credits
The images of the artworks featured in this book were directly provided by the artists themselves. Each artist granted authorization for the use of their work’s image througha signed consent form, thereby preserving their Intellectual Property Rights (scientific, literary, or artistic). The number accompanying the text indicates the page numbercorresponding to the text or illustration of the artist’s work.ADELINE CONTRERAS 54, 55AMELIA NIN 112, 113“Big crunch” and “Inception” by María Rapela 112, 113ANNA CARMONA 94, 95ARIADNA PASTORINI 114, 115BARBARA BRYN KLARE 116, 117BRUNA OCTAVIANO 28, 29CAROLINA CARUBIN 12, 13“Survival Family Landscape” and “Pulsions” by German Duarte 12, 13CAROLINA VAZ 88, 89Text by Lisbon by Design 88CARRY DOORN 86, 87CATHY JACOBS 118, 119CECILIA ACEVEDO CASTRO 44, 45CHARLOTTE SCHMID-MAYBACH 120, 121COURTNEY COX 122, 123CRISTINA LISOT 30, 31DENISE BLANCHARD 46, 47“Interior garden” by Alvaro Mardones 46“Habit” by Mauricio Zarricueta 47ELLEN DYNEBRINK 98, 99“Promises” by Sebastian Waldenby 98ERI IMAMURA 82, 83Text by Rémy Jarry 83FERNANDO SOARES 32, 33FRANZISKA WARZOG 70, 71GABRIEL PESSOTO 34, 35“Bathroon’s mirror selfie” by Marie Kappel 34GAËLLE BOSSER 68, 69GEORGIA FAMBRIS 78, 79Text by Poka YIo 79GÖZDE JU 106, 107GUACOLDA 56, 57IPHENO 50, 51IRINA LAAJA 52, 53JASON KRIEGLER 124, 125JULIA COUZENS 126, 127Text and Photos by Julia Couzens Studio 126, 127JULIETTE LEMPEREUR 58, 59KASIA TONS 24, 25KATHERINE HUNT 128, 129“Rectangle piece nº 1” and “Square piece nº 2” by Pete Monro 128, 129KERSTIN LINDSTRÖM 100, 101“Flow” by Frida Sjögren 100KRISTINA PENHOET 130, 131“(Dis)Connections” and “When we are they are us” by Pete Duvall 130, 131KRISTINE STATTIN 102, 103LARA ZAPPA 80, 81LAURA RAMIREZ GARCIA 14, 15LIA PORTO 16, 17“Hybridizations 1” and “Hybridizations 2” by Ignacio Iasparra 16, 17LINDA FRIEDMAN SCHMIDT 132, 133LINDA MÄNNEL 74, 75LOUISE HEIGHES 108, 109LUCIANA DE CARVALHO MONTEIRO 36, 37“The skin” by Higo Joseph 37MARIANA PORTO 38, 39Text by Ruy Luduvice 39“OY Vibrante em vermelho” and “OY Vibrante em cinza” by Jailton Leal 38, 39MARIE POURCHOT 60, 61“On the handkerchief” and “Blood” by Alain Scherer 60, 61MARTINA GRUND 72, 73MAURO FRAZÃO 40, 41MÉLANIE VINCENSINI 96, 97“Mask 3” and “Mask 1” by Vincent Bourdon 96, 97MO KELMAN 134, 135MÓNICA FIERRO 18, 19“Bichos” and “Título 30 de la Série Recortes” by Lucrecia Esteban 18, 19MURIEL DÉCAILLET 104, 105“Prêtresse” and “Les Éternel·le·s - L’Eve Africaine II” by ReproSolution 104,105MURIEL MAIRE 62, 63NATSUKO HATTORI 84, 85“Blossom” by Soongsup Shin (Videographer and Video Editor) andJaiseok Kang a.k.a Jason River (Director) 85OLGA RADIONOVA 110, 111OLGA TEKSHEVA 92, 93PAULA CERONI 48, 49RACHAEL WELLISCH 26, 27RUBEN MARROQUIN 136, 137Text by Patricia Velasco Barbieri 136“Sonoran Majesty, Punta Chueca” and “Untittled” by Liz Squillace 136, 137SABINE FELICIANO 64, 65SAPNA KARN 76, 77SÉVERINE GALLARDO 66, 67SILVIA TURBINER 20, 21“The Fragility of Existence”, “Big Bang” and “Covering the Void” by GermanDuarte and Pablo Messil 20, 21SÓNIA ANICETO 90, 91“Teia” and “Un Monde Extensible” by Erwin Boosten 90, 91STAR TRAUTH 138, 139VANESSA FREITAG 42, 43“Nildo Domesticado” by Terr Negrete 42VERÓNICA RYAN 22, 23165
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NaturalImpressionsTextile Art and M
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NaturalImpressionsTextile Art and M
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Originally founded in 2020 in São
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CURATOR’S STATEMENT 8ARTISTS & AR
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The exhibition “Natural Impressio
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11
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PULSIONS, 2023Weaving with natural
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PRESENCIA PLENA, 2021Embroidery and
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HYBRIDIZATIONS 2, 2022Hand embroide
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TÍTULO 30 DE LA SÉRIE RECORTES, 2
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THE FRAGILITY OF EXISTENCE, 2021Bas
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LA TEOFILA, 2022Oil on canvas burye
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5 6SYMBIOCENE, 2022Blanket, handemb
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ENFOLDED LANDSCAPE 8, 2023Photograp
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MY LITTLE BUTTERFLY, 2022Loom57.4 x
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ESPECTRO, 2023Lasca de basalto, min
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IRRUPÇÃO 72, 2023Latex on wooden
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THE QUILT THAT ALWAYS DELIGHTS, 202
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The work of Mariana Porto (SãoPaul
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In her work, the artist explores th
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Through the fusion of kinesiology a
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INTERIOR GARDEN, 2023Hand sewing wi
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SUN WARNING, 2023Unraveling of fabr
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51
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Irina Laaja is fascinated by thecom
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SHELL, 2023Cotton, ceramic, tarlata
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BLOOD, 2022Crochet, embroidery, cot
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BLOOD, 2022Crochet, embroidery, cot
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TRIPUDIUM MODEL, 2022Photo performa
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UNSINKABLE, 2022Cotton muslin, ribb
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Franziska Warzog is primarilyintere
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JELLYFISH, 2014Sequins on silk, eac
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YUCATAN II, 2023Ink and yarn on can
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UNVEILED, 2022Fabric55 x 32 in (139
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Georgia Fambris finds her emotional
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WOMAN, 2019Nail, fiber and wood47.2
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The artistic practice of Eri Imamur
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BLOSSOM, 2014Artwork showcased in t
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BLOSSOM, 2014Artwork showcased in t
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MATER(IA) COMPOSITION #1, 2023Punch
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“BLACK”, “SPHERES” SERIES,
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MAGMATIC STONES, 2023Cotton, linen
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The starting points of KerstinLinds
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When Kristine sits down in front of
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Her soft sculptures are an example
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- Page 119 and 120: MODERN BORO I, 2023Indigo dyed text
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