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Beneatha's Place cast sheet

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BENEATHA’S PLACE<br />

WRITTEN AND DIRECTED BY<br />

KWAME KWEI-ARMAH<br />

CAST<br />

Daniel Barnes / Professor Mark Bond Sebastian Armesto<br />

Professor Shirley Jones / Aunty Fola Jumoké Fashola<br />

Mr Nelson / Professor Gary Jacobs Tom Godwin<br />

Mrs Nelson / Dr Harriet Banks Nia Gwynne<br />

Joseph Asagai / Wale Oguns Zackary Momoh<br />

Beneatha Cherrelle Skeete


CREATIVE TEAM<br />

Writer and Director<br />

Kwame Kwei-Armah<br />

Designer<br />

Debbie Duru<br />

Lighting Designer<br />

Mark Henderson<br />

Sound Designer<br />

Tony Gayle<br />

Movement Director<br />

Shelley Maxwell<br />

Voice and Dialect Coach<br />

Esi Acquaah-Harrison<br />

Casting Director<br />

Heather Basten CDG<br />

Senior Casting Assistant<br />

Fran Cattaneo<br />

Casting Assistant<br />

Iman Wilson<br />

Jerwood Assistant Director<br />

Ellis<br />

Jerwood Trainee<br />

Assistant Director<br />

Tia-zakura Camilleri<br />

Production Therapist<br />

Rukiya Jemmott<br />

Cultural Consultant<br />

Professor Nicola Rollock<br />

Company Stage Manager<br />

Annette Waldie<br />

Deputy Stage Manager<br />

Aimee Woods<br />

Assistant Stage Manager<br />

Tayla Hunter<br />

Production Manager<br />

Craig Tye<br />

Deputy Production Manager<br />

Mengfei Liu<br />

Props Designer and Maker<br />

Jasmine Araujo<br />

Illustrator<br />

Israel Kujore<br />

Lighting Programmer<br />

Sam Ohlsson<br />

Lighting Operator<br />

Luke Jackson<br />

Production Sound Engineers<br />

Marcus Christensen<br />

Ed Ferguson<br />

Sound Number 1<br />

Marie Zschommler<br />

Stage Crew<br />

Anna Eagle<br />

Emma Horne<br />

Technical Assistant<br />

Stage Manager<br />

Katherine Wallace<br />

Costume Supervisor<br />

Olivia Ward<br />

Assistant Costume Supervisor<br />

Ellen Rey De Castro<br />

Costume Consultant<br />

Damilaara Adeyemi<br />

Wigs Supervisor<br />

Suzanne Scotcher<br />

Wigs Consultant / Loctician<br />

for Zachary Momoh<br />

Morris Aberdeen<br />

Wardrobe Manager<br />

Damilaara Adeyemi<br />

Costume Maker<br />

Mario Thompson<br />

Production Carpenter<br />

Rob Pearce<br />

Set build and scenic art by<br />

Centreline Fabrications<br />

Additional scenic art by<br />

Grit Eckert<br />

Seda Sockmen<br />

Lighting equipment supplied by<br />

Robe Lighting<br />

Sound equipment supplied by<br />

Orbital Sound<br />

Communications equipment<br />

supplied by<br />

Creative Technologies<br />

Beneatha’s <strong>Place</strong> is generously supported by The Charlotte Aitken Trust<br />

Special thanks to: Isabella Odoffin, Craig Tye, Fiona Kennedy, Simon Slater, Kristen Gilmore, SJ Roberts and Kemi Telford.<br />

Cover image: Photography by Ian Hippolyte. Design by Émilie Chen.<br />

Programme: Design by Eureka! Edited by Emma Gosden with Florence Bell and Aimee Dickinson<br />

