DesignNJ-OctNov2023_Digital issue

stylenewjersey | ICONIC DESIGN
Modern & Classic
The No. 432 pitcher that Johan Rohde designed for the venerable Georg Jensen,
once labeled too contemporary, becomes an icon of Danish design
BY REN MILLER
Simplicity is the ultimate sophistication. That notable phrase —
sometimes attributed to Leonardo da Vinci but more likely the
paraphrase of a line from “Stuffed Shirts,” a 1931 book by writer,
politician and one-time Union City, New Jersey, resident Clare Boothe
Luce — has been applied in many ways to many people and products.
It seems particularly appropriate for the No. 432 sterling silver water
pitcher designed by Johan Rohde (1856-1935), a Danish painter, product
designer and a somewhat rebel with a cause. After first studying medicine,
Rohde switched direction and entered the Royal Danish Academy of Fine
Arts in 1882 to study painting. He left a year later to protest what he
saw as the school’s refusal to accept modern trends. He enrolled at the
then-new Students’ School of Study in Copenhagen and also became the
principal founder of The Free Exhibition, an association that, to this day,
exhibits works selected by contemporary artists rather than those chosen
by cultural authorities. Along the way he became an important painter
and lithographer as well as a collector of works by other artists.
Rohde also ventured into applied arts with the design of furniture, in
both classical and Japanese styles, and of high-quality silver products for
the home. He commissioned some of the leading Danish workshops to
execute his early designs, including Georg Jensen, the luxury silversmith
based in Copenhagen. Jensen was so impressed that he, in turn,
commissioned Rohde to create some designs for him — mostly cutlery
and hollowware — eventually securing an exclusive lifelong contract with
him. Among the most enduringly popular of Rohde’s designs for Jensen
are the Acorn and Scroll flatware patterns, the Cosmos tea and coffee
service, and the No. 432 water pitcher.
Designed in 1920, the pitcher owes its basic shape to the curves of
Art Nouveau. However, the pitcher has none of Art Nouveau’s typical
flowers and foliage in keeping with Rohde’s modernist leanings. It’s a
study in pure form, flat at the bottom then curving out, back in and out
again slightly as the handle flows into the angled top. The graceful arc
from the base of the handle to the lip of the spout is both simple and
dramatic, classic and modern. The only ornamentation is a row of tiny
silver “pearls” at the base of the handle and, in some variations, a wood
inset in the handle.
The design was considered too aggressively modern in 1920 so Jensen
didn’t put it into production until 1925. That timing seemed to be right;
the pitcher was immediately popular with customers, collectors and
museums, where it is now part of many permanent collections and is
considered an icon of Danish silver design.
The pitcher comes in 11½-inch and 9¼-inch heights in a highpolish
finish that reflects everything around it, almost disappearing
The simplicity of Johan Rohde’s No. 432 water pitcher is at once classic and
modern. This 9¼-inch-tall version of the pitcher was made in 1933. Courtesy
of the Metropolitan Museum of Art; The Cynthia Hazen Polsky Fund, 1989.
on a tabletop if not for the gracious silhouette. The pitcher remains
available by commission from Georg Jensen. Or check with antiques
dealers or websites such as 1stDibs.com and Etsy.com, where prices vary
substantially based on size and condition, reaching around $6,000 for the
9¼-inch size to more than $12,000 for the 11½-inch size.
Interestingly, in 1934, one year before his death, Rohde received the
Thorvaldsen Medal, the highest visual arts honor given by the Royal
Danish Academy of Fine Arts, the very institution he had Spurned a half
century earlier, indicating all was forgiven on both sides. DNJ
For contact information, page 64
22 October/November 2023