Made from Girders sampler

Made from Girders by Barbara Henderson and Alan McCredie Made from Girders by Barbara Henderson and Alan McCredie

08.09.2023 Views

made from girders: OUR Forth Bridge the iconic human cantilever picture, creating a sculpture which was going to be turned into a full-size bronze – so far, it hasn’t come to anything! I was also one of the first people to don a headset for the Virtual Reality 3D experience – in a small room in Stirling, where I walked around the girders of the Forth Bridge, virtually.’ He hesitates, before adding: ‘I fell off actually!’ However, surely Gordon Muir’s most notable work associated with the bridge are his two memorials, facing each other across the waters of the Forth. He recalls: ‘I joined the group which was going to appoint an ‘Artist-in-Residence’, working towards creating some sort of memorial. After making little progress, we felt it may be best to have something tangible to show such an artist, so I offered, free of charge, to create a design. The idea was to appoint a stonemason to make it, out of a special stone to be imported from India. The budget was not really coming together. However, Network Rail’s refurbishment job was reaching its conclusion and they offered us 95 per cent of the money if we could deliver the memorials to tie in with the completion of the job – a ridiculous deadline, basically determined by Alex Salmond’s availability to unveil them on the day.’ The team’s original plan had to be abandoned: ‘There was no way it could be made by a stonemason in the time – the stone had not even been ordered! The only way to do it now was casting it in bronze – and for me to work like a Trojan! I had to do everything: the full-size clay model, the lettering – I was literally sleeping at the foundry. We have pictures of my son and his bandmates working there, helping me in the middle of the night. And we did it! On the morning when Alex Salmond unveiled the memorial, there was a reception at the Orocco Pier in South Queensferry.’ He pauses. ‘I am proud of that work. Very proud, for my part in that story, highlighting the shocking lack of concern for the lives of ordinary workers in Victorian times.’ Muir’s remarkable way with images also led to another opportunity to celebrate the Forth Bridge’s heritage – he joined the team of researchers working with writer Elspeth Wills to document the lives of ordinary Forth Bridge workers, an effort 22

Artist: Gordon Muir which would lead to the book The Briggers. ‘We approached the National Library of Scotland at the time. They were in the process of digitalising many images, and somehow, someone saw fit to give me access to the Evelyn Carey collection of glass-plated images. The digital scans were huge in format, so I was able to see every plook on people’s faces. These Forth Bridge pictures hang in all the pubs around Queensferry, but until you zoom in you don’t see that there are men in them, all suddenly visible. Once you look closely, it’s like a scene from Paint Your Wagon – the ridiculous clothes they used to wear, you know, considering where they were working, with their tweed suits and their deerstalker hats and their handlebar moustaches. And I realised: I am looking at men and boys who have never been seen by their own family. I’m the first one to see these men in over a hundred years.’ He laughs apologetically. ‘Even as I’m talking about that, the hairs on my neck are standing up. It was astounding!’ On a lighter note, Gordon created his own version of the Forth Bridge after his son’s band’s request to film a pop video on the actual Forth Bridge was declined by officials. ‘We filmed the whole thing in an engineering yard, pretending they were on the bridge, with the shots of the girders made out of balsa wood and polystyrene. We even managed to borrow a train and mocked up emergency stop handles to recreate the scene of a train stopping on the bridge. It was pretty convincing, I think.’ 23

made <strong>from</strong> girders: OUR Forth Bridge<br />

the iconic human cantilever picture, creating a sculpture which was<br />

going to be turned into a full-size bronze – so far, it hasn’t come<br />

to anything! I was also one of the first people to don a headset<br />

for the Virtual Reality 3D experience – in a small room in Stirling,<br />

where I walked around the girders of the Forth Bridge, virtually.’<br />

He hesitates, before adding: ‘I fell off actually!’<br />

However, surely Gordon Muir’s most notable work associated<br />

with the bridge are his two memorials, facing each other across<br />

the waters of the Forth. He recalls: ‘I joined the group which was<br />

going to appoint an ‘Artist-in-Residence’, working towards creating<br />

some sort of memorial. After making little progress, we felt it may<br />

be best to have something tangible to show such an artist, so I<br />

offered, free of charge, to create a design. The idea was to appoint<br />

a stonemason to make it, out of a special stone to be imported<br />

<strong>from</strong> India. The budget was not really coming together. However,<br />

Network Rail’s refurbishment job was reaching its conclusion and<br />

they offered us 95 per cent of the money if we could deliver the<br />

memorials to tie in with the completion of the job – a ridiculous<br />

deadline, basically determined by Alex Salmond’s availability to<br />

unveil them on the day.’<br />

The team’s original plan had to be abandoned: ‘There was no<br />

way it could be made by a stonemason in the time – the stone had<br />

not even been ordered! The only way to do it now was casting it in<br />

bronze – and for me to work like a Trojan! I had to do everything:<br />

the full-size clay model, the lettering – I was literally sleeping at the<br />

foundry. We have pictures of my son and his bandmates working<br />

there, helping me in the middle of the night. And we did it! On the<br />

morning when Alex Salmond unveiled the memorial, there was a<br />

reception at the Orocco Pier in South Queensferry.’ He pauses.<br />

‘I am proud of that work. Very proud, for my part in that story,<br />

highlighting the shocking lack of concern for the lives of ordinary<br />

workers in Victorian times.’<br />

Muir’s remarkable way with images also led to another<br />

opportunity to celebrate the Forth Bridge’s heritage – he joined<br />

the team of researchers working with writer Elspeth Wills to<br />

document the lives of ordinary Forth Bridge workers, an effort<br />

22

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