Maral Tootoonchi Portfolio

ARCHITECTURE
PORTFOLIO
Selected Works
2018-2022
Maral Tootoonchi

Table Of Contents
Professional Projects
ABO Office
UTT Office
Namin Site
UT Convention Center
Delicheh Villa
Rayan Villa
Damavand Villa
Badroud Service Area
2
8
13
14
18
24
30
32
Freelance
Projects
Martyrs’ Memorial 1
Martyrs’ Memorial 2
Kitchen Renovation
36
40
42
Hobbies Software
Software Proficiency
Coffee Table Design
Dining Table Design
Photography
44
46
48
50

ABO Office
Location
My responsibilities
Ground Floor Plan
The office building at the University
of Tehran is situated on a sprawling
green space within the Pakdasht
campus, surrounded by a beautiful
pine garden. The building’s design
pays tribute to the traditional Persian
garden, incorporating symbols such
as trees and water to harmoniously
blend with the surroundings. The
building’s placement, parallel to the
length of the pine garden, maximizes
its connection to the landscape and
honors the historical significance of
prior constructions on the campus.
The interior is designed with flexibility
in mind, ensuring its ability to adapt to
the evolving needs of the offices.
Pakdasht, Tehran, Iran
Year
2022
Site Area
2200 m2
Total floor area
4100 m2
Building Height
4 Levels
feasibility studies
schematic design
coordination with the clients
Software I used
SketchUp
AutoCad
InDesign
Photoshop
Microsoft Excel
Section B-B
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Above: Three alternatives for space organization were
considered before the final solution was chosen.
Right: View to the lobby from one of the bridges in first
floor.
Left top 1: South facade and entrance
Left top 2: The openness of lobby space
Left bottom 1: Bird view from south east
Left bottom 2: Site plan including the pine garden in the
west side of the building
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An Endeavor to Bring Paradise
to Earth
Water, at the center of the Persian
garden, carries profound meaning. It
symbolizes life, purity, and renewal.
Flowing gracefully through channels
and pools, it brings vitality and serenity
to the surrounding paradise. Like an
oasis, it offers tranquility, soothing
the soul and refreshing the senses.
The gentle sounds and shimmering
reflections invite contemplation
and harmony with nature’s timeless
beauty.
Unveiling the Enchanting Paradise: A Timeless Miniature
Reveals the Captivating Essence of a Persian Garden.
Baburnama | Collection of the National Museum New
Delhi
Shazdeh Garden in Iran: Where Water Dances and
Serenity Flows in the Persian Oasis
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Connection between the building and pine garden
through the west entrance.
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UTT Office
The UT Tech office building is part
of a development plan to foster
collaboration between industry
and university, and it represents
the University of Tehran’s role in
connecting entrepreneurs with alumni
in downtown Tehran. The building
consists of two mixed-use towers,
mainly comprised of labs, research
offices, and workshops, connected by
bridges on different levels and a lobby
as public space on the ground floor.
The building is open, transparent, and
accessible to the public on the ground
level.
Typical Floor Plan
The offices have an open layout,
and there is a convention space
with a flexible setting for meetings,
conversations, and partnerships for
local entrepreneurs and professionals
in the underground level.
My responsibilities
Location
Above: View from the north side boulevard
preliminary studies
Tehran, Iran
preparing feasibility studies report
Year
collaboration in design development
2020
Software I used
Site Area
InDesign
1650 m2
Photoshop
AutoCad
Floor area
16320 m2
Building Height
16 Levels
Top Right: Convention space
Top Right: Southern entrance
Bottom right: Bired view from south east
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Namin Site
The described project is a schematic
design for an office building, mosque,
and cultural center in an industrial
district of Ardabil province. The
project features a central garden area,
and future development may include
additional structures around it.
The local layout of mosques in the
area was considered in the design of
the mosque component of the project.
Two alternatives were proposed, one
with naves and one with a dome,
reflecting typical design elements in
the local context. The project did not
progress beyond this stage.
My responsibilities
preliminary studies
preparing feasibility studies report
schematic design
coordination with the client
Software I used
SketchUp
Photoshop
AutoCad
Location
Left: North facade
Middle: Longituinal section showing the connection
between two buildings
Right: Site plan
Namin, Ardabil, Iran
Year
2019
Site Area
1650 m2
Floor area
16320 m2
Building Height
3 Levels
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UT Convention hall and
sports complex
This building at the University of
Tehran is a multi-functional complex
that houses sports spaces, educational
and office spaces, and a convention
hall. The design faced challenges in
properly allocating and differentiating
the different functions within the
limited land area of approximately
2,000 meters. The building can be
accessed from the main street of
campus via stairs due to the slope of
the ground, and the sports complex
can be entered from level -2. The
building is connected to the courtyards
of other faculties through a crossing.
