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Zone Magazine Issue 037 Spring 2023

Well Folks, Lots of great things happening here at Zone HQ just for you lot, so keep coming back! Well its Spring 2023, we have a packed issue with all the regulars, and lots of interviews! We would just like to say RIP to our brother Pete Van Payne who passed away recently. He will be missed for his music, his radio show, work. an good soul! In our feature interviews in this issue we talk to cover superstar LEMON8. Harry Lemon aka LEMON8 has been at the forefront of dance music both as a DJ and producer, whilst producing a soundtrack of a generation at the same time. Model8 - his first ever produced track from 1993 - is now being recognized as a classic and landmark in Techno and dance music in general. The Inner Sanctuary Sessions double album, solely consisting of his original music and remixes is now recognized as a highlight in Progressive House Music with tracks like New York, New York and Lose Control just to name a few. The latter was even voted all-time best record on the iconic Bedrock label in 2020 by the fans by a landslide.

Well Folks, Lots of great things happening here at Zone HQ just for you lot, so keep coming back! Well its Spring 2023, we have a packed issue with all the regulars, and lots of interviews! We would just like to say RIP to our brother Pete Van Payne who passed away recently. He will be missed for his music, his radio show, work. an good soul!

In our feature interviews in this issue we talk to cover superstar LEMON8. Harry Lemon aka LEMON8 has been at the forefront of dance music both as a DJ and producer, whilst producing a soundtrack of a generation at the same time. Model8 - his first ever produced track from 1993 - is now being recognized as a classic and landmark in Techno and dance music in general. The Inner Sanctuary Sessions double album, solely consisting of his original music and remixes is now recognized as a highlight in Progressive House Music with tracks like New York, New York and Lose Control just to name a few. The latter was even voted all-time best record on the iconic Bedrock label in 2020 by the fans by a landslide.

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Digital / Vinyl or CD's and why?<br />

TH: For me, it’s digital…….you can just be so much<br />

more creative in the mix. I use a lot of loops and I like a 3 or<br />

4 deck setup. With digital, you can set the loops and the key<br />

points for them loops with precision, come back to them<br />

again later…. or use them as a precursor to the next mix,<br />

allowing the crowd to spot what’s coming and building up<br />

that anticipation.<br />

SP: I would have said digital for ease for storage<br />

and transportation but played a vinyl only set last weekend<br />

in London as most of that music (house originals from 90s<br />

and 00’s) was only available on vinyl. Without wanting to<br />

sound like a pretentious ass there really is something more<br />

tactile (and satisfying) about playing on vinyl.<br />

Sunny Spain or Lovely London?<br />

TH: If I had the choice, I would probably do what<br />

Stuart does and do both! Haha I miss the scene back in<br />

London, there is a lot more choice for house music back<br />

there but I am also proud of the little scene we are creating<br />

over here also<br />

SP: Ha, yeah I’m lucky enough to spend plenty of<br />

time in both, I love London in the summer but hate it in the<br />

winter (I think the weather exaberates all that’s bad about<br />

the place and makes it rough in those long winter months). I<br />

stay up in Alhaurin El Grande when I'm here so feels like<br />

going back in time a bit in a good way and so much more<br />

peaceful that London, and of course the weather is always<br />

better! But I'm firmly sitting on the fence on this one.<br />

Festivals, super clubs, small clubs or<br />

house parties, and why?<br />

TH: I would love to play more festivals, but for me<br />

the best parties are always a little more intimate, where you<br />

can see the whites of the eyes of the crowd at the<br />

front….and see their smiles light up when you get the next<br />

track “just right” or when they are losing themselves in a<br />

mix that you are creating. That’s where the special stuff<br />

happens. My favourites gigs are a little bigger though……. I<br />

like a room sizable enough to hold a decent crowd and a big,<br />

bad, banging sound system where you can hear every note<br />

of every track! Not so big that you can’t see the back of the<br />

room but big enough to get a real vibe going!!<br />

SP: Been lucky enough to play them all and they<br />

all have their merits and are all very different. Probably<br />

enjoy the superclub the least and the small venue the most<br />

as you are close to the crowd and the sound.<br />

If you were left on an island for the<br />

rest of your life alone, with a deck<br />

and some vinyl, what 5 tracks would<br />

you pick?<br />

Where do you see the future of<br />

Electronic music?<br />

TH: The festival scene is where everyone<br />

seems to be going these days and with that comes<br />

more of a tech vibe. The new melodic house/tech stuff<br />

is where the future seems to be right now and theres<br />

a lot of great stuff in that scene and I do play it, but<br />

I’m still soulful DJ at heart.<br />

Oldskool, neuskool or a bit of<br />

allskool?<br />

SP: Totally a mix of old and new and probably more<br />

genre blending at parties.<br />

TH: Yeah, a Mix of everything. The reality is that<br />

music is always going to keep evolving from old school<br />

roots and genres……the most famous, biggest selling<br />

tracks today, generally still have a nod to the past in<br />

them. I’m always excited to see what comes out week<br />

by week to be honest….. it all still excites me, as much<br />

as it did when I was I kid. The new melodic house/tech<br />

stuff for me is where the future seems to be right now.<br />

Theres a lot of great stuff in that scene, but I’m still soulful<br />

at heart, in what I look for.<br />

TH: Ohhhh, that’s tricky, something like 1. Les<br />

Nuits – Nightmares on Wax 2. Jill Scott – A Long Walk 3.<br />

Optimistic – Ann Nesby 4. Barely Breaking Even (Louis Vega<br />

remix) 5. Brahms – Requiem<br />

SP: Oooff .. 5 of 100 really. I’m gonna go with<br />

albums as I’d smash that deck having only 5 tracxks to listen<br />

to!<br />

TH: Yh, me too tbh!<br />

SP: Steve Wonder – Songs In The Key Of Life, Jill<br />

Scott – Who Is Jill Scott ?, Bob Marley and The Wailers-<br />

Catch A Fire, actually I better ad a couple of house 12’s for a<br />

late night dance round the campfire. Hercules and Love<br />

Affair – Blind ( Frankie Knuckles remix) and another classic<br />

from the godfather, Frankie Knuckles- Tears.<br />

TH: Shit. Stevie & Bob.......oh and De La Soul!<br />

Actually, I want to take albums. hahaha I’m taking Stakes is<br />

High for sure! And the James L’Estraunge Orchestra Album –<br />

Eventual Reality.

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