[Blake_Stimson,_Gregory_Sholette]_Collectivism_aft(z-lib

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FIGURE 6.1. Proceso Pentágono, El hombre atropellado (A Man Has Been Run Over), actionpresented on a street near Bellas Artes, in Mexico City, during the exhibition “A nivel informativo”(On an Informational Level), 1973. Photograph courtesy of Víctor Muñoz.▲
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▲COLLECTIVISMAFTERMODERNISM
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COLLECTIVISM▲AFTERMODERNISMThe Ar
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TO LOUISE AND ARIANA
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CONTENTS6. The Mexican Pentagon 165
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AcknowledgmentsThis book would not
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PrefaceThe collectivization of arti
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FIGURE P.1. Promotional poster for
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Prefacexvdirectly opposite individu
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Prefacexviiadmit a desire to see al
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Introduction: Periodizing Collectiv
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Introduction 3to increase their pro
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Introduction 5Modernist artists und
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Introduction 7Those good intentions
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Introduction 9and that helped give
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Introduction 11collectivism brings
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Introduction 13artists on Chicago
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Introduction 15Phase of the Cultura
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1. Internationaleries: Collectivism
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Internationaleries 19played a “us
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Internationaleries 21Rooskens, Euge
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FIGURE 1.2. Le “Realisme-Socialis
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Internationaleries 25and an active
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Internationaleries 27create a democ
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Internationaleries 29of the fourth
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Internationaleries 31Debord’s 196
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Internationaleries 33in which the n
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Internationaleries 35be demystiWed
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Internationaleries 37printing a ser
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Internationaleries 39NOTES1. Harold
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Internationaleries 4136. The exhibi
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Internationaleries 4377. Michel de
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2. After the “Descent to the Ever
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After the “Descent to the Everyda
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3. Art & Language and the Instituti
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Art & Language and the Institutiona
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FIGURE 3.4. Cover of Blurting in A&
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4. The Collective Camcorder in Arta
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The Collective Camcorder in Art and
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Page 132 and 133: The Collective Camcorder in Art and
Page 134 and 135: 5. Performing Revolution: Arte Call
Page 136 and 137: Performing Revolution 117developing
Page 138 and 139: Performing Revolution 119strictures
Page 140 and 141: Performing Revolution 121group, and
Page 142 and 143: Performing Revolution 123lies in Gr
Page 144 and 145: Performing Revolution 125problems i
Page 146 and 147: Performing Revolution 127Grupo Prov
Page 148 and 149: Performing Revolution 129from withi
Page 150 and 151: FIGURE 5.3. Art-De (Juan-Sí Gonzá
Page 152 and 153: Performing Revolution 133the museum
Page 154 and 155: Performing Revolution 135distribute
Page 156 and 157: Performing Revolution 137reason for
Page 158 and 159: Performing Revolution 139which cons
Page 160 and 161: Performing Revolution 141in which t
Page 162 and 163: Performing Revolution 143perhaps be
Page 164 and 165: Performing Revolution 145These priv
Page 166 and 167: Performing Revolution 1478. Gerardo
Page 168 and 169: Performing Revolution 14926. In 199
Page 170 and 171: Performing Revolution 151which appr
Page 172 and 173: Performing Revolution 153marginal z
Page 174 and 175: Performing Revolution 155boy in que
Page 176 and 177: Performing Revolution 157101. They
Page 178 and 179: Performing Revolution 159And I beli
Page 180 and 181: Performing Revolution 161structures
Page 184 and 185: 6. The Mexican Pentagon: Adventures
Page 186 and 187: The Mexican Pentagon 167grupos (the
Page 188 and 189: The Mexican Pentagon 169It was agai
Page 190 and 191: The Mexican Pentagon 171Bellas Arte
Page 192 and 193: The Mexican Pentagon 1735 million i
Page 194 and 195: The Mexican Pentagon 175Wlled it wi
Page 196 and 197: The Mexican Pentagon 177Ehrenberg a
Page 198 and 199: The Mexican Pentagon 179of a campai
Page 200 and 201: The Mexican Pentagon 181(including
Page 202 and 203: The Mexican Pentagon 183contributed
Page 204 and 205: The Mexican Pentagon 185criticisms,
Page 206 and 207: The Mexican Pentagon 187material fo
Page 208 and 209: The Mexican Pentagon 18911. The gro
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Page 212 and 213: 7. Artists’ Collectives: Focus on
Page 214 and 215: Artists’ Collectives Mostly in Ne
Page 226 and 227: FIGURE 7.7. Doug Ashford of Group M
Page 228 and 229: FIGURE 7.9. General Idea, Baby Make
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Artists’ Collectives Mostly in Ne
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8. The Production of Social Space a
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The Production of Social Space as A
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FIGURE 8.3. Le Groupe Amos, Peuple
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9. Beyond Representation andAfWliat
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Beyond Representation and AfWliatio
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10. Do-It-Yourself Geopolitics:Cart
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Do-It-Yourself Geopolitics 275produ
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Do-It-Yourself Geopolitics 277J18 o
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Do-It-Yourself Geopolitics 279and r
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Do-It-Yourself Geopolitics 281parad
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FIGURE 10.3. Detail of Bureau d’E
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Do-It-Yourself Geopolitics 285The c
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Do-It-Yourself Geopolitics 287etc.
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FIGURE 10.7. Poster for Euro Mayday
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Do-It-Yourself Geopolitics 291Weld
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Do-It-Yourself Geopolitics 293de pe
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ContributorsIrina Aristarkhova is a
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Contributors 297Reiko Tomii is an i
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IndexABC No Rio, 204, 219 n. 29abst
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Index 301Blanco, José Joaquín, 17
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Index 303Foster, Hal, 231, 249 n. 9
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Index 305Jack’s Society, 59Jacob,
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Index 307Moles, Abraham, 27Mondrian
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Index 309Psychophysiology Research
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Index 311Takis, 196, 197Taller Bori
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