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Prince Maximilian of Wied’s North America Collection

at the Linden-Museum Stuttgart – Far More than

a Testimony of Early Native American History

Sonja Schierle

Past and Present

Surrounded by pieces from Prince Maximilian of Wied’s collection, Malcolm

Wolf paid his respect to his great-great-great-grandfather by singing Mato-Tope’s

personal song. For a few minutes his chant, accentuated by the beat of the drum,

permeated the space and created an atmosphere that had an affect on all people

present, making them feel the emotional power of the connection between past

and present.

All this took place before the official opening of the temporary exhibition

“In the River of Time” at the Linden-Museum Stuttgart on 24 November 2000. As a

direct descendant of the famous Mandan chief Mato-Tope and as the representative

of the Tribal Council of the Three Affiliated Tribes of Fort Berthold, Malcolm

Wolf expressed in his speech his gratitude to Prince Maximilian of Wied for collecting

the exhibited pieces on his journey into the interior of North America

1832 – 1834 and, as such, rescuing them for history.

He also acknowledged the efforts of the Linden-Museum Stuttgart in preserving

the objects, thus allowing visitors from all parts of the world to learn about the

history and culture of his ancestors. The Native American guests were deeply impressed

by the excellent conservation of the pieces. To some it was an act of providence

that had made Prince Maximilian live among their ancestors, bring the

pieces back to Germany and safeguard them as visible documents of a long-lost

past. Viewing the items touched upon deep emotions. Especially direct descendants

of Mato-Tope experienced this encounter as a personal meeting with their

grandfather.

From the River Rhine to the Neckar

Already during his lifetime Prince Maxmilian had sold pieces of his North

America collection to the Berlin Museum of Ethnology. 1 Twenty-seven years after

his death, his ethnographic collection arrived at the Linden-Museum Stuttgart.

Of the totally accessioned 202 pieces, roughly hundred were identified as North

A merican. Most of the seventy South American items probably had been collected

during the Prince’s journey to Brazil from 1815 to 1817. 2 As to the remaining items,

India, Southeast Asia and China are listed as places of origin. Considering the

collec tion’s biography, it remains open which pieces Prince Maximilian had gathered

during his travels personally and which items had been added at an earlier, or

a later, date. Since the Prince was in frequent contact with other scientists and

travelers, we may assume that he not only received and exchanged information,

but also objects.

Addressing the acquisition of the Wied collection, the Linden-Museum’s longterm

curator Dr. Axel Schulze-Thulin wrote: “As early as 1902, Dr. Karl Earl of Linden

reported that Prince Maximilian of Wied’s collection was being stored in a sidewing

of the castle in Neuwied; it encompassed approximately a hundred pieces

from various North American Indian cultures and was, apparently, no longer of

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