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Southern Indiana Living Magazine - Sept / Oct 2023

September / October Issue of Southern Indiana Living

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handle is like an extended hand.<br />

The handle is so important that I<br />

add a little thumb rest on top of all<br />

my handles, so the user’s thumb is<br />

happy to spend time there.”<br />

He often hears stories from<br />

past customers about the lives his<br />

mugs have lived. One person wrote<br />

him a lengthy letter: “I have carried<br />

this mug from South Bend to<br />

Bowling Green, on to Aberdeen,<br />

SouthDakota, and now to Eastern<br />

Michigan University,” the letter<br />

writer wrote. “It has always been<br />

front and center on my desk, and I<br />

hate to think how many thousands<br />

of cups of coffee this art piece has<br />

held over the years. … It is still operational<br />

and as good looking a cup<br />

as anyone could ask for,” the letter<br />

concluded. DeGraaf has saved<br />

this letter because it reinforces his<br />

impression that his mugs have become<br />

part of intimate little daily<br />

rituals across the country, and even<br />

around the world.<br />

Artistic expression also plays a<br />

role in deGraaf’s practice, so that his<br />

pieces are not only useful, but visually<br />

intriguing and compositionally<br />

strong. Dutch painters Vincent van<br />

Gogh and Piet Mondrian, among<br />

others, have inspired his work. A<br />

few paintings by these artists hang<br />

in deGraaf’s gallery where he displays<br />

his own best pieces. The close<br />

proximity of a van Gogh painting<br />

to a deGraaf vase reveals the influence.<br />

Van Gogh’s swirling brushstrokes,<br />

for example, are referenced<br />

in the wavy lines engraved in some<br />

of deGraaf’s pottery.<br />

For a recent exhibit, “Forms,<br />

Functions, and Faces,” at Harrison<br />

County Arts, deGraaf departed<br />

from his norm to create several nonfunctional<br />

clay faces. “They were<br />

playful experiments,” deGraaf said<br />

of these engaging faces. After the<br />

show, when he brought the pieces<br />

back to his studio, he felt compelled<br />

to make them functional by affixing<br />

them to vases.<br />

DeGraaf’s studio is divided<br />

into distinct rooms: a room for tools,<br />

a glazing room where he mixes his<br />

own glazes, a kiln room and his favorite,<br />

the wet clay building room<br />

where he throws pieces on his pottery<br />

wheel or builds them by hand<br />

from slabs. “With my hands immersed<br />

in wet clay,” deGraaf said,<br />

“I am like a kid playing in the<br />

mud.”<br />

One wall of this wet clay room<br />

is lined with large windows, so that<br />

Artistic expression<br />

also plays a role<br />

in deGraaf’s<br />

practice, so that<br />

his pieces are not<br />

only useful, but<br />

visually intriguing<br />

and compositionally<br />

strong. Dutch<br />

painters Vincent<br />

van Gogh and<br />

Piet Mondrian,<br />

among others, have<br />

inspired his work.<br />

<strong>Southern</strong> <strong>Indiana</strong> <strong>Living</strong> • <strong>Sept</strong>/<strong>Oct</strong> <strong>2023</strong> • 27

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