Romanians from Serbia in Denmark
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orig<strong>in</strong> ensures that generational cont<strong>in</strong>uity and mutual co-operation make<br />
sense also to the younger generation. Paradoxically, this has also<br />
contributed toopen<strong>in</strong>g up this community towards Danish society.<br />
The construction of the Vlach community as successful and well<br />
<strong>in</strong>tegrated nonetheless carries with it a number of <strong>in</strong>conveniences. The<br />
focus on sameness <strong>in</strong> terms of (European) orig<strong>in</strong>,Christianity and whiteness<br />
obviously serves to downplay their position as immigrants and makes it<br />
difficult toraise problems related to discrim<strong>in</strong>ation or more subtle feel<strong>in</strong>gs<br />
of be<strong>in</strong>g excluded. The widespread use of Danish,even <strong>in</strong> Vlach homes, has<br />
marg<strong>in</strong>alised grandparents’ role <strong>in</strong> the upbr<strong>in</strong>g<strong>in</strong>g of the younger generation<br />
and has madeit <strong>in</strong>creas<strong>in</strong>gly difficult to preserve certa<strong>in</strong> key <strong>in</strong>stitutions <strong>in</strong><br />
Vlach culture such as the multi-generational homestead, thus limit<strong>in</strong>g the<br />
sphere of control of the older generation.<br />
As Vlachness loses importance, older women <strong>in</strong> particular risk hav<strong>in</strong>g to<br />
rel<strong>in</strong>quish their central position <strong>in</strong> the family. The cont<strong>in</strong>u<strong>in</strong>g prestige<br />
games and the importance attributed to be<strong>in</strong>g ‘modern’ add to this process<br />
ofmarg<strong>in</strong>alisation. While the men are active on the labour market and as<br />
‘do-it-yourself house-owners’, and whilethey participate <strong>in</strong> the day-to-day<br />
club activities, the older women are relegated to the <strong>in</strong>visible spaces of<br />
home-mak<strong>in</strong>g. The modern home, which is accommodated to the public<br />
gaze, does not really serve to transmit the sense of belong<strong>in</strong>g to Vlach<br />
culture which used to be transmitted through artefacts and icons <strong>from</strong> the<br />
homeland.F<strong>in</strong>ally, the Balkan wars and the re-traditionalisation of norms<br />
and values <strong>in</strong> <strong>Serbia</strong>n society have made it more difficult for migrants to<br />
straddle both their obligations to the community of settlement and those to<br />
their villages of orig<strong>in</strong>, as many emotional issues—such as the <strong>Serbia</strong>n<br />
position <strong>in</strong> the Kosovo conflict—are difficult to discuss <strong>in</strong> the Danish<br />
public space. Paradoxically, re-traditionalisation also implies a general<br />
<strong>in</strong>terest <strong>in</strong> orig<strong>in</strong>s and religion, someth<strong>in</strong>g which receives an <strong>in</strong>creas<strong>in</strong>g<br />
<strong>in</strong>terest <strong>in</strong> Danish society too.<br />
In this situation the role of the <strong>Serbia</strong>n clubs <strong>in</strong> allow<strong>in</strong>g convergence<br />
between the visible public face and the more hidden activities of <strong>Serbia</strong>n<br />
immigrants rema<strong>in</strong>s as necessary as ever.<br />
Notes