The main entrance to the convention
center is located on the northern front
of the building on the main street of
campus and leads to a large lobby
with a capacity of 750 people. The
700-person auditorium is located on
the top floor, while workshops, classes,
and smaller gathering halls are located
on the underground floor. All service
sectors and stairs are situated on the
south side of the building.
My responsibilities
preliminary studies
schematic design
Software I used
Photoshop
AutoCad
Convention Hall Plan
Location
Tehran, Iran
Year
2018
Site Area
2052 m2
Floor area
11000 m2
Building Height
6 Levels
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Right Top: Section showing the different functions of the
building
Right Bottom: Longituinal section showing the vertical
circulation and service sectors
Left: Convention hall
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Deliche Villa
This villa is nestled on a flat terrain
in the Gilan province of Iran, next to
a picturesque rice farm. The design
takes inspiration from the traditional
architecture of a nearby 70-year-old
house, seamlessly blending with the
local surroundings. The villa features a
concrete core structure to support the
timber roof structure, with openings
on the southern and northern sides to
promote effective air circulation in the
humid climate. The villa is designed
to take full advantage of the stunning
views of the rice farm, utilizing semitransparent
walls. The more frequently
Ground Floor Plan
Location
Gilan, Iran
Year
2021
Site Area
660 m2
Total floor area
203 m2
Building Height
2 Levels
First Floor Plan
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used spaces, such as the kitchen and
living room, are located on the upper
floor to maximize the view. The lower
floor features two guest rooms and a
cozy living room.
My responsibilities
Design development
schematic design
Detailed drawings
3D and BIM modelling
Software I used
Revit
SketchUp
AutoCad
Left top: The oldest building in the village, which is located in the neighborhood of the villa, was the inspiration for the design.
Left bottom: View from the upper floor terrace
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A Contemporary Interpretation of Local Solutions
In the mild and humid northern region of Iran, traditional houses often consisted of two stories. The primary living areas
were located on the second floor, featuring a surrounding balcony. This semi-open space served as the heart of daily
life, where the gentle breeze circulated, creating an optimal atmosphere for social interactions and activities.
In the villa that I designed, I sought to honor the traditional values of the area, drawing inspiration from the local
architecture in both form and function. While staying true to the essence, I made some modifications to align with
contemporary preferences. Instead of the traditional outside open stairs, I opted to connect the floors internally,
reflecting the present-day preference for seamless transitions. The timber frame roof retains its resemblance to the
past, preserving its charm. However, the primary structure of the house utilizes modern materials, such as concrete,
blending the timeless aesthetic with contemporary construction techniques.
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Rayan Villa
This three-story villa is located in
the hillsides of the Karkas mountains
in central Iran and benefits from a
scenic view. Drawing inspiration from
the Iranian Koushk concept, where
the harmony between water and
architecture connects the inside and
outside spaces, this design beautifully
blends functionality with nature. It
is designed for hosting family and
friends gatherings, with a living room
and kitchen on the ground floor,
bedrooms and a home office on the
first floor, and recreational spaces
like a pool and workout room on the
underground level. The pool connects
the inside and outside spaces and the
architectural form is influenced by the
user’s needs, the site’s topography,
and local forms and materials found
in the Karkas mountains area (brick is
the main material used). To withstand
harsh temperature changes, the villa
has a fortress-like design with limited
openings, but still incorporates nature
through its terrace and backyard.
Location
Rayan, Isfahan, Iran
Year
2021
Site Area
1637 m2
Total floor area
578 m2
Building Height
3 Levels
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My responsibilities
collaboration in concept design
Schematic design
Software I used
SketchUp
AutoCad
Photoshop
Ground Floor Plan
First Floor Plan
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Embracing Iranian Koushk Inspiration
The concept of Koushk in Iranian architecture
beautifully merges indoor and outdoor spaces,
creating a harmonious connection with nature.
This design approach embraces the arid
environment of Iran, where bringing water inside
a semi-open structure has been a traditional way
to establish a profound link with nature.
Koush of Fin Garden in Kashan
Koushk of Hasht-Behesht in Isfahan
I took this photo during one of my trips to this amazing city.
