ENGL 3860: Syllabus Mini Newspaper

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Public WriTing wriTe the world ENGL 3850 FALL 2023 Welcome to the Fall Semester! What other possible futures are available? Our worlds are built of things that matter: values, relations (friends and family), institutions (cultural, political, religious), infrastructures (roads, schools, utilities) and cultural productions (literature, music, movies). We build worlds by sharing these things that matter to us through all means of communication: we write reviews of books online, we share pictures of the food we eat and the places we visit and inhabit, and we speak out on behalf of others in the name of justice. And in this course, that is exactly what you will do: write about the things that matter to you. matter in ways that contribute their continued mattering. The things that matter to us—our beliefs and values, the places and institutions that shelter and sustain our modes of being, the cultural productions that give meaning and direction to that being—must be argued for. Like gardeners we must cultivate the lives that matter to us. The world as we know it and the worlds we might want otherwise must be persuasively articulated in order to be kept and made real. Indeed, a term precious to environmental and social justice. But there is a catch. You must write publicly about things that

Public WriTing wriTe the world<br />

<strong>ENGL</strong> 3850 FALL 2023<br />

Welcome to the Fall Semester!<br />

What other possible futures are available?<br />

Our worlds are built of things<br />

that matter: values, relations<br />

(friends and family), institutions<br />

(cultural, political, religious),<br />

infrastructures (roads, schools,<br />

utilities) and cultural productions<br />

(literature, music, movies). We<br />

build worlds by sharing these<br />

things that matter to us through<br />

all means of communication: we<br />

write reviews of books online, we<br />

share pictures of the food we eat<br />

and the places we visit and<br />

inhabit, and we speak out on<br />

behalf of others in the name of<br />

justice. And in this course, that is<br />

exactly what you will do: write<br />

about the things that matter to<br />

you.<br />

matter in ways that contribute<br />

their continued mattering. The<br />

things that matter to us—our<br />

beliefs and values, the places<br />

and institutions that shelter and<br />

sustain our modes of being, the<br />

cultural productions that give<br />

meaning and direction to that<br />

being—must be argued for. Like<br />

gardeners we must cultivate the<br />

lives that matter to us. The world<br />

as we know it and the worlds we<br />

might want otherwise must be<br />

persuasively articulated in order<br />

to be kept and made real.<br />

Indeed, a term precious to<br />

environmental and social justice.<br />

But there is a catch. You must<br />

write publicly about things that


Indeed, a term precious to<br />

democratic life, republic, means<br />

simply “a public thing”: a thing<br />

held together in common but also<br />

over and about which we argue.<br />

This means that our writing too<br />

must be public. No mere diary<br />

entries or talk among aficionados,<br />

we must produce public texts for<br />

unfamiliar audiences who might<br />

not yet share our commitment to<br />

public parks, accessibility, pop<br />

music, food security, bricks, the<br />

environmental and social justice. <br />

To engage such audiences, you’ll<br />

need to write persuasively and in<br />

media that activate and cultivate<br />

that audience’s attention. This<br />

time around, the course is<br />

digging into Zine culture. Zines<br />

a r e s h o r t , s e l f - p u b l i s h e d<br />

magazines dedicated to a<br />

particular, underrepresented<br />

subject matter, which are then<br />

i n f o r m a l l y c i r c u l a t e d ( v i a<br />

p h o t o c o p y i n g ) . Z i n e s a r e<br />

evocative mixtures of prose,<br />

images, and design elements. In<br />

addition to fashioning a series of<br />

zines on a topic of their<br />

choosing, students will have<br />

opportunities to create stickers,<br />

buttons, posters and a range of<br />

other tangible texts in the<br />

service of bringing their project to<br />

life. The goal of this course is for<br />

you to write in public so that the<br />

things that matter to you might<br />

persist and flourish—so that your<br />

world can be shared with others.<br />

Students have complete creative<br />

control over their productions in<br />

terms of medium, style, and<br />

content. The only requirement is<br />

that these texts be public and for<br />

a discernible audience who might<br />

yet be persuaded. <br />

More information about the<br />

course and its work can be found<br />

at slupublicrhetoric.tumblr.com.

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