1


THE CAST<br />

SEBASTIAN ARMESTO<br />

DANIEL BARNES/<br />

PROF MARK BOND<br />

Theatre includes:<br />

Leopoldstadt (Wyndham’s<br />

Theatre/Princess of Wales<br />

Theatre, Toronto); Rocket to<br />

the Moon, A Woman Killed With Kindness, Damned<br />

by Despair (National Theatre); Anjin: The English<br />

Samurai (Thelma Holt/HoriPro Japan); Wallenstein,<br />

King Lear (Chichester Festival Theatre); Alaska<br />

(Royal Court); Bedside Manners/Shock!/Taking<br />

Steps (Frinton and Sheringham Summer Theatres);<br />

The Taming of the Shrew (Cliveden Festival).<br />

Television includes: A Small Light (Disney +);<br />

The Terror (AMC); Cursed (Netflix); Gold Digger,<br />

New Blood, Silent Witness, Poldark, Parade’s End,<br />

Little Dorrit, Zen: Ratking, The Rise and Fall of<br />

Rome, The Impressionists, The Virgin Queen,<br />

Dr Who, Hawking, Murder, The Tudors (BBC);<br />

Harlots (Hulu); Broadchurch III, The Palace,<br />

The Bill, The Famous Five (ITV); Apple Tree Yard<br />

(Kudos); Toast of London (Objective Productions);<br />

Close to the Enemy (Little Island Productions);<br />

Coalition (Channel 4).<br />

Films include: Star Wars: The Force Awakens;<br />

The Mercy; Tulip Fever; Far From the Tree; Pirates<br />

of the Caribbean: On Stranger Tides; Anonymous;<br />

Dead Cat; Bright Star; Blood Monkey; We Call<br />

Her Daisy; Losers Anonymous; My Last Summer;<br />

Marie Antoinette; Dear Steven Spielberg; A Feast<br />

at Midnight.<br />

JUMOKÉ FASHOLA<br />

PROF SHIRLEY JONES/<br />

AUNTY FOLA<br />

Jumoké Fashola is an awardwinning<br />

broad<strong>cast</strong>er, actor<br />

and jazz singer who can<br />

currently be heard at the<br />

helm of J to Z, BBC Radio 3’s premier jazz show;<br />

and who also presents for BBC Radio London on<br />

their Friday afternoon and Sunday breakfast shows.<br />

Theatre includes: The High Table (Bush Theatre);<br />

for all the women who thought they were Mad<br />

(Hackney Showroom); The Secret Lives of Baba<br />

Segi’s Wives (Arcola Theatre); CAP – A Medicinal<br />

Love Story (Royal Court); Our Husband Has Gone<br />

Mad Again, Trials of Brother Jero (Unilag); House<br />

of Corrections (Riverside Studios); Lost in the Stars<br />

(Queen Elizabeth Hall).<br />

Music and musicals include: Dionne Warwick<br />

and Friends (Royal Albert Hall); A Celebration of<br />

Gershwin (Wembley); Handel’s Messiah (London<br />

Arena); Requiem for the Earth, Beethoven’s Ninth,<br />

Bernstein’s Mass (Royal Festival Hall); We Turned<br />

on the Light (BBC Proms, Royal Albert Hall);<br />

Snapshots (Hayward Gallery); The Lady: Sandy<br />

Denny Tribute (Queen Elizabeth Hall); Excite!<br />

(London Philharmonic Orchestra, Royal Festival<br />

Hall); A Taste of Africa (BBC Symphony Orchestra);<br />

Song for a Phoenix (London Olympics).<br />

Solo shows include: Dirty Little Secrets (St James<br />

Theatre / Bush Theatre); Jazz Verse Jukebox<br />

(Ronnie Scott’s / QEH /Hoxton Hall).<br />

Television includes: Riches (ITV/Amazon); Big Age,<br />

War Oratorio (Channel 4); Ama’s Story (Sky Kids);<br />

Jazz Voice, Summer Holiday, Holiday Programme,<br />

Summer Praise (BBC); Mimi’s World (Channel 5);<br />

Hard Cell (Netflix); The Mirror in the Sun (NTA).<br />

Radio / audio includes: Bess Loves Porgy (BBC<br />

Radio 3 & 4); Oliver (BBC Radio 4); J to Z, The<br />

Essay – Nina Simone (BBC Radio 3) Sunday<br />

Breakfast: Inspirit, Jumoké Fashola Show (BBC<br />

Radio London); Everywoman, Heart and Soul,<br />

Aretha Franklin: Queen of Soul (BBC World<br />

Service); Good Morning Sunday (BBC Radio 2);<br />

The Ronnie Scott’s Radio Show (Jazz FM).<br />

Solo album: The Condition of Being a Woman.<br />

TOM GODWIN<br />

MR NELSON/<br />

PROF GARY JACOBS<br />

Previous Young Vic: Best of<br />

Enemies, Bingo.<br />

Theatre includes: Best of<br />

Enemies (Noel Coward Theatre); Tina: The Tina<br />

Turner Musical (Aldwych Theatre); Woman in<br />

Black (Fortune Theatre); Earthquakes in London<br />

(National Theatre); ENRON (Noel Coward<br />

Theatre); City of Glass (Lyric Hammersmith/59<br />

Productions); Macbeth (Park Avenue Armory,<br />

NYC); To Kill a Mockingbird (Regent’s Park<br />

Open Air Theatre); The Taming of the Shrew<br />