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Damavand Villa
This villa is located in the southern
foothills of the Alborz mountains,
in a region with a mild climate. It
is designed for the needs of a large
family for holiday trips and features
a stainless steel structure with 3.60
meter spans and a galvanized sheet
steel roof. The walls are made of
insulated concrete blocks.
My responsibilities
collaboration in concept design
Schematic design
Software I used
SketchUp
AutoCad
Photoshop
Location
Damavand, Tehran, Iran
Year
2021
Site Area
1700 m2
Floor area
280 m2
Building Height
1 Level
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Badroud service area
This service area is located along
the Kasan-Isfahan freeway. The main
building, which resembles a traditional
caravansary, offers travelers a range
of amenities and services, including
restaurants, restrooms, prayer rooms,
bazaars, stores, and guest rooms
for short stays. The courtyard in the
center of the building features a water
pond and trees, creating a refreshing
environment in the otherwise arid
desert. The walls of the building are
mostly closed to the outside, but are
designed to be transparent towards
the courtyard, providing a view of the
lush greenery and water. The complex
also includes several service spaces
that are situated away from the main
building including a petrol station, car
repair shop, car wash, police station,
helipad, small emergency clinic, and a
place for vehicle drivers to rest.
My responsibilities
preliminary studies
concept design
schematic design
Software I used
Photoshop
SketchUp
AutoCad
Location
Badroud,Isfahan, Iran
Year
2019
Site Area
6500 m2
Floor area
3500 m2
Building Height
2 Levels
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Iranian traditional Caravansaray: A
Fortified Oasis in Arid Landscapes
In the vast and arid landscapes of Iran, a remarkable
architectural marvel emerges—the traditional
Caravansaray. These ancient structures served
as fortified oases along the historic trade routes,
offering security and shelter to weary travelers.
With their distinct design, Caravansarays created a
sanctuary amidst challenging environments.
While the traditional Caravansarays flourished
in bygone eras, their legacy continues to inspire
modern architecture and design. The principles
of security, shelter, and community found in
these ancient structures have transcended time,
influencing contemporary approaches to creating
safe and welcoming spaces.
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Memorial for anonymous
martyrs in Gorgan
The Tombs of the anonymous Martyrs
of Gorgan monument is ordered by
municipality of Gorgan to honor the
resistance of martyrs. The design
is a modern version of traditional
imamzadeh architecture with a circular
or octagonal cross-section and a spire
dome, commonly found in northern
provinces. The building consists of a
solid concrete core and has a semiclosed
space accessible from four
directions. The exposed concrete has
no decorations to convey a simple
and clean atmosphere.
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Location
Gorgan, Iran
Year
2018
Site Area
1000 m2
Floor area
215 m2
Building Height
1 Level
The concrete core is surrounded by a light wooden portico
covered with clay roofs, which are a characteristic of northern
Iranian architecture.
The four sides of the concrete core have wooden grids
designed with traditional geometry. The dome's canopies
and surrounding lattices control the light entering the space,
creating a bright and spiritual atmosphere around the graves
of the unknown martyrs.
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Monument for anonymous
martyrs in Khuzestan
The definition of this project in
Khuzestan province is similar to the
previous project in Gorgan, with
architecture inspired by Badgir
and guard towers in southern Iran.
However, it is built using modern
methods and materials.
Location
Khuzestan, Iran
Year
2018
Site Area
700 m2
Floor area
50 m2
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Kitchen renovation
As the lead designer and contractor
for a kitchen renovation project in
an old apartment, my responsibilities
were extensive and demanding. The
existing kitchen space was limited,
presenting challenges in terms of
accommodating all the necessary
elements. In order to address this, I
embarked on the development of a
simple yet contemporary design that
would maximize the use of the available
space. One innovative solution was to
create a small laundry in the corner
of the kitchen to house the washing
machine. This not only made better
use of the corner space, but also freed
up room for other elements within the
kitchen.
I used AutoCAD to develop detailed
plans for the construction of cabinets
made of MDF. The 3D visualization of
the plan was then presented to the
customer for approval. Throughout
the construction process, I closely
monitored the installation and
assembly of all parts, ensuring that
they met the highest standards of
quality and safety. The end result was
a modern, functional kitchen that
met the customer’s expectations and
exceeded their initial vision.
Bottom Right: Schematic plan of the space as designed.
The area was oddly shaped; which was challenging to
layout properly.
Top Left: State of the kitchen before renovation.
