IndexABC No Rio, 204, 219 n. 29abstract expressionism, xi, 22, 51, 151n. 40, 157 n. 102, 103, 158 n. 109ABTV, 123, 132–35, 144, 156 n. 99Abu-Lughod, Janet L., 220 n. 32Acconci, Vito, 95ACT UP (AIDS Coalition to UnleashPower), 105, 208Ad Hoc Women Artists, 197, 199Adams, Don, 219 n. 26adaweb, 214Adbusters, 292 n. 27Adorno, Theodor, 77, 170, 188 n. 10aesthetics, 6, 18, 25, 28, 29, 32, 34, 37,87–89, 93 n. 26, 97–98, 101–2, 107,194, 203, 244–48, 251 n. 39, 255,257, 259, 273–75, 279, 280, 284,288, 290, 293 n. 31Against All Parties Campaign, 256Aguilera, Alejandro, 133, 138, 159 n.119, 120AIDS, 105, 106, 112 n. 11, 206, 208,210, 212, 220 n. 34, 38, 39, 42Akasegawa Genpei, 47, 54, 56–59, 69,71, 73 n. 25, 26, 27, 30, 33, 34, 36,37, 75 n. 66Akiyama Kuniharu, 65Aldana, Carlos, 143Alechinsky, Pierre, 20Alfelt, Else, 20Al Jazeera, 1Allende, Salvador, 186Alliance for Cultural Democracy(ACD), 219 n. 26Alloway, Lawrence, 92 n. 21Al Qaida, 1, 4Alternate Media Center, 99Alternative Media Project, 104Alternative Views, 104Althusser, Louis, 2, 6, 28, 31, 39 n. 2amateurism, 13, 21, 24, 275Amazon.com, 2American Fine Arts gallery, 216American Indian Movement (AIM),199Anarchitecture, 202And/Or, 201Andre, Carl, 197Ankoku Butoh, 56Anonima, 201Ant Farm, 95Anti-Art (Han-geijutsu), 45, 46, 51–53,56–57, 69, 72 n. 18anti-catalog, 93 n. 28, 202Anti-Imperialist Cultural Union(AICU), 90Anti-Material Cave (La CavernaAntimateria), 34antiroads movement, 277Appel, Karel, 20Arendt, Hannah, 185, 190 n. 36,248 n. 5299
300 IndexArt & Change, 206Art & Language, xvi, 77–93, 202Art Club 2000, 216Art-De (Arte-Derechos), 122, 130–32,140, 144, 152 n 45, 155 n. 90, 91,156, n. 97Arte Calle, 115–62Arte Povera, 123Artforum, xii, 77Art Front Gallery, 70Art Informel, 51, 53Artist’s Co-op, 202Artists and Writers Protest (AWP),186Artists Call (Artists Call Against USIntervention in Central America),205, 208Artists Equity, 7, 197, 218 n. 15Artists League of America, 7Artists Meeting for Cultural Change(AMCC), xii, 90, 202–3Artists Placement Group, 218 n. 16Artists Space, 89Artist’s Television Access, 107Artists TV Network, 104Art Metropole, 208Art Strike, 275, 291 n. 5Art Workers Coalition (AWC), xii, 78,80, 186 192, 193, 196–98, 201, 216,218 n. 12, 218 n. 14art world, xii, xvi, 45, 48, 49, 52, 84,49, 52, 84, 95, 97, 100, 111, 112,170, 121, 126, 146, 176, 181, 193,195, 196, 197, 198, 200, 212, 215,259, 288Ashford, Doug, 207, 212, 220 n. 46Association of Independent Video andFilmmakers, 107Atkinson, Terry, 80Atlanta Media Project, 104Auditorio Nacional, 182–83Ault, Julie, 207, 215, 219 n. 23, 219 n.25, 220 n. 47, 221 n. 49authorship, xi, 60, 70, 79, 97, 117,121, 125, 132, 156 n. 99, 166, 217,225Autonomedia, 225Autonomia, 284autonomy, xi, 4, 10, 78, 89, 92 n. 13,117–21, 186, 194, 202, 234, 235,245, 251 n. 41, 290avant-garde, xi, 10, 13, 17, 18, 20, 25,27, 29, 39, 39 n. 3, 40 n. 21, 40 n. 23,45, 49, 51–52, 56, 72 n. 10, 73 n. 20,73 n. 27, 77, 100, 141, 146 n. 3, 197,198, 214, 217 n. 3, 223, 224, 259Avant Garde Festivals, 201Ay-O, 65Bachelard, Gaston, 24–25, 41 n. 37–38Bainbridge, David, 80, 81Baj, Enrico, 21Bakhtin, Mikhail, 18, 36–38, 39 n. 5Baldwin, Michael, 80, 81, 83, 87, 93n. 23Balle, Mogens, 20Baraka, Amiri, 90Barbrook, Richard, 214, 221 n. 51Barthes, Roland, 177Bataille, Georges, 39 n. 15, 41 n. 47,269 n. 2Baudrillard, Jean, 40 n. 30Bauman, Zygmunt, 162 n. 149Bay Area Video Coalition, 107Bedia, José, 123, 148 n. 20Beige, 216Benedetti, Mario, 118, 148 n. 19, 178Benjamin, Walter, 226–27, 248 n. 5,248 n. 8Bense, Max, 27Berger, John, 202Bergman, Ingmar, 98, 112 n. 6Bernstein, Michele, 21, 32Beuys, Joseph, 202, 210, 248 n. 1Beveridge, Karl, 77Bey, Hakim, 279, 292 n. 12Biennale countercatalog, 178Bijutsu techo, 48Bikyoto, 47, 50, 61–63, 70–71, 74 n. 51Bill, Max, 27Bille, Ejler, 20biopolitics, biopower, 280, 288B92, 213biotechnology industry, 11, 246, 247Black arts movement, 217 n. 6Black Emergency Cultural Coalition,218 n. 13Black Mask (Motherfuckers), 199
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▲COLLECTIVISMAFTERMODERNISM
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COLLECTIVISM▲AFTERMODERNISMThe Ar
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TO LOUISE AND ARIANA
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CONTENTS6. The Mexican Pentagon 165
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AcknowledgmentsThis book would not
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PrefaceThe collectivization of arti
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FIGURE P.1. Promotional poster for
