- Page 3: \1-. \v ■i' 'V-
- Page 9 and 10: CONTENTS>PAGEBEGINNINGS .3,THE THRE
- Page 11 and 12: BEGINNINGSIN writing this book my m
- Page 13 and 14: As imperial art commissioner for th
- Page 15 and 16: THE THREE ELEMENTSI. LINE — NOTAN
- Page 17 and 18: and-light. Very young pupils should
- Page 19 and 20: THE THREEELEMENTSI.—EXAM¬PLES OF
- Page 21: THE THREEELEMENTSI.—EXAM¬PLES OF
- Page 24 and 25: LINE DRAW¬INGII.—JAPA¬NESE MATE
- Page 26: LINE DRAW¬INGII.—LINESBY MASTERS
- Page 29 and 30: PRINCIPLES OF COMPOSITIONIIL—WAYS
- Page 31 and 32: For convenience the suggestions for
- Page 33 and 34: 25
- Page 35 and 36: 2. Surface pattern. Subdivide a spa
- Page 37 and 38: PRINCIPLESOF COMPOSI¬TIONIIIC'^v.r
- Page 39 and 40: ' ' V*' 90% ' 1, t » t>' . * ^ '
- Page 41 and 42: LINEIV. —COMPOSITION IN SQUARES A
- Page 43 and 44: of any kind; sizes, shapes and dire
- Page 45 and 46: APPLICATIONS1. Ginghams, plaids, em
- Page 47 and 48: Some experience in choice of propor
- Page 49 and 50: . t0 041
- Page 51 and 52: the width; and still another (d) by
- Page 53 and 54: represent nature’s forms, colors
- Page 55 and 56: The art of landscape painting is a
- Page 57 and 58:
LINEVII.—COMPOSITION IN REPRESENT
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51LINEVIL—COMPOSITION INREPRESEN
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NOTANVIII.—HARMONY-BUILDING WITH
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LETTERING. When forming part ofan a
- Page 65 and 66:
NOTANVIIILandscape compositions by
- Page 67 and 68:
NOTANIX.—TWO VALUES-VARIATIONS
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tectural ornament. The use of these
- Page 71 and 72:
paper. Effort must be concentrated
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# Ai>%iiL «►41Rug designs in two
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TEXTILE PATTERNS AND RUGSTWO VALUES
- Page 77 and 78:
NOTANX.-TWO VALUES-LANDSCAPE AND PI
- Page 79 and 80:
rNOTANX>Tiepolo • SwtU C«rBuniET
- Page 81 and 82:
No. 48 Sketches fram ivj.ture two v
- Page 83 and 84:
NOTANXL —TWO VALUES —GOTHIC SCU
- Page 88:
NOTANXIportance to the student for
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and in design, flatness is necessar
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85NOTANXVI.THREEVALUES
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NOTANXIIIWhiteScales of 5 and 7 val
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NOTANXIIIILLUSTRATIONAfter some exp
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NOTANXIIICompositions in more than
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TNOTANXIII94
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NOTANXIIIINK PAINTINGSupreme excell
- Page 106 and 107:
NOTANXIII.INKPAINTING98
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COLORXIV.—COLOR THEORYCOLOR, with
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COLORTHEORYXIVonly statements of re
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!5di □▼c< ► <ZikSSmt V
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More applications can be made than
- Page 119:
krf-■'jo9&•1 »
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COLORFROMNOTANXVsubstitute a hue fo
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COLORXVL —COLOR SCHEMES FROM JAPA
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Copying Japanese prints is recommen
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1L ^1 \ ^/%0-Li ww■;• • "'i m
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COMPOSI¬TIONXVIIened, is laid upon
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COMPOSI-TIONXVII. .PAINTINGhow to p
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I114JAN2 21J5Date DueOC.^ '6^9. 4 -
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