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Sri Rama Charita Manasa - Shri Sita Ram Foundation, USA

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228 *<br />

"""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""<br />

›R∫ RÅMACARITAMÅNASA *<br />

of perspiration glistened on their brow; while graceful pendants shed their lustre on their<br />

ears. With arched eyebrows and curly locks, eyes red as a lotus-bud and a lovely chin,<br />

nose and cheeks their gracious smile was soul-enthralling. The beauty of their countenance<br />

was more than I can describe; it would put to shame a myriad Cupids. They had a string of<br />

jewels on their breast; their lovely neck resembled a conch-shell in its spiral shape; while<br />

their mighty arms vied with the trunk of a young elephant, who was the very incarnation of<br />

Cupid. With a cup of leaves full of flowers in His left hand the dark-hued prince, my dear, is<br />

most charming. (1ó4)<br />

ŒÙ0ó∑apple§„UÁ⁄U ∑§Á≈U ¬≈U ¬Ëà œ⁄U ‚È·◊Ê ‚Ë‹ ÁŸœÊŸ–<br />

ŒappleÁπ ÷ÊŸÈ∑ȧ‹÷Í·ŸÁ„U Á’‚⁄UÊ ‚Áπã„U •¬ÊŸH 233H<br />

Do.: kehari ka¢i pa¢a p∂ta dhara suamå s∂la nidhåna,<br />

dekhi bhånukulabhµuanahi bisarå sakhinha apåna.233.<br />

Beholding the Ornament of the solar race, who had a slender waist like that of a<br />

lion and was clad in yellow, and who was the very embodiment of beauty and amiability,<br />

S∂tåís companions forgot their very existence. (233)<br />

øı0óœÁ⁄U œË⁄U¡È ∞∑§ •ÊÁ‹ ‚ÿÊŸË – ‚ËÃÊ ‚Ÿ ’Ù‹Ë ªÁ„U ¬ÊŸËH<br />

’„ÈUÁ⁄U ªıÁ⁄U ∑§⁄U äÿÊŸ ∑§⁄appleU„ÍU – ÷ͬÁ∑§‚Ù⁄U ŒappleÁπ Á∑§Ÿ ‹apple„ÍUH 1H<br />

‚∑ȧÁø ‚Ëÿ° Ã’ ŸÿŸ ©UÉÊÊ⁄appleU – ‚Ÿ◊Èπ ŒÙ©U ⁄UÉÊÈ®‚ÉÊ ÁŸ„UÊ⁄appleUH<br />

Ÿπ Á‚π ŒappleÁπ ⁄UÊ◊ ∑Ò§ ‚Ù÷Ê– ‚ÈÁ◊Á⁄U Á¬ÃÊ ¬ŸÈ ◊ŸÈ •Áà ¿UÙ÷ÊH 2H<br />

¬⁄U’‚ ‚Áπã„U ‹πË ¡’ ‚ËÃÊ – ÷ÿ©U ª„UL§ ‚’ ∑§„U®„U ‚÷ËÃÊH<br />

¬ÈÁŸ •Ê©U’ ∞Á„U ’appleÁ⁄U•Ê° ∑§Ê‹Ë – •‚ ∑§Á„U ◊Ÿ Á’„U‚Ë ∞∑§ •Ê‹ËH 3H<br />

ªÍ…∏U Áª⁄UÊ ‚ÈÁŸ Á‚ÿ ‚∑ȧøÊŸË – ÷ÿ©U Á’‹¢’È ◊ÊÃÈ ÷ÿ ◊ÊŸËH<br />

œÁ⁄U ’Á«∏U œË⁄U ⁄UÊ◊È ©U⁄U •ÊŸapple – Á»§⁄UË •¬Ÿ¬©U Á¬ÃÈ’‚ ¡ÊŸappleH 4H<br />

Cau.: dhari dh∂raju eka åli sayån∂, s∂tå sana bol∂ gahi pån∂.<br />

bahuri gauri kara dhyåna karehµu, bhµupakisora dekhi kina lehµu.1.<br />

sakuci s∂ya° taba nayana ughåre, sanamukha dou raghusi≈gha nihåre.<br />

nakha sikha dekhi råma kai sobhå, sumiri pitå panu manu ati chobhå.2.<br />

parabasa sakhinha lakh∂ jaba s∂tå, bhayau gaharu saba kahahiÚ sabh∂tå.<br />

puni åuba ehi beriå° kål∂, asa kahi mana bihas∂ eka ål∂.3.<br />

gµuRha girå suni siya sakucån∂, bhayau bila≈bu måtu bhaya mån∂.<br />

dhari baRi dh∂ra råmu ura åne, phir∂ apanapau pitubasa jåne.4.<br />

Recovering herself, one of Her clever companions grasped S∂tå by the hand and<br />

said to Her, ìMeditate on Gaur∂ afterwards; why not behold the princes just now ?î S∂tå<br />

then bashfully opened Her eyes and saw the two lions of Raghuís race opposite Herself.<br />

Surveying ›r∂ Råmaís beauty from head to foot in the reverse order,* and remembering<br />

Her fatherís vow she felt much perturbed. When S∂tåís companions saw Her thus<br />

* Girls in India are coy by their very nature and would not have the audacity to look straight into the<br />

eyes of a suitor. S∂tå, who is the very embodiment of feminine virtues and the ideal of Indian womanhood, is,<br />

therefore, depicted here as beginning Her survey of ›r∂ Råmaís beauty from His feet and gradually passing<br />

Her eyes to His head. It is unidiomatic in English to speak of one scanning a person from ëfoot to headí; hence<br />

the order had to be reversed in the rendering. It was, however, necessary to point out this radical difference<br />

between the Western and Indian cultures; and hence the words ëin the reverse orderí have been added to<br />

keep the sense of the original intact while taking care not to allow the English idiom to suffer.

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