(Shakespeare’s Globe); The Crash of the Elysium<br />

(Punchdrunk/MIF); Get Santa! (Royal Court);<br />

Henceforward, Arsenic and Old Lace (Derby<br />

Playhouse); Elizabeth Rex (Birmingham Rep);<br />

The Little Mermaid (Bristol Old Vic); Cinderella<br />

(St. James Theatre); Professor Bernhardi, Victory<br />

(Arcola); Secret Heart, Volpone (Royal Exchange<br />

Manchester); Skylight (Vaudeville Theatre).<br />

Television includes: Doc Martin, The English,<br />

Discovery of Witches, The Irregulars, Hendrix<br />

& Handel, Joe All Alone, Coronation Street,<br />

Knightfall, My Mad Fat Diary, Quacks,<br />

EastEnders, Grease Monkeys, My Dad’s the<br />

Prime Minister, The Hollow Crown: Henry VI,<br />

Taboo, Family Tree, Psychoville.<br />

8


Film includes: Napoleon, Knockers, Alice<br />

Through the Looking Glass, The Danish Girl,<br />

The Last Dragonslayer, About Time.<br />

NIA GWYNNE<br />

MRS NELSON/DR<br />

HARRIET BANKS<br />

Theatre includes: Timon<br />

of Athens, King Lear,<br />

Titus Andronicus, Henry<br />

IV Part I, Henry IV Part<br />

2, The Orphan of Zhao, Boris Gudunov, The Life<br />

of Galileo (RSC); Peter Pan (Birmingham Rep);<br />

Coriolan/us, The Dark Philosophers (National<br />

Theatre Wales); Clytemnestra, The Almond and<br />

the Seahorse (Sherman Cymru); The Daughter in<br />

Law, Dangerous Corner, Love Me Slender, Top<br />

Girls (New Vic); Look Back in Anger (Northern<br />

Stage); Lie of the Land (Edinburgh Festival);<br />

Absurd Person Singular (Bolton Octagon);<br />

Mirandolina (Royal Exchange Manchester); To Kill<br />

a Mockingbird, The Invention of Love (Salisbury<br />

Playhouse); Ghost City (Sgript Cymru); Who<br />

Goes There? (dreamthinkspeak); Dogmouth (The<br />

Evidence Room USA).<br />

ZACKARY MOMOH<br />

JOSEPH ASAGAI/<br />

WALE OGUNS<br />

Theatre includes: To Kill<br />

a Mockingbird (Regent’s<br />

Park Open Air Theatre);<br />

From Morning to Midnight,<br />

Othello (National Theatre).<br />

Television includes: Parish (AMC), The Nevers<br />

(HBO); Seven Seconds (Netflix); No Offence<br />

(CH4/Disney+); Camping (Sky).<br />

Film includes: Doctor Sleep (Warner Bros.),<br />

Harriet (Universal), The Kill Team (A24).<br />

CHERRELLE SKEETE<br />

BENEATHA<br />

Cherrelle Skeete is an<br />

actress, writer, cultural<br />

producer and co-founder of<br />

Blacktress UK. In summer<br />

2020, she received her first<br />

writing commission from We Burn Bright as part<br />

of the Better in Person Festival and is now writing<br />

her debut play with the Soho Writers Lab.<br />

Previous Young Vic: Fun Home.<br />

Theatre as director includes: Michael X (Almeida).<br />

Theatre as actor includes: The Fellowship, The<br />

Phlebotomist (Hampstead Theatre); The 47th<br />

(Old Vic); Harry Potter and the Cursed Child<br />

(West End); The Seagull (Lyric Hammersmith);<br />

King Hedley II (Theatre Royal Stratford East;<br />

Black British Theatre Award for Best Supporting<br />

Actress); The High Table (Bush Theatre); Three<br />

Days in the Country, Amen Corner (National<br />

Theatre).<br />

Television includes: Black Cake (Hulu); Hanna<br />

(Amazon); The Midwich Cuckoos (Sky).<br />

Television includes: Y Sŵn (Swnll); The Long<br />

Call, The Bill, Emmerdale (ITV); The Sandman<br />

(Netflix); The Dumping Ground, The Snow<br />

Spider, Shakespeare & Hathaway, The Syndicate,<br />

Casualty, EastEnders, Stick or Twist, Zip and<br />

Hollow, Belonging, Gwaith Cartref (BBC);<br />

Temple (Sky).<br />

Film includes: Tolkien (Fox Searchlight); Darkest<br />

Hour (Working Title); Pride (Proud Films);<br />

Shadow Dancer (Element Pictures); Resistance<br />

(Rich Films) and The Organ Grinder’s Monkey<br />

(Film4 and Warp Films).<br />

‘I UNDERSTAND INHERITANCE...<br />

THE COST OF IT ON YOUR SOUL<br />

AND THE THINGS YOU DO TO<br />

RID YOURSELF OF IT.’<br />

9


CREATIVE TEAM<br />

KWAME KWEI-ARMAH<br />

WRITER AND DIRECTOR<br />

Kwame Kwei-Armah is Artistic Director of the<br />

Young Vic theatre.<br />

His work as a director includes: Twelfth Night, Tree,<br />

Changing Destiny and The Collaboration (Young<br />

Vic); The Collaboration (Broadway, Manhattan<br />

Theatre Club); Jazz, Marley, Amadeus, Dance of<br />

the Holy Ghosts, The Mountaintop, An Enemy of<br />

