Infinity Ground : Thailand and Taiwan Contemporary Architecture
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interface for humans <strong>and</strong> the environment. Among these four architecture<br />
firms’ works, <strong>Ground</strong> Exchanges not only presents the diversity of architecture<br />
<strong>and</strong> l<strong>and</strong>, but its projects also show the way of future living directions:<br />
togetherness, ritual, native, <strong>and</strong> porosity.<br />
In the second chapter “Feeling <strong>Ground</strong>s”, the architect takes the environment<br />
as a design solution <strong>and</strong> combines materials, craftsmanship, <strong>and</strong> tectonics<br />
to present a multi-dimensional sense of ground space. First of all, in<br />
Arsomsilp Community <strong>and</strong> Environment Architect’s Puey Ungphakorn<br />
Centenary Hall (2019) <strong>and</strong> Tha Chalom Sky Boat Library (2022), the building<br />
continues the l<strong>and</strong>scape surface <strong>and</strong> combines functional attributes to<br />
form a micro-ecological system that is harmonious with the ground, <strong>and</strong><br />
the placed space effectively activates the original environmental interface<br />
<strong>and</strong> evokes the unique value of the place. Second, in Ambi Studio’s Hushan<br />
Reservoir Archaeological Exhibition Hall (2023) <strong>and</strong> Yuhsiu Museum of Art<br />
(2015), the building conforms to the topography to provide visitors with<br />
an unusual viewing path. In the detour circulation, the materials <strong>and</strong> the<br />
environment create an impressive scene. Then, The Commons Thonglor<br />
(2016) <strong>and</strong> Sala Bang Pa-In (2021) by the Department of ARCHITECTURE<br />
combined meticulous architectural craftmanship with floating <strong>and</strong> elevated<br />
forms to create more “ground gray spaces” to flow the indoor-outdoor<br />
interface, <strong>and</strong> they also reflected the multifunctional “Tai toon” of traditional<br />
Thai houses. Fourth, in Atelier Or’s Sparkling Market (2021) <strong>and</strong> Pavilion<br />
for Hsinchu Bus Station Plaza (2018), the small <strong>and</strong> light structural columns<br />
release the heavy visual constraints of typical buildings so that the internal<br />
<strong>and</strong> external spaces can be integrated. Among these four architecture<br />
firms’ works, Feeling <strong>Ground</strong>s endows the architecture with empathy for<br />
nature. The project not only shows the building as an interface between<br />
humans <strong>and</strong> the l<strong>and</strong> but also provides reflections on the environment:<br />
extra-ordinary, nostalgic, vernacular, <strong>and</strong> boundaryless.<br />
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