[Blake_Stimson,_Gregory_Sholette]_Collectivism_aft(z-lib
The Production of Social Space as Artwork 239the group foregrounds a critical, discursive activist relationship to the res publicain the conception and organization of its projects. To do so it translatesits intellectual ideals into a series of programmatic activities, broadening itsnetwork among neighborhood associations in order to organize and harnessthose aspirations operative in the Weld of power. Third, the Weld of its actionsand techniques of dissemination, production, and media are carefully fusedas part of the social production of the public sphere. And fourth is its deWnitionof its relationship to the public sphere in the manner that AntonioGramsci deWned the role of the intellectual in the context of culture. For LeGroupe Amos this is principally formulated on the ethics of self-governance.Here the work of the intellectual is both in the activity of particular forms ofpraxis and in the functions that require a certain minimum intellectual dispensation“within the general complex of social relations.” 31 In the Weld ofsocial relations in which Le Groupe Amos has positioned its work, the targetsof its actions are the state and those institutions and organizations—thechurch (especially the Catholic church), political parties, rebel movements,multinational global institutions linked to powerful economic interests—FIGURE 8.5. Le Groupe Amos, Campagne éducation à la démocratie, performed by Theatre MamaOFEDICO (Women’s Organization for Development, Integration, and Community), video still, n.d.
FIGURE 8.6. Le Groupe Amos, Dix ans après . . . Ensemble, continuons la marche de l’espoir!(Kinshasa: Editions du Groupe Amos, 2002).
- Page 208 and 209: The Mexican Pentagon 18911. The gro
- Page 210 and 211: This page intentionally left blank
- Page 212 and 213: 7. Artists’ Collectives: Focus on
- Page 214 and 215: Artists’ Collectives Mostly in Ne
- Page 216 and 217: Artists’ Collectives Mostly in Ne
- Page 218 and 219: Artists’ Collectives Mostly in Ne
- Page 220 and 221: Artists’ Collectives Mostly in Ne
- Page 222 and 223: Artists’ Collectives Mostly in Ne
- Page 224 and 225: Artists’ Collectives Mostly in Ne
- Page 226 and 227: FIGURE 7.7. Doug Ashford of Group M
- Page 228 and 229: FIGURE 7.9. General Idea, Baby Make
- Page 230 and 231: Artists’ Collectives Mostly in Ne
- Page 232 and 233: Artists’ Collectives Mostly in Ne
- Page 234 and 235: Artists’ Collectives Mostly in Ne
- Page 236 and 237: Artists’ Collectives Mostly in Ne
- Page 238 and 239: Artists’ Collectives Mostly in Ne
- Page 240 and 241: Artists’ Collectives Mostly in Ne
- Page 242 and 243: 8. The Production of Social Space a
- Page 244 and 245: The Production of Social Space as A
- Page 246 and 247: The Production of Social Space as A
- Page 248 and 249: The Production of Social Space as A
- Page 250 and 251: The Production of Social Space as A
- Page 252 and 253: The Production of Social Space as A
- Page 254 and 255: The Production of Social Space as A
- Page 256 and 257: FIGURE 8.3. Le Groupe Amos, Peuple
- Page 260 and 261: The Production of Social Space as A
- Page 262 and 263: The Production of Social Space as A
- Page 264 and 265: The Production of Social Space as A
- Page 266 and 267: The Production of Social Space as A
- Page 268 and 269: The Production of Social Space as A
- Page 270 and 271: The Production of Social Space as A
- Page 272 and 273: 9. Beyond Representation andAfWliat
- Page 274 and 275: Beyond Representation and AfWliatio
- Page 276 and 277: Beyond Representation and AfWliatio
- Page 278 and 279: Beyond Representation and AfWliatio
- Page 280 and 281: Beyond Representation and AfWliatio
- Page 282 and 283: Beyond Representation and AfWliatio
- Page 284 and 285: Beyond Representation and AfWliatio
- Page 286 and 287: Beyond Representation and AfWliatio
- Page 288 and 289: Beyond Representation and AfWliatio
- Page 290 and 291: This page intentionally left blank
- Page 292 and 293: 10. Do-It-Yourself Geopolitics:Cart
- Page 294 and 295: Do-It-Yourself Geopolitics 275produ
- Page 296 and 297: Do-It-Yourself Geopolitics 277J18 o
- Page 298 and 299: Do-It-Yourself Geopolitics 279and r
- Page 300 and 301: Do-It-Yourself Geopolitics 281parad
- Page 302 and 303: FIGURE 10.3. Detail of Bureau d’E
- Page 304 and 305: Do-It-Yourself Geopolitics 285The c
- Page 306 and 307: Do-It-Yourself Geopolitics 287etc.
The Production of Social Space as Artwork 239
the group foregrounds a critical, discursive activist relationship to the res publica
in the conception and organization of its projects. To do so it translates
its intellectual ideals into a series of programmatic activities, broadening its
network among neighborhood associations in order to organize and harness
those aspirations operative in the Weld of power. Third, the Weld of its actions
and techniques of dissemination, production, and media are carefully fused
as part of the social production of the public sphere. And fourth is its deWnition
of its relationship to the public sphere in the manner that Antonio
Gramsci deWned the role of the intellectual in the context of culture. For Le
Groupe Amos this is principally formulated on the ethics of self-governance.
Here the work of the intellectual is both in the activity of particular forms of
praxis and in the functions that require a certain minimum intellectual dispensation
“within the general complex of social relations.” 31 In the Weld of
social relations in which Le Groupe Amos has positioned its work, the targets
of its actions are the state and those institutions and organizations—the
church (especially the Catholic church), political parties, rebel movements,
multinational global institutions linked to powerful economic interests—
FIGURE 8.5. Le Groupe Amos, Campagne éducation à la démocratie, performed by Theatre Mama
OFEDICO (Women’s Organization for Development, Integration, and Community), video still, n.d.