the People, The Whipping Man and Things of Dry<br />

Hours (Baltimore Center Stage); The Comedy of<br />

Errors, Much Ado About Nothing, Detroit ’67 (Public<br />

Theatre, New York); The Liquid Plain (Signature<br />

Theatre, New York and Oregon Shakespeare<br />

Festival); Porgy and Bess (Baltimore Symphony<br />

Orchestra); the 2016 Olivier-nominated Best New<br />

Play One Night in Miami (Donmar Warehouse).<br />

As a playwright: A Bitter Herb, Blues Brothers, Soul<br />

Sister (Bristol Old Vic); Elmina’s Kitchen, Fix Up,<br />

Statement of Regret (National Theatre); Elmina’s<br />

Kitchen (West End); Let There Be Love, Seize The<br />

Day (Tricycle Theatre); Beneatha’s <strong>Place</strong> (Baltimore<br />

Center Stage); One Love: Bob Marley Musical<br />

(Baltimore Center Stage, Birmingham Rep).<br />

Film work includes: Breaking (2022), starring<br />

John Boyega.<br />

TV includes: Walter’s War (2008, BBC).<br />

DEBBIE DURU<br />

DESIGNER<br />

Debbie Duru is a designer for performance spaces.<br />

Previous Young Vic: Mandela (as associate set<br />

designer).<br />

Theatre as set and costume designer includes: Run<br />

Rebel (Pilot Theatre/Mercury Theatre); Ravenscourt<br />

(Hampstead Theatre); The White Card (Northern<br />

Stage); Two Billion Beats (Orange Tree Theatre);<br />

The Song Project (Royal Court); ...cake (Theatre<br />

Peckham); Dagny Wants to Dance (Bureau of Silly<br />

Ideas); Josephine (Theatre Royal Bath).<br />

Theatre as costume designer includes: Romeo and<br />

Juliet (Almeida); Alice in Wonderland (Brixton<br />

House; Offie nomination for costume design).<br />

Theatre as associate set designer includes:<br />

Get Up Stand Up! The Bob Marley Musical (Lyric<br />

Theatre); Dick Whittington (National Theatre).<br />

MARK HENDERSON<br />

LIGHTING DESIGNER<br />

Mark Henderson is a lighting designer with over<br />

40 years’ experience and has designed extensively<br />

for all the major theatre, dance and opera<br />

companies in the UK and has lit over 70 West End<br />

and over 25 Broadway productions.<br />

Theatre includes: Standing at the Sky’s Edge,<br />

Dancing at Lughnasa (both also Sheffield<br />

Theatres), Paradise (National Theatre); The<br />

Boy in the Dress (RSC); The Bodyguard, Girl<br />

from the North Country (UK and international<br />

tours); Oklahoma (Chichester Festival Theatre);<br />

Sweet Charity (Donmar Warehouse); Light in<br />

the Piazza (Royal Festival Hall); Into the Woods<br />

(Theatre Royal, Bath); Newsies (Troubadour,<br />

Wembley Park Theatre).<br />

Opera includes: designs for English National<br />

Opera, The Royal Opera, Welsh National Opera,<br />

Opera North and Glyndebourne.<br />

Dance includes: designs for English National<br />

Ballet, London Contemporary Dance Theatre,<br />

The Royal Ballet, Scottish Ballet, Northern<br />

Ballet, Sadler’s Wells, Royal Ballet and Rambert.<br />

Other performance includes: Kate Bush Live:<br />

Before the Dawn.<br />

Awards: Mark Henderson was the recipient of<br />

the 1992, 1995, 2000, 2002, 2010 and 2016<br />

Laurence Olivier Award for Lighting Design;<br />

a 2006 Tony Award for The History Boys on<br />

Broadway; the 2013 WhatsOnStage lighting design<br />

award for Sweeney Todd; and a Welsh BAFTA in<br />

2000 for his work on the televised opening of the<br />

Wales Millennium Centre in Cardiff.<br />

TONY GAYLE<br />

SOUND DESIGNER<br />

Theatre includes: Sylvia, The 47th (Old Vic);<br />

School Girls; Or, The African Mean Girls<br />

Play, Running with Lions (with Talawa) (Lyric<br />

Hammersmith); Disney’s AIDA (in Holland);<br />

Newsies (Troubadour Wembley Park Theatre);<br />

My Neighbour Totoro (RSC at the Barbican);<br />

Kinky Boots (New Wolsey); Playboy of the West<br />

Indies (Birmingham Rep); Legally Blonde (Regent’s<br />

Park Open Air Theatre); Spring Awakening, And<br />

Breathe… (Almeida); Get Up Stand Up! The Bob<br />

Marley Musical (Lyric Theatre); A <strong>Place</strong> For<br />

We (Talawa/Park Theatre ); The Wiz (Hope Mill<br />

Theatre); Blue/Orange (Theatre Royal Bath); Gin<br />

Craze! (Royal & Derngate); The Living Newspaper,<br />

Shoe Lady, Poet in Da Corner (also UK tour)<br />

(Royal Court); Beautiful – The Carole King<br />