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Prefacexvdirectly opposite individu
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Prefacexviiadmit a desire to see al
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Introduction: Periodizing Collectiv
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Introduction 3to increase their pro
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Introduction 5Modernist artists und
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Introduction 7Those good intentions
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Introduction 9and that helped give
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Introduction 11collectivism brings
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Introduction 13artists on Chicago
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Introduction 15Phase of the Cultura
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1. Internationaleries: Collectivism
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Internationaleries 19played a “us
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Internationaleries 21Rooskens, Euge
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Internationaleries 25and an active
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4. The Collective Camcorder in Arta
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5. Performing Revolution: Arte Call
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Performing Revolution 117developing
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Performing Revolution 119strictures
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Performing Revolution 121group, and
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Performing Revolution 123lies in Gr
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Performing Revolution 125problems i
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Performing Revolution 127Grupo Prov
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Performing Revolution 133the museum
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Performing Revolution 135distribute
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Performing Revolution 137reason for
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Performing Revolution 139which cons
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Performing Revolution 145These priv
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Performing Revolution 1478. Gerardo
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Performing Revolution 14926. In 199
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Performing Revolution 151which appr
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Performing Revolution 161structures
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6. The Mexican Pentagon: Adventures
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The Mexican Pentagon 167grupos (the
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The Mexican Pentagon 169It was agai
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The Mexican Pentagon 171Bellas Arte
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The Mexican Pentagon 1735 million i
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The Mexican Pentagon 175Wlled it wi
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The Mexican Pentagon 177Ehrenberg a
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The Mexican Pentagon 179of a campai
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The Mexican Pentagon 181(including
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The Mexican Pentagon 183contributed
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The Mexican Pentagon 185criticisms,
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The Mexican Pentagon 187material fo
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The Mexican Pentagon 18911. The gro
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7. Artists’ Collectives: Focus on
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Artists’ Collectives Mostly in Ne
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Artists’ Collectives Mostly in Ne
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Artists’ Collectives Mostly in Ne
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8. The Production of Social Space a
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The Production of Social Space as A
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