NATURAL IMPRESSIONS
The 64 artists from 22 different nationalities selected for this exhibition not only enrich our consensus on artistic expression and cultural perspective but also expand our understanding of nature and its representation in the arts. This reflective approach challenges established conventions, allowing for diverse interpretations and representations of the world. It awakens human consciousness to the source of inspiration that the capacity to imagine represents, encouraging the audience to reflect on their relationship with the world and recognize the importance of art as a profound connection with the intrinsic essence of humanity.
The 64 artists from 22 different nationalities selected for this exhibition not only enrich our consensus on artistic expression and cultural perspective but also expand our understanding of nature and its representation in the arts. This reflective approach challenges established conventions, allowing for diverse interpretations and representations of the world. It awakens human consciousness to the source of inspiration that the capacity to imagine represents, encouraging the audience to reflect on their relationship with the world and recognize the importance of art as a profound connection with the intrinsic essence of humanity.
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In her work, the artist explores the
realm of textile language due to
her curiosity about the vast array of
material and technical possibilities
it offers. From crochet, sewing,
weaving, to embroidery, she delves into
each technique, seeking to uncover
their potential. Through the use of
second-hand materials, she conducts
experiments to construct, sew, and
shape objects and sculptures. The
resulting creations possess organic,
soft, and flexible forms that not only
intervene in physical spaces but
also evoke a realm of imagination.
The artist finds that textile materiality
stimulates a wide range of sensory
experiences, engaging both touch
and sight. It allows her to bring
tangibility to the landscapes she
visits, observes, and documents.
Additionally, she explores the intricate
life processes of organisms in the
botanical world, including their diverse
microorganisms. As a migrant body,
the artist sees both the language she
speaks and the materials and subjects
she studies as mechanisms to connect
with others and their contexts. Through
this process, a profound sense
of attachment and familiarity with
inhabited places is generated.
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