Musical, Salad Days, American Idiot (all on UK<br />

tour); Songs for Nobodies (also West End), Floyd<br />

Collins (Wilton’s Music Hall); The Wild Party<br />

(The Other Palace); Lazarus (King’s Cross).<br />

Awards: 2023 Olivier Award for Best Sound<br />

Design and 23rd Annual WhatsOnStage Award<br />

for Best Sound (My Neighbour Totoro); Black<br />

British Theatre Awards (BBTA) Light & Sound<br />

Recognition Award 2019 and 2021.<br />

Tony Gayle is a trustee of Wise Children,<br />

co-director of Stage Sight and founder of<br />

The Audio Cartel.<br />

tonygayle.co.uk<br />

10


SHELLEY MAXWELL<br />

MOVEMENT DIRECTOR<br />

Previous Young Vic includes: Best of Enemies<br />

(also West End), Winter, Why It’s Kicking off<br />

Everywhere, Cuttin’ It (also Royal Court).<br />

Theatre includes: August in England (Bush<br />

Theatre); The Secret Life of Bees (Almeida);<br />

Best of Enemies (Noël Coward Theatre); Tartuffe<br />

(Birmingham Rep); The Time Traveller’s Wife:<br />

The Musical (Storyhouse); Get Up Stand Up!<br />

The Bob Marley Musical (Lyric Theatre); J’Ouvert<br />

(Theatre503 and Harold Pinter Theatre); After<br />

Life, Master Harold...and the Boys, Hansard,<br />

Antony and Cleopatra, Twelfth Night (National<br />

Theatre); Nine Night (National Theatre & Trafalgar<br />

Studios); Equus (Theatre Royal Stratford East<br />

& Trafalgar Studios); Tartuffe (RSC); Macbeth<br />

(Shakespeare’s Globe); Faustus: That Damned<br />

Woman (Headlong at Lyric Hammersmith and<br />

Birmingham Repertory Theatre); Cinderella (Lyric);<br />

Grey (Oval House); King Hedley II (Theatre<br />

Royal Stratford East); Cougar, Dealing with Clair<br />

(Orange Tree); A Streetcar Named Desire (Nuffield<br />

Southampton/Clwyd Theatr Cymru/ETT); Rules for<br />

Living (Royal & Derngate/Rose Kingston/ETT);<br />

Apologia (English Theatre Frankfurt).<br />

Television/film includes: Anansi Boys (Amazon);<br />

Ear for Eye (BBC/Fruit Tree Media); Romeo<br />

& Juliet (Sky Arts/PBS/National Theatre).<br />

Awards: Best Choreographer at the inaugural<br />

Black British Theatre Awards in 2019 for her<br />

work on Equus.<br />

ESI ACQUAAH-HARRISON<br />

VOICE AND DIALECT COACH<br />

Esi Acquaah-Harrison is a singer, voice and dialect<br />

coach. She trained at Royal Central School of<br />

Speech and Drama, where she achieved a MA in<br />

Voice Studies.<br />

Theatre as a voice and dialect coach includes:<br />

The House of Shades (Almeida); Morinho<br />

(Theatre503); Days of Significance (Arts<br />

Ed); High Table, Lava (Bush Theatre); Punk<br />

Rock (Theatre Royal Stratford East); Start<br />

(Mountview); Desert Boy, Love and Money<br />

(LAMDA); Pigeon English (Bristol School of<br />

Acting); Stop Kiss (RADA); The Importance<br />

of Being Earnest (ETT); Nine Night (Leeds<br />

Playhouse); All Roads (Attic).<br />

As a stage performer work includes: Totem from<br />

2010-2019 as lead female singer and original <strong>cast</strong><br />

member (Cirque du Soleil); Disney’s The Legend<br />

of the Lion King (Disneyland Resort, Paris).<br />

Other singing and stage work includes: Luther<br />

Vandross, classical singer Jessye Norman, Michael<br />

Ball, Mariah Carey, Sir Tom Jones, member of<br />

London Community Gospel Choir, Derren Brown<br />

– SHOWMAN (West End).<br />

Television includes: Sex Education (Netflix).<br />

HEATHER BASTEN CDG<br />

CASTING DIRECTOR<br />

Heather Basten is an English <strong>cast</strong>ing director based<br />

in London.<br />

Theatre includes: Red Pitch (Bush Theatre);<br />

God of Carnage (Lyric Hammersmith); Every<br />

Leaf A Hallelujah (Regent’s Park Open Air).<br />

Film and television include: Dreaming Whilst Black<br />

(A24/BBC, to air later in 2023); Speak No Evil<br />

(Universal Pictures / Blumhouse); Hoard (BBC<br />

Film); Jungle (Amazon Studios).<br />

Awards and recognition include: a Screen<br />

International ‘Star of Tomorrow’; BAFTA<br />

Breakthrough Artist; CDG Award Winner;<br />

CSA Artios nominee.<br />

ELLIS<br />

JERWOOD ASSISTANT DIRECTOR<br />

Ellis is a theatre maker and a filmmaker of Bajan<br />

and Irish heritage from South East London. His<br />

work explores Black working-class stories using<br />

