sewing and all the things in between!
Texas Peach Knits - https://m.youtube.com/channel/UC1zKQy-8XU8stQfmIzqe92w
Knitting, crochet, sewing and all the things in between!
Short Story Long - https://karensshortstorylong.blogspot.com/search/label/Knitting
Knitting, photography, gardening, quilting, life.
Yarn Chicken & Sh1t - https://youtube.com/@Yarn_Chicken_and_Sh1t?si=mWWmLHOJ8vNllAAh
Shootin’ the Sh1t on yarn, chicken, orthodoxy and life
31

SHELBEY
GLASSPIE-LOGAN
GAYE “GG”
GLASSPIE
ADELLA
COLVIN
GG and Shelbey
organized the
GoFundMe for
Felicia and her
String Thing Studio
raising over $25K
Adella organized her
45,000 followers to
cancel Kristy over a
magazine cover.
BFFs
KRISTY
GLASS
Kristy Glass’ YouTube
interview brought Felicia
and her String Thing Studio
into prominence.
DR. FELICIA
STENHOUSE EVE
32

PRESIDENT
BILL CLINTON
SENATOR
HILLARY CLINTON
SENATOR
JOSEPH BIDEN
Felicia’s husband,
Eric, worked as
an advisor to
President Clinton.
AURTHUR
EVE
Felicia’s Father-in-Law
was the Deputy Speaker
of the NY Assembly.
GOVERNOR
CUOMO
Felicia’s Sister-in-Law
worked as an advisor
to Senators Clinton,
Biden and Governor
Cuomo.
ERIC
EVE
LEECIA
EVE
33

DISHIDENT #14
by UKnitted Kingdom
PATTERN DESCRIPTION
Each issue of Blocked will contain a ‘secret’ pattern.
The design will only be revealed as you knit.
The instructions might uncover an image; a
design, or a word/message.
When using cotton these secret squares make
excellent dishcloths. If you make 4 or 5 of each
square in wool or acrylic they can be seamed
together at the end of the year to make a small
Afghan or lap blanket.
GAUGE & MATERIALS
Each dishident uses approximately
41 to 43g of worsted weight 100% cotton.
Follow the yarn manufacturer’s
recommended needle size.
DIRECTIONS
← Row 1 [RS]: K45
→ Row 2: K45
← Row 3: K45
→ Row 4: K45
← Row 5: K45
→ Row 6: K45
← Row 7: K45
→ Row 8: K4, p37, k4
← Row 9: K45
→ Row 10: K45
← Row 11: K45
→ Row 12: K45
← Row 13: K45
→ Row 14: K45
← Row 15: K45
→ Row 16: K4, p37, k4
← Row 17: K45
→ Row 18: K4, p18, k1, p18, k4
← Row 19: K45
34
Continued on next page...

Dishident Continued...
→ Row 20: K4, p17, k3, p17, k4
← Row 21: K45
→ Row 22: K4, p16, (k2, p1) 2X, p15, k4
← Row 23: K45
→ Row 24: K4, p7, k23, p7, k4
← Row 25: K45
→ Row 26: K4, p8, k21, p8, k4
← Row 27: K45
→ Row 28: K4, p8, (p1, k2, p1) 2X, p6, (k2, p2) 2X, p7, k4
← Row 29: K45
→ Row 30: K4, p10, k4, p9, k4, p10, k4
← Row 31: K45
→ Row 32: K4, p10, (p1, k2, p10) 2X, p1, k4
← Row 33: K45
→ Row 34: K4, p10, k4, p9, k4, p10, k4
← Row 35: K45
→ Row 36: K4, p8, (p1, k2, p1) 2X, p6, (k2, p2) 2X, p7, k4
← Row 37: K45
→ Row 38: K4, p8, k21, p8, k4
← Row 39: K45
→ Row 40: K4, p7, k23, p7, k4
← Row 41: K45
→ Row 42: K4, p16, (k2, p1) 2X, p15, k4
← Row 43: K45
→ Row 44: K4, p17, k3, p17, k4
← Row 45: K45
→ Row 46: K4, p18, k1, p18, k4
← Row 47: K45
→ Row 48: K4, p37, k4
← Row 49: K45
→ Row 50: K45
← Row 51: K45
→ Row 52: K45
← Row 53: K45
→ Row 54: K45
← Row 55: K45
→ Row 56: K4, p37, k4
← Row 57: K45
→ Row 58: K45
← Row 59: K45
→ Row 60: K45
← Row 61: K45
→ Row 62: K45
TIPS
If preferred, slip the first OR the last stitch of every row to create a
neater edge. When purling a stitch immediately after knitting a
stitch; pull the excess yarn out of the purl stitch before knitting or
purling on. This helps to reduce loose/baggy knit stitches.
NOTES
Occasionally a dishident or secret square might not be
suitable for children and ‘polite company’. Where this is
the case it will be made clear.
If you would like to receive notifications of our next issue!
Check out our Patreon!
www.patreon.com/join/BlockedMagazine
35

