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TO LOUISE AND ARIANA
▲Acknowledgments ixPreface xiIntroduction 1Periodizing CollectivismBLAKE STIMSON AND GREGORY SHOLETTE1. Internationaleries 17Collectivism, the Grotesque, and Cold War FunctionalismJELENA STOJANOVIĆ2. After the “Descent to the Everyday” 45Japanese Collectivism from Hi Red Center to The Play, 1964–1973REIKO TOMII3. Art & Language and the Institutional Formin Anglo-American Collectivism 77CHRIS GILBERT4. The Collective Camcorder in Art and Activism 95JESSE DREW5. Performing Revolution 115Arte Calle, Grupo Provisional, and the Responseto the Cuban National Crisis, 1986–1989RACHEL WEISS
Page 2 and 3: ▲COLLECTIVISMAFTERMODERNISM
Page 4 and 5: COLLECTIVISM▲AFTERMODERNISMThe Ar
Page 8 and 9: CONTENTS6. The Mexican Pentagon 165
Page 10 and 11: AcknowledgmentsThis book would not
Page 12 and 13: PrefaceThe collectivization of arti
Page 14 and 15: FIGURE P.1. Promotional poster for
Page 16 and 17: Prefacexvdirectly opposite individu
Page 18 and 19: Prefacexviiadmit a desire to see al
Page 20 and 21: Introduction: Periodizing Collectiv
Page 22 and 23: Introduction 3to increase their pro
Page 24 and 25: Introduction 5Modernist artists und
Page 26 and 27: Introduction 7Those good intentions
Page 28 and 29: Introduction 9and that helped give
Page 30 and 31: Introduction 11collectivism brings
Page 32 and 33: Introduction 13artists on Chicago
Page 34 and 35: Introduction 15Phase of the Cultura
Page 36 and 37: 1. Internationaleries: Collectivism
Page 38 and 39: Internationaleries 19played a “us
Page 40 and 41: Internationaleries 21Rooskens, Euge
Page 42 and 43: FIGURE 1.2. Le “Realisme-Socialis
Page 44 and 45: Internationaleries 25and an active
Page 46 and 47: Internationaleries 27create a democ
Page 48 and 49: Internationaleries 29of the fourth
Page 50 and 51: Internationaleries 31Debord’s 196
Page 52 and 53: Internationaleries 33in which the n
Page 54 and 55: Internationaleries 35be demystiWed
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Internationaleries 37printing a ser
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Internationaleries 39NOTES1. Harold
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Internationaleries 4136. The exhibi
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Internationaleries 4377. Michel de
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2. After the “Descent to the Ever
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After the “Descent to the Everyda
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3. Art & Language and the Instituti
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Art & Language and the Institutiona
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FIGURE 3.4. Cover of Blurting in A&
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4. The Collective Camcorder in Arta
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The Collective Camcorder in Art and
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5. Performing Revolution: Arte Call
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Performing Revolution 117developing
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Performing Revolution 119strictures
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Performing Revolution 121group, and
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Performing Revolution 123lies in Gr
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Performing Revolution 125problems i
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Performing Revolution 127Grupo Prov
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Performing Revolution 129from withi
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FIGURE 5.3. Art-De (Juan-Sí Gonzá
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Performing Revolution 133the museum
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Performing Revolution 135distribute
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Performing Revolution 137reason for
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Performing Revolution 139which cons
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Performing Revolution 141in which t
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Performing Revolution 143perhaps be
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Performing Revolution 145These priv
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Performing Revolution 1478. Gerardo
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Performing Revolution 14926. In 199
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Performing Revolution 151which appr
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Performing Revolution 153marginal z
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Performing Revolution 155boy in que
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Performing Revolution 157101. They
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Performing Revolution 159And I beli
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Performing Revolution 161structures
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6. The Mexican Pentagon: Adventures
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The Mexican Pentagon 167grupos (the
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The Mexican Pentagon 169It was agai
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The Mexican Pentagon 171Bellas Arte
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The Mexican Pentagon 1735 million i
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The Mexican Pentagon 175Wlled it wi
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The Mexican Pentagon 177Ehrenberg a
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The Mexican Pentagon 179of a campai
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The Mexican Pentagon 181(including
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The Mexican Pentagon 183contributed
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The Mexican Pentagon 185criticisms,
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The Mexican Pentagon 187material fo
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The Mexican Pentagon 18911. The gro
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7. Artists’ Collectives: Focus on
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Artists’ Collectives Mostly in Ne
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FIGURE 7.7. Doug Ashford of Group M
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FIGURE 7.9. General Idea, Baby Make
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8. The Production of Social Space a
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The Production of Social Space as A
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FIGURE 8.3. Le Groupe Amos, Peuple
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9. Beyond Representation andAfWliat
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Beyond Representation and AfWliatio
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10. Do-It-Yourself Geopolitics:Cart
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Do-It-Yourself Geopolitics 275produ
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Do-It-Yourself Geopolitics 277J18 o
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Do-It-Yourself Geopolitics 279and r
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Do-It-Yourself Geopolitics 281parad
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FIGURE 10.3. Detail of Bureau d’E
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Do-It-Yourself Geopolitics 285The c
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Do-It-Yourself Geopolitics 287etc.
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FIGURE 10.7. Poster for Euro Mayday
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Do-It-Yourself Geopolitics 291Weld
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Do-It-Yourself Geopolitics 293de pe
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ContributorsIrina Aristarkhova is a
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Contributors 297Reiko Tomii is an i
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IndexABC No Rio, 204, 219 n. 29abst
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Index 301Blanco, José Joaquín, 17
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Index 303Foster, Hal, 231, 249 n. 9
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Index 305Jack’s Society, 59Jacob,
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Index 307Moles, Abraham, 27Mondrian
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Index 309Psychophysiology Research
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Index 311Takis, 196, 197Taller Bori
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