movement and music. He has worked across<br />

multiple roles in theatre including facilitating,<br />

writing and producing as a freelance director<br />

working with many theatres including The Young<br />

Vic, Almeida and Lyric Hammersmith.<br />

As an assistant director work includes: The UK<br />

Drill Project (Highrise Theatre at the Barbican).<br />

As writer and director: an adaptation of Henrik<br />

Ibsen’s The Master Builder (Evolution Festival<br />

at the Lyric Hammersmith; No Dogs, No Blacks,<br />

No Irish (Wooden Arrow Theatre).<br />

Films include: cinematographer/co-director on<br />

Deshi Girl (international tour/UK Asian Film<br />

Festival 2023 at BFI Southbank); assistant<br />

director for Blackness on Display – Monuments and<br />

Museums (a documentary due for release in late<br />

2023); new short film in development.<br />

Curation/talks include: assistant curator for<br />

the V&A Theatre & Performance department;<br />

co-curator and talk for the V&A Theatre and<br />

Performance festival (April 2023).<br />

TIA-ZAKURA CAMILLERI<br />

JERWOOD TRAINEE ASSISTANT DIRECTOR<br />

Tia-zakura Camilleri is a storyteller, poet and<br />

aspiring theatre director exploring intersectionality<br />

and cultural politics through different art forms.<br />

Recent work includes: assistant director on R&D<br />

for The House of Jollof Opera, co-facilitating lyricwriting<br />

workshops for young people as part of a<br />

creative associateship with Fio.<br />

Work in journalism includes: Welsh Agenda; ITV;<br />

Xcellence Magazine; Unloc’d, her forthcoming<br />

documentary on afro hair explored through<br />

interviews, poetry and dance.<br />

Tia-zakura Camilleri is a member of the Wales<br />

Millennium Centre Youth Advisory Board and<br />

National Lottery Youth Voice Team where she<br />

focuses on improving accessibility for young people.<br />

She plans to write and direct a spoken word-led<br />

play that represents her community.<br />

11


RUKIYA JEMMOTT<br />

PRODUCTION THERAPIST<br />

Rukiya Jemmott is a London-born Black British<br />

Caribbean cis-gendered woman and a systemic<br />

psychotherapist. She has over 30 years’ experience<br />

of working therapeutically with individuals, couples,<br />

and families. She has a private practice called<br />

Conversations In Colour where she provides a<br />

reliable, boundaried space in which to explore<br />

the difficulties which may arise in the course of<br />

everyday lives and in family and work relationships.<br />

Rukiya Jemmott works with theatres across the<br />

UK, offering support and exploration to all staff<br />

and creatives, <strong>cast</strong> members, front of house<br />

staff, members of the stage management team,<br />

executive directors and directors.<br />

conversationsincolour.org.uk<br />

PROFESSOR NICOLA ROLLOCK<br />

CULTURAL CONSULTANT<br />

Nicola Rollock is Professor of Social Policy and<br />

Race at King’s College London and Director of<br />

NIANRO Consulting which carries out research<br />

aimed at improving racial justice. She is interested<br />

in how we understand racism as a basis for<br />

advancing meaningful change. She was previously<br />

Specialist Advisor to the Home Affairs Select<br />

Committee’s Macpherson Report: 22 Years On;<br />

Senior Advisor to the University of Cambridge and<br />

a member of Wellcome Trust’s Equality, Diversity<br />

& Inclusion Steering Group. She is widely known<br />

for her research which examines, for the first time<br />

in the UK, the career experiences of Black female<br />

Professors and the exhibition that led from this:<br />

Phenomenal Women. She is featured as one of 50<br />

WeAreTheCity HSBC-sponsored trailblazers for<br />

championing gender equity and was selected in<br />

2021 by apolitico as one of 100 most influential<br />

academics in politics. In 2020, Times Higher<br />

Education identified her as one of eleven scholars<br />

globally to have influenced the debate in higher<br />

education. Her book The Racial Code: tales of<br />

resistance and survival was published by Penguin<br />

Press in 2022.<br />

12


THE YOUNG VIC<br />

OUR SHOWS<br />

We produce new plays, classics, musicals, adaptations<br />

of books, short films, digital projects and game<br />