Top Middle: The 3d model I drew using
Sketchup 3d
Left: Kitchen Photo after renovation
Location
Tehran, Iran
Year
2019
Area
9 m2
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Software Proficiency
AutoCAD
Proficient user
Successful completion of numerous
academic and professional projects
Skilled in creating, editing and
managing technical drawings and 3D
models
Revit
Proficient user
Completion of two professional
projects
capable of using the architectural
Revit to create, edit, and manage
building information models
SketchUp
Professional user
Successful completion of many
professional projects
Expert in producing high-quality,
accurate and detailed 3D models
Photoshop
Proficient user with skills and
knowledge necessary to effectively
manipulate images and achieve
desired results
InDesign
Skilled user
Ability to create and design
professional-quality documents,
including brochures, posters, and
magazines
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Coffee Table in European
Beech
To ensure proper functionality, it’s important to only glue
the center tenon and leave the other two unglued.
Furniture plays a crucial role in defining
the architectural character of a space
and has always been a source of interest
for me. I developed a fascination for
furniture design, particularly wooden
furniture, and conducted extensive
research to understand the properties
and behavior of wood. In my studies, I
became familiar with various types of
wood joints used in woodworking.
Recently, I designed a table that
combines sturdiness with ease of
disassembly for flat storage. The
table features wedges that can be
quickly removed or installed, offering
remarkable strength. Additionally,
I utilized breadboard ends for the
table top, which is made from solid
wood. Breadboards offer excellent
durability, helping to prevent cupping
and twisting, while still allowing for
seasonal movement in a controlled
direction.
Parts as they are disassembled. A simple and repeatable
way is used to attach the top to the base that only
requires two bolts.
I chose a harder specie for the wedges to ensure they will last for
decades. Persian jujube wood, with the average Janka hardness
that equals ebony, seemed a suitable choice. With its reddish tint, it
compliments the beech beautifully.
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Dining Table in Fir and European
Beech
Brass parts attach the table top firmly to the legs while
allowing seasonal movements of the wood. The top is
chamfered all around for a lighter look.
In this design, instead of concealing
the connection between components,
through-tenons and bridles are used
to showcase the structure. This
creates a visually appealing aspect
to the design, highlighting the joinery
and making it a beautiful feature in its
own right.
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Photography
As a student, I developed a passion for
architectural photography during my
trips to explore Iranian architecture.
This interest later expanded to include
nature photography and portraiture. In
my photos, I place a strong emphasis
on natural light, carefully considering
its amount, color, and direction to
capture the mood and atmosphere of
a location or subject.
I took this photo at the Nasir-ol-molk Mosque in Shiraz,
and it perfectly captures the extraordinary quality of light
in this place. In the morning, when sunlight streams
through the vibrant windows, the entire space transforms
into a breathtaking celebration of light and colors. Being
there is a mesmerizing experience, as you can't help
but be captivated by the vibrant hues, intricate tiles, and
beautiful carpets that surround you.
One sunny afternoon in an old neighborhood of Isfahan,
I noticed a bicycle repair shop that was the only store
open at that time. I was immediately drawn to the sight
of two old bicycles and an elderly couple in the distance.
It caught my attention, so I took a photo to capture the
moment.
In this picture, you can see an old man coming out of
a funeral service at the Hakim Mosque in Isfahan. The
scene has a special mix of both life and death, with
sunlight and shadows playing together in the area. The
atmosphere is solemn and contemplative, making you
pause and think deeply.
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I frequently embark on journeys to
the enchanting villages nestled in the
northern region of Iran. Captivated by
the inherent charm of their architecture, I
am compelled to document the seamless
integration of these structures with
their natural surroundings. Through
my photographs, I aim to portray the
essence of simplicity and the delightful
ruggedness that characterizes the
everyday objects in these locales.
I was truly amazed by the abundance of ancient sites scattered throughout the streets of Rome. It felt like stepping
into a time tunnel, witnessing the blend of the past and present right before my eyes. During my stroll, I couldn't resist
capturing this photo, which beautifully showcases the iconic Roman trees framing the church of Santi Luca e Martina
as I walked down a street.
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Whenever I glance upward, I am
always fascinated by the enchanting
ceilings found in Iranian architecture.
It seems as though the designers
aimed to convey that there is even
more beauty when we shift our focus
from the ground to the sky. They
encourage us to explore a world of
breathtaking magnificence above us.
I have a strong passion for capturing the interplay
of light and darkness in my photography. It amplifies
my admiration for the significant influence of light,
particularly when contrasted with a shadow of a different
nature. This interplay also emphasizes the contrasting
qualities of openness and solidity, adding depth and
intrigue to my work.
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