FOUR WINDS SHAWL
DESIGNED AND PHOTOGRAPHED BY KAREN JULIANO
MODEL: LEXI
A few years ago, I took some photos of a beautifully weathered windmill at an outdoor wedding. After reading about
the windmill-themed design challenge, I looked through those images and was inspired to make a shawl with sections
that pivot like windmill blades. I sketched some ideas down on paper and then I watched the Blocked Magazine podcast
episode titled, Number Knitting with Kelly of Knitswag. As I listened to them discuss Kelly’s knitting math project,
the math pieces of this project came together, and I decided to rework my pattern so that the yarn would not have to be
broken in honor of Virginia Woods Bellamy!
MATERIALS:
Needles: US 8/5mm, 40”/100cm long
Yarn: Malabrigo Arroyo (100% Superwash Merino Wool 100
gr/3.5 oz; 306 m/335 yds) AR043 Plomo (approx180 gr/625 –
670 yds any sport weight yarn)
1 stitch marker
GAUGE:
20 sts x 28 rows = 4” x 4” in St. st before blocking
17 sts x 26 rows = 4” x 4” after blocking
Exact gauge is not critical but a big variance will change the size
of the finished object an the amount of yarn needed to finish.
SIZE:
51”/130cm wide, 22.5”/57cm deep at center “seam” after blocking
NOTES:
Wrapped Stitch: I use the German short-row method; here is a
concise video: https://www.youtube.com/watch?v=tyg2s09Grhs
Semi-stretchy bind off: K2 (pass second st over first st, yo, k1,
pass yo and k1 over first st, k1) repeat.
36

DIRECTIONS:
FIRST BLADE
CO 3 purlwise (3 st)
Row 1: (RS): (K1, yo) 2X, k1 (5 sts)
Row 2: (WS): (P1, k1 tbl) 2X, p1
Row 3: K1, yo, k1, M1R, PM, k1, M1L, k1, yo, k1 (9 sts)
Row 4: P1, k1 tbl, p5, k2
Row 5: K1, yo, k3, M1R, SM, k1, M1L, k1, yo, p1, k1, p1 (13 sts)
Row 6: K1, p1, k1, p to last 2 sts, k2
Row 7: K1, yo, k to marker, M1R, SM, k1, M1L, k to last 5 sts,
ssk, yo, k1, p1, k1 (inc’d 3 sts)
Row 8: P1, k1, p1, p to last 2 sts, k2
Row 9: K1, yo, k to marker, M1R, SM, k1, M1L, k to last 5 sts,
ssk, yo, p1, k1, p1 (inc’d 3 sts)
Row 10: K1, p1, k1, p to last 2 sts, k2
Work last 4 rows 17 times more (121 sts)
Work row 7 once more. (with RS facing, 80 sts to right of
marker, 44 to left – 124 total stitches)
Row 80: (WS): P1, k1, p1, k121
Row 81: (RS): K1, yo, k79, SM, k39, ssk, yo, p1, k1, p1 (125 total
sts - 81 sts to right of marker, 44 to left)
Row 82: K1, p1, k to 1 st before marker, wrap st and turn.
Row 83: K to last 5 sts, ssk, yo, k1, p1, k1
Row 84: Work semi-stretchy bind-off: K2 (pass second st over
first st, yo, k1, pass yo and k1 over first st, k1) repeat to 2 sts
before marker. You now have one st on the RH needle, and the
wrapped st on the LH needle. K st together with wrap, SM, k1,
turn work. There should now be 3 live sts on LH needle, as well
as 80 sts held from first blade.
Repeat Rows 7-10 for 17x more; 2 held sts remain.
Work row 7 once more. (126 sts - with RS facing right to left: 2
held sts, 80 live sts right of marker, 44 live sts left of marker.)
Row 80: (WS): P1, k1, p1, k to end; WYIF, sl last 2 sts to RH
needle. All held sts should now be incorporated into live work.
Row 81: (RS): Knit first stitch together with 2 slipped sts, yo, k
to last 5 sts, ssk, yo, p1, k1, p1 (125 sts - 81 sts to right of M, 44
on left) **
Row 82: K1, p1, k to 1 st before marker, wrap st and turn.
Row 83: K to last 5 sts, ssk, yo, k1, p1, k1
Row 84: Work semi-stretchy BO to 2 sts before marker. You
now have one st on the RH needle, and the wrapped st on the
LH needle, K st together with wrap, SM, k1, turn.
There should now be 3 sts live on LH needle, as well as 80 sts
held from first blade.
THIRD BLADE
Work as for Second Blade.
FOURTH BLADE
Work as for Second Blade to **
Row 82 (WS): K1, p1, k to end
Row 83 (RS): K to last 5 sts, ssk, yo, k1, p1, k1
Row 84: Work semi-stretchy BO until all sts are bound off.
Weave in ends. Block to dimensions using blocking wires or
preferred method to emphasize points.
SECOND BLADE
Row 1: K1, yo, SM, k1, yo, k1 (5 sts)
Row 2: (P1, k1 tbl) 2X, p1, WYIF, sl 2 sts held from first blade;
turn (7 sts)
Row 3: Knit first stitch together with 2 slipped sts, yo, k1, M1R,
SM, k1, M1L, k1, yo, k1, turn (9 sts)
Row 4: P1, k1 tbl, p5, k2, WYIF, sl 2 held sts, turn (11 sts)
Row 5: Knit first stitch together with 2 slipped sts, yo, k3, M1R,
SM, k1, M1L, k1, yo, p1, k1, p1, turn (13 sts)
Row 6: K1, p1, k1, p4, SM, p4, k2, WYIF, sl 2 held sts, turn (15
sts)
Row 7: Knit first stitch together with 2 slipped sts, yo, k to
marker, M1R, SM, k1, M1L, k to last 5 sts, ssk, yo, k1, p1, k1,
turn (inc’d 3 - 16 sts)
Row 8: P1, k1, p1, p to last 2 live sts, k2, WYIF, sl 2 held sts, turn
(18 sts)
Row 9: Knit first stitch together with 2 slipped sts, yo, k to
marker, M1R, SM, k1, M1L, k to last 5 sts, ssk, yo, p1, k1, p1,
turn (inc’d 3 - 19 sts)
Row 10: K1, p1, k1, p to last 2 live sts, k2, WYIF, sl 2 held sts,
turn (21 sts)
37

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