changing forms of theatre. We tour and co-produce<br />

within the UK and internationally.<br />

OUR ARTISTS<br />

We foster emerging talent and collaborate with some<br />

of the world’s finest directors, performers and<br />

creatives, creating productions that say much about<br />

the world we live in.<br />

OUR AUDIENCES<br />

We attract large audiences from many different<br />

backgrounds and forge deep connections in our<br />

neighbourhood, where we provide extensive free<br />

activities. For many years, the Young Vic has been<br />

synonymous with inclusivity, accessibility and creativity.<br />

We keep our prices low and give 10% of our tickets<br />

to young people, schools and neighbours irrespective<br />

of box office demand.<br />

OUR PARTNERS NEAR AT HAND<br />

Each year we engage with over 15,000 local people –<br />

individuals and groups of all kinds including schools and<br />

colleges – by exploring theatre on and off stage. From<br />

time to time we invite our neighbours to appear on our<br />

stage alongside professionals.<br />

OUR PARTNERS FURTHER AWAY<br />

By co-producing with leading theatre, opera, dance, film<br />

and TV companies from London and around the world,<br />

we create shows neither partner could achieve alone.<br />

‘The most exciting theatre in Europe’ Cush Jumbo<br />

‘A theatre with a global outlook and an<br />

extraordinary record of nurturing talent’<br />

Financial Times<br />

‘The Young Vic is where theatre<br />

magic happens’ Time Out<br />

‘Cool, creative, edgy Young Vic’ iNews<br />

‘London’s most essential theatre’ The Guardian<br />

GET MORE FROM THE YOUNG VIC ONLINE<br />

Sign up to receive email updates at youngvic.org/e-newsletter<br />

‘Young Vic is London’s most lovable theatre.<br />

The building welcomes; the programming dares.<br />

It offers danger in a safe place.’ The Observer<br />

16<br />

@youngvictheatre<br />

@youngvictheatre<br />

/youngvictheatre<br />

/youngviclondon<br />

The Young Vic is a company limited by guarantee, registered<br />

in England No. 1188209. VAT registration No. 236 673 348


THE YOUNG VIC COMPANY<br />

Artistic Director<br />

Kwame Kwei-Armah<br />

Executive Director<br />

Lucy Davies<br />

Associate Artistic<br />

Director<br />

Sue Emmas<br />

Head of Artistic<br />

Development<br />

Teunkie van der Sluijs<br />

Literary and<br />

Dramaturgy Associate<br />

Olivia Poglio-Nwabali<br />

Young Associate –<br />

Artistic Development<br />

Luna Sigle<br />

Head of Producing<br />

Nisha Modhwadia<br />

Associate Producer<br />

Holly Aston<br />

Producer<br />

Christabel Holmes<br />

Assistant Producer<br />

(Maternity Leave)<br />

Lucy Steward<br />

Assistant Producer<br />

(Maternity Cover)<br />

Myles Sinclair<br />

Creators Program<br />

Producer<br />

Sandra Thompson-<br />

Quartey<br />

Creators Program<br />

Administrator<br />

Khánh Ha Nguyên<br />

Executive Assistant<br />

Amy Cranston<br />

Channel 4 playwright<br />

Lulu Raczka<br />

Young Vic Artistic<br />

Associates<br />

Glenn Davis<br />

Alfred Enoch<br />

Anna Fleischle<br />

Marcus Gardley<br />

Kate Hewitt<br />

Afua Hirsch<br />

Kirsty Housley<br />

Alex Basco Koch<br />

Doña Kroll<br />

Gregory Maqoma<br />

Prema Mehta<br />

Duncan McLean<br />

Chinonyerem Odimba<br />

Wendell Pierce<br />

Caitriona Shoobridge<br />

Charles Randolph-<br />

Wright<br />

Charlotte Sutton<br />

XANA<br />

Development<br />

Development Director<br />

Pippa Moore<br />

Senior Development<br />

Manager<br />

Ama Ofori-Darko<br />

Development<br />

Co-ordinator<br />

Emily Hamilton<br />

Finance<br />

Finance Director<br />

Cath Longman-Jones<br />

Finance Manager<br />

(Maternity Leave)<br />

Janine Carter<br />

Finance Manager<br />

(Maternity Cover)<br />

Orla Sanders<br />

Finance Assistant<br />

Amy Morbin<br />

Marketing &<br />

Audiences<br />

Director of Marketing<br />

and Audiences<br />

Beatrice Burrows<br />

Head of Press and<br />

Communications<br />

Su-Ann Chow-<br />

Seegoolam<br />

Senior Marketing<br />

Manager<br />

Steph Cullen<br />

Senior Ticketing and<br />

Sales Manager<br />

Zoe Fitzpatrick<br />

Social Media and<br />

Digital Content<br />

Manager<br />

