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Southern Indiana Living Magazine - Sept / Oct 2023

September / October Issue of Southern Indiana Living

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<strong>Southern</strong> <strong>Indiana</strong> Festivals<br />

The Fourth Street Festival of Arts and Crafts<br />

Beauty and artisanship at the 47th annual event in Bloomington, <strong>Indiana</strong><br />

Story and Photos by Sheryl Woodhouse<br />

The 47th annual Fourth Street<br />

Art Festival will return to<br />

Bloomington on Labor Day<br />

weekend, <strong>Sept</strong>. 2-3, from<br />

10 a.m.-6 p.m. on Saturday and 10<br />

a.m. -5 p.m. on Sunday. The iconic<br />

event is one of most beloved events<br />

on Bloomington’s art and culture<br />

calendar. Typically, at least a third<br />

of the juried artists are displaying<br />

their work at Fourth Street for the<br />

first time. This allows the attendees<br />

to connect with their favorite artists<br />

and to discover new work and meet<br />

the people who create it. This year<br />

is no different.<br />

Four of this year’s new artists,<br />

from various <strong>Indiana</strong> communities,<br />

are painter Taylor Walker of Carmel,<br />

potter Kelly Meska of Bloomington,<br />

jeweler Heidi Mandich of<br />

<strong>Indiana</strong>polis, and wood turner<br />

Samuel Dean of Whitehall. While<br />

each artist has their own genre and<br />

techniques, they all share a passion<br />

for creating art and making things,<br />

a love for detail and teaching, and<br />

all are committed to experimenting,<br />

continually learning and perfecting<br />

their art, and are well-tuned into<br />

22 • <strong>Sept</strong>/<strong>Oct</strong> <strong>2023</strong> • <strong>Southern</strong> <strong>Indiana</strong> <strong>Living</strong><br />

the business aspects of making a<br />

living with their art.<br />

Walker is an expressionist<br />

painter who is passionate about<br />

animals and focuses on them in her<br />

work. Her goal is to blend technical<br />

ability and photo realism with<br />

exaggerated rainbow color and<br />

strokes to create emotion. She says,<br />

“Neutrals don’t register in my<br />

brain. Purple is my black. Green is<br />

my neutral. I want my work to be<br />

colorful, but not childish; I make it<br />

OK to be colorful as an adult.” As a<br />

young artist, she just started doing<br />

art shows last year, meeting other<br />

artists and joining the volunteer art<br />

show committees.<br />

Meska has been a potter for 25<br />

years and has also been an art teacher<br />

most of that time. Since moving<br />

to Bloomington three years ago, she<br />

devotes her time exclusively to creating<br />

functional ceramics with nontraditional<br />

looks and uses. Meska<br />

uses a mix of throwing, altering and<br />

hand-building in her pottery, and<br />

cuts original, mostly nature-based<br />

designs into linoleum that she imprints<br />

into the clay of her hand-built<br />

work. She takes pride in being very<br />

picky about the design of her mugs,<br />

getting the weight, size and feel just<br />

right, as well as adding details that<br />

make them more unique. She loves<br />

doing shows, where customers can<br />

pick up each mug and find one that<br />

feels right to them, while hearing<br />

about her involved, multi-step process,<br />

which usually surprises them.<br />

“I was not an artist or a teacher<br />

by trade,” says Mandich. “I took my<br />

first metalsmithing class at the <strong>Indiana</strong>polis<br />

Art Center in 2006 and did<br />

my first show a year later.” Soon,<br />

she was teaching metalsmithing at<br />

the art center, and realized that she<br />

loved both, which helped spur her<br />

into early retirement after an advertising<br />

and sales career. Mandich’s<br />

two unusual techniques are quilling<br />

with metal and torch-painting<br />

titanium. As a poor conductor of<br />

heat, titanium makes a satisfying<br />

medium for painting, so that you<br />

can lay one color down next to another<br />

without changing the first<br />

one. “You’re still not in charge of<br />

the color,” she says. Admiring paper<br />

quilling, Mandich wondered,

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