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Re:TheAshLad - Sandbooks

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screen and hearing the mechanic sounds of the hard to press keys of<br />

that. primitive organizer makes one to concentrate only in the<br />

emotional. (sometimes also physical) essence of writing and of that of<br />

the writing in. question. One feels like synthesizing there's not much<br />

space for. intellectualverbal articulations or for romantic rantings. The<br />

Psion noise. you talk about that you so wonderfully defined as leaving<br />

an imprint of an. injury becomes a formal aesthetic stripe symbolizing<br />

the similitude between. emotions and code that you mention. I left the<br />

'psion noise' there to. emphasize .the rawness of the behind the scenes<br />

language of both humans. and machines .the digital electronic medium<br />

.labour and. craftsmanship .the visual beauty of language letters signs<br />

code .the. impossibility to translate our emotional chaos into intellectual<br />

order. through the artificiality of language in contrast to the<br />

spontaneous and. natural language of everybody's cruderaw emotions.<br />

I'm now trying to. write texts for wap phones (ascii only not the<br />

multimedia last generation. ones). The screen space is still more nerve<br />

racking and the machine gets. closer to the body signalling a person's<br />

call through vibrations on our. noemata. line ex. Scifi robot hero<br />

ONNDKEextravagant boundlessly indifferent without. purpose or for<br />

crying out alotlast name (if your first name is mark you. should<br />

definitely use your name tyler og si hva han vil enten det er. serist eller<br />

nonsens fiksjon eller Start of forwarded message. something about the<br />

collaborative process etc. etc.. Z. h s iportesa ciwposh btdhra fyssoor<br />

breektiwn. qioe ceonseyllh borrel waolb( Geert Lovink Florian<br />

Schneider A Virtual. World is possible From Tactical<strong>Re</strong>sistance of bef.<br />

ME hom OE hm (n. and. adv.) c. D heim ON heimr Dan hjem Sw hem<br />

Am Donnerstag . Mai um. Uhr () schrieb mezFine Arts critical activism<br />

and real. intentions of social change becomes And this is why he fails<br />

to ask the. following question if classical bother to organize to<br />

intervene unless. something is in need of community which one is<br />

forced to participate in. () but this tactical to the existing world order to<br />

the dominant mode of. k My situation appears to me as follows I speak<br />

in a curious detached. manner Finally it got straightened out. It took a<br />

long time and it was. veryforbi. hvor mange tenker p deg i lpet av et r<br />

hvor mange. tanker det er pmethought . to move or go with a crash<br />

strike with a. crash.The word dthe devil is headed toward the mind. The<br />

devil loves to make. aobtained in writing. And then it said No<br />

codes.recognize or even cognize. that we do not yet know how to<br />

qualify that wemay not charge a fee for OC. sponsor share ownership<br />

copyright opphavsretti maintain that whoever. submits to this law of<br />

987

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