Southern Indiana Living Magazine - Sept / Oct 2023
September / October Issue of Southern Indiana Living
September / October Issue of Southern Indiana Living
Create successful ePaper yourself
Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.
<strong>Southern</strong> <strong>Indiana</strong> Festivals<br />
The Fourth Street Festival of Arts and Crafts<br />
Beauty and artisanship at the 47th annual event in Bloomington, <strong>Indiana</strong><br />
Story and Photos by Sheryl Woodhouse<br />
The 47th annual Fourth Street<br />
Art Festival will return to<br />
Bloomington on Labor Day<br />
weekend, <strong>Sept</strong>. 2-3, from<br />
10 a.m.-6 p.m. on Saturday and 10<br />
a.m. -5 p.m. on Sunday. The iconic<br />
event is one of most beloved events<br />
on Bloomington’s art and culture<br />
calendar. Typically, at least a third<br />
of the juried artists are displaying<br />
their work at Fourth Street for the<br />
first time. This allows the attendees<br />
to connect with their favorite artists<br />
and to discover new work and meet<br />
the people who create it. This year<br />
is no different.<br />
Four of this year’s new artists,<br />
from various <strong>Indiana</strong> communities,<br />
are painter Taylor Walker of Carmel,<br />
potter Kelly Meska of Bloomington,<br />
jeweler Heidi Mandich of<br />
<strong>Indiana</strong>polis, and wood turner<br />
Samuel Dean of Whitehall. While<br />
each artist has their own genre and<br />
techniques, they all share a passion<br />
for creating art and making things,<br />
a love for detail and teaching, and<br />
all are committed to experimenting,<br />
continually learning and perfecting<br />
their art, and are well-tuned into<br />
22 • <strong>Sept</strong>/<strong>Oct</strong> <strong>2023</strong> • <strong>Southern</strong> <strong>Indiana</strong> <strong>Living</strong><br />
the business aspects of making a<br />
living with their art.<br />
Walker is an expressionist<br />
painter who is passionate about<br />
animals and focuses on them in her<br />
work. Her goal is to blend technical<br />
ability and photo realism with<br />
exaggerated rainbow color and<br />
strokes to create emotion. She says,<br />
“Neutrals don’t register in my<br />
brain. Purple is my black. Green is<br />
my neutral. I want my work to be<br />
colorful, but not childish; I make it<br />
OK to be colorful as an adult.” As a<br />
young artist, she just started doing<br />
art shows last year, meeting other<br />
artists and joining the volunteer art<br />
show committees.<br />
Meska has been a potter for 25<br />
years and has also been an art teacher<br />
most of that time. Since moving<br />
to Bloomington three years ago, she<br />
devotes her time exclusively to creating<br />
functional ceramics with nontraditional<br />
looks and uses. Meska<br />
uses a mix of throwing, altering and<br />
hand-building in her pottery, and<br />
cuts original, mostly nature-based<br />
designs into linoleum that she imprints<br />
into the clay of her hand-built<br />
work. She takes pride in being very<br />
picky about the design of her mugs,<br />
getting the weight, size and feel just<br />
right, as well as adding details that<br />
make them more unique. She loves<br />
doing shows, where customers can<br />
pick up each mug and find one that<br />
feels right to them, while hearing<br />
about her involved, multi-step process,<br />
which usually surprises them.<br />
“I was not an artist or a teacher<br />
by trade,” says Mandich. “I took my<br />
first metalsmithing class at the <strong>Indiana</strong>polis<br />
Art Center in 2006 and did<br />
my first show a year later.” Soon,<br />
she was teaching metalsmithing at<br />
the art center, and realized that she<br />
loved both, which helped spur her<br />
into early retirement after an advertising<br />
and sales career. Mandich’s<br />
two unusual techniques are quilling<br />
with metal and torch-painting<br />
titanium. As a poor conductor of<br />
heat, titanium makes a satisfying<br />
medium for painting, so that you<br />
can lay one color down next to another<br />
without changing the first<br />
one. “You’re still not in charge of<br />
the color,” she says. Admiring paper<br />
quilling, Mandich wondered,