Florence Bell<br />

Press Officer<br />

Karl-Lydie Jean-<br />

Baptiste<br />

Digital Marketing and<br />

Campaigns Officer<br />

Aimee Dickinson<br />

Operations<br />

Operations Director<br />

Rathi Kumar<br />

Head of Systems and<br />

Technology<br />

Fi Joseph<br />

Digital Systems Analyst<br />

Damilola Senbanjo<br />

Head of People<br />

Maria Khan<br />

Administrator<br />

Sophie Byatt<br />

Head of Theatre<br />

Operations<br />

Bryan Lewis<br />

Facilities Assistant<br />

Chiara Ciabattoni<br />

Front of House and<br />

Welcome Team<br />

Manager<br />

Ryan Mellish<br />

Assistant Front of<br />

House Manager<br />

Eleanor Kumar<br />

Assistant Welcome<br />

Team Manager<br />

Max Puplett<br />

Ushers<br />

Aisha Edwards<br />

Albert Graver<br />

Andre Da Silva-<br />

Jenkins<br />

Anna-May Wood<br />

Ayisha Mi<br />

Benjamin Clarke<br />

Cassiopeia Berkeley-<br />

Agyepong<br />

Charlie Cuscito<br />

Charlotte Micalef<br />

Chenta Mariqueo<br />

Ciaran Cross<br />

Daniella Randall<br />

Debbie Burningham<br />

Dynzell Muguti<br />

Eboni Dixon<br />

Ellis Jupiter<br />

Grace Kayibanda<br />

Gracjana Rejmer-<br />

Canovas<br />

Grainne PC<br />

Hana Jennings<br />

Isaac Vincent<br />

Jade Causton<br />

Jida Akil<br />

Joanna Selcott<br />

Josh Hitchman-<br />

Pinnock<br />

Joyce Clark<br />

Julie Patten<br />

Kitti Wells<br />

Lethaniel Stacey-<br />

Coombe<br />

Liam Thorley<br />

Linden Sloan<br />

Luke Garner-Greene<br />

Lynn Knight<br />

Malika Sandover<br />

Matheus Vianna<br />

Maurice Chung<br />

Max Pawley<br />

Melina Barnett<br />

Michael Asiamah<br />

Millie Whittam<br />

Molly-Rose Curran<br />

Oliver Byng<br />

Owen Haslegrave<br />

Paula Shaw<br />

Sahana Rackal<br />

Sharitah Boulton<br />

Simone Bell<br />

Starr Ballard<br />

Tanjiana Bryan-Hesse<br />

Taz Munyaneza<br />

Tom Sparkes<br />

Duty Managers<br />

Lauren Holden<br />

Sebastian Houillon<br />

Production<br />

Technical Director<br />

Craig Tye<br />

Head of Sound<br />

Kyle MacPherson<br />

Head of Stage<br />

Rhodri Evans<br />

Head of Costume<br />

(Maternity Leave)<br />

Sarah Hamza<br />

Head of Costume<br />

(Maternity Cover)<br />

Olivia Ward<br />

Head of Lighting<br />

Faye Hetherington<br />

Deputy Head of Sound<br />

Neil McKeown<br />

Deputy Head of Stage<br />

Aaron Storey<br />

Deputy Head of<br />

Costume<br />

Aimee Russam<br />

Workshop Manager<br />

Rachel MacLoughlin<br />

Lighting Technician<br />

Luke Jackson<br />

Stage Technician<br />

Emma Horne<br />

Production<br />

Administrator<br />

Mengfei Liu<br />

Young Associate –<br />

Production<br />

Audrey Owusu-<br />

Frempong<br />

Taking Part<br />

Director of Taking Part<br />

Shereen Jasmin<br />

Phillips<br />

Neighbourhood Theatre<br />

Producer<br />

Alisha Artry<br />

Participation Producer<br />

Aaliyah Antoine<br />

Learning Producer<br />

Melanie Anouf<br />

Taking Part<br />

Administrator<br />

Michelle Cullimore<br />

Young Associates<br />

– Taking Part and<br />

Creators Program<br />

Alicia Pope<br />

Elina Oliva Romo<br />

Welcome Team<br />

Edward Jones<br />

Emily McCredie<br />

Gracjana Rejmer-<br />

Canovas<br />

Joel Oladapo<br />

Julie Patten<br />

Kathy Bolt<br />

Lethaniel Stacey-<br />

Coombe<br />

Mairin Schmidt<br />

Sarah Baiden<br />

Tia Harding<br />

Tia Wingate<br />

17


Our Friends and Soul Mates receive priority booking for all of our productions and enable us to create<br />

challenging and inspiring work on our stages and with our local communities. Be right at the heart of it all.<br />

Join us at the box office today or email the Development Team at development@youngvic.org<br />

It’s a big world in here.<br />

HIGH PERFORMANCE WORKSHOPS<br />

at the<br />

“The Young Vic organised a fantastic communications training event.<br />

Personally I would like everyone from GFT to go through this training.<br />

Sales Director Enterprise and Services, GFT<br />

For more information on how we can tailor a bespoke<br />

high performance workshop to your business needs contact<br />

HighPerformance@youngvic.org or call 020 7922 2813<br />

Clients include<br />

19

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