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▲COLLECTIVISMAFTERMODERNISM
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COLLECTIVISM▲AFTERMODERNISMThe Ar
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TO LOUISE AND ARIANA
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CONTENTS6. The Mexican Pentagon 165
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AcknowledgmentsThis book would not
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PrefaceThe collectivization of arti
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FIGURE P.1. Promotional poster for
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Prefacexvdirectly opposite individu
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Prefacexviiadmit a desire to see al
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Introduction: Periodizing Collectiv
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Introduction 3to increase their pro
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Introduction 5Modernist artists und
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Introduction 7Those good intentions
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Introduction 9and that helped give
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Introduction 11collectivism brings
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Introduction 13artists on Chicago
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Introduction 15Phase of the Cultura
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1. Internationaleries: Collectivism
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Internationaleries 19played a “us
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Internationaleries 21Rooskens, Euge
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FIGURE 1.2. Le “Realisme-Socialis
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Internationaleries 25and an active
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Internationaleries 27create a democ
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Internationaleries 29of the fourth
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Internationaleries 31Debord’s 196
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Internationaleries 33in which the n
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Internationaleries 35be demystiWed
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Internationaleries 37printing a ser
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Internationaleries 39NOTES1. Harold
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Internationaleries 4136. The exhibi
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Internationaleries 4377. Michel de
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2. After the “Descent to the Ever
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After the “Descent to the Everyda
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After the “Descent to the Everyda
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After the “Descent to the Everyda
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After the “Descent to the Everyda
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- Page 138 and 139: Performing Revolution 119strictures
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Performing Revolution 155boy in que
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Performing Revolution 157101. They
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Performing Revolution 159And I beli
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Performing Revolution 161structures
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6. The Mexican Pentagon: Adventures
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The Mexican Pentagon 167grupos (the
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The Mexican Pentagon 169It was agai
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The Mexican Pentagon 171Bellas Arte
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The Mexican Pentagon 1735 million i
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The Mexican Pentagon 175Wlled it wi
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The Mexican Pentagon 177Ehrenberg a
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The Mexican Pentagon 179of a campai
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The Mexican Pentagon 181(including
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The Mexican Pentagon 183contributed
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The Mexican Pentagon 185criticisms,
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The Mexican Pentagon 187material fo
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The Mexican Pentagon 18911. The gro
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7. Artists’ Collectives: Focus on
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Artists’ Collectives Mostly in Ne
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Artists’ Collectives Mostly in Ne
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Artists’ Collectives Mostly in Ne
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Artists’ Collectives Mostly in Ne
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Artists’ Collectives Mostly in Ne
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Artists’ Collectives Mostly in Ne
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FIGURE 7.7. Doug Ashford of Group M
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FIGURE 7.9. General Idea, Baby Make
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Artists’ Collectives Mostly in Ne
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Artists’ Collectives Mostly in Ne
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Artists’ Collectives Mostly in Ne
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Artists’ Collectives Mostly in Ne
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Artists’ Collectives Mostly in Ne
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Artists’ Collectives Mostly in Ne
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8. The Production of Social Space a
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The Production of Social Space as A
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The Production of Social Space as A
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The Production of Social Space as A
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The Production of Social Space as A
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The Production of Social Space as A
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The Production of Social Space as A
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FIGURE 8.3. Le Groupe Amos, Peuple
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The Production of Social Space as A
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The Production of Social Space as A
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The Production of Social Space as A
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The Production of Social Space as A
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The Production of Social Space as A
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The Production of Social Space as A
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The Production of Social Space as A
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9. Beyond Representation andAfWliat
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Beyond Representation and AfWliatio
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Beyond Representation and AfWliatio
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Beyond Representation and AfWliatio
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Beyond Representation and AfWliatio
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Beyond Representation and AfWliatio
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Beyond Representation and AfWliatio
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Beyond Representation and AfWliatio
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Beyond Representation and AfWliatio
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10. Do-It-Yourself Geopolitics:Cart
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Do-It-Yourself Geopolitics 275produ
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Do-It-Yourself Geopolitics 277J18 o
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Do-It-Yourself Geopolitics 279and r
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Do-It-Yourself Geopolitics 281parad
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FIGURE 10.3. Detail of Bureau d’E
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Do-It-Yourself Geopolitics 285The c
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Do-It-Yourself Geopolitics 287etc.
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FIGURE 10.7. Poster for Euro Mayday
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Do-It-Yourself Geopolitics 291Weld
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Do-It-Yourself Geopolitics 293de pe
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ContributorsIrina Aristarkhova is a
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Contributors 297Reiko Tomii is an i
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IndexABC No Rio, 204, 219 n. 29abst
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Index 301Blanco, José Joaquín, 17
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Index 303Foster, Hal, 231, 249 n. 9
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Index 305Jack’s Society, 59Jacob,
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Index 307Moles, Abraham, 27Mondrian
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Index 309Psychophysiology Research
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Index 311Takis, 196, 197Taller Bori