Zone Magazine Issue 037 Spring 2023

Well Folks, Lots of great things happening here at Zone HQ just for you lot, so keep coming back! Well its Spring 2023, we have a packed issue with all the regulars, and lots of interviews! We would just like to say RIP to our brother Pete Van Payne who passed away recently. He will be missed for his music, his radio show, work. an good soul! In our feature interviews in this issue we talk to cover superstar LEMON8. Harry Lemon aka LEMON8 has been at the forefront of dance music both as a DJ and producer, whilst producing a soundtrack of a generation at the same time. Model8 - his first ever produced track from 1993 - is now being recognized as a classic and landmark in Techno and dance music in general. The Inner Sanctuary Sessions double album, solely consisting of his original music and remixes is now recognized as a highlight in Progressive House Music with tracks like New York, New York and Lose Control just to name a few. The latter was even voted all-time best record on the iconic Bedrock label in 2020 by the fans by a landslide. Well Folks, Lots of great things happening here at Zone HQ just for you lot, so keep coming back! Well its Spring 2023, we have a packed issue with all the regulars, and lots of interviews! We would just like to say RIP to our brother Pete Van Payne who passed away recently. He will be missed for his music, his radio show, work. an good soul!

In our feature interviews in this issue we talk to cover superstar LEMON8. Harry Lemon aka LEMON8 has been at the forefront of dance music both as a DJ and producer, whilst producing a soundtrack of a generation at the same time. Model8 - his first ever produced track from 1993 - is now being recognized as a classic and landmark in Techno and dance music in general. The Inner Sanctuary Sessions double album, solely consisting of his original music and remixes is now recognized as a highlight in Progressive House Music with tracks like New York, New York and Lose Control just to name a few. The latter was even voted all-time best record on the iconic Bedrock label in 2020 by the fans by a landslide.

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What affect did lockdown have on you, good bad, or both. Did you learn anything from it, on a personal and pro level? At the start of the lockdowns, I only recently got out of a severe depression and was ready to tour again. So as that didn't happen I knew I didn't want to return to that darkness and did everything I could to stay positive. If anything, it made me feel stronger. I started live streaming that same month and that not only helped me, but other people too. It was the only entertainment at the time and kept it positive; no politics whatsoever and all I ever said was 'Stay sane'. People look back at it now as an emotional and yet happy experience. It gained me some real world connections, love and friendships. Before that, it was hard to find anything visual about me on the internet so many people got to see and hear me live for the first time or reconnected since a very long time. Especially here in Holland where I've been under the radar as I only did gigs abroad for 20 years. I'm playing in Holland now as much or more as I ever did. I'm very grateful for that as I'm not that much into flying these days. I read you had some struggles dealing with the pressure of the working artist. Tells about this if you can? I know from my own experience with mental heath, and talking and reading about others, it’s a hard thing to deal with when you need to DJ and perform. Being on stage is really my happy world. If anything it makes for even better performances and gigs, as you really give it your all. It's the big escape from whatever is bothering you. At least for me. Music gave me so much in life, but also took a lot from me. It seems to be a very commonplace thing. As if to sacrafice something of yourself. As an artist you have to deal with the ultimate highs and loneliness. So I go from total bliss to a lonely hotel room and it's very hard to share it with others. Even the people who are closest to you. To others it translates to either bragging or being overdramatic while it's non of these things. So you keep quiet. Dealing with success is another thing. Many are afraid of being succesful. Not failure, but being successful. I was too. It can get you into shock, into complacency, you come to a standstill. It becomes too big and even daunting. Hard to explain really. I guess most artists are the emotional kind of people. The most succesful ones are those that are more business minded and not always about self expression but they get depressed too one time or another. You mainly produce what would be called Progressive House, but you do have some techno, house, and trance releases. What is it about the Progressive House sound you prefere over the other styles? I've never attached any label to my music. I, myself, always just call it House Music. But back in the early 2000's all of a sudden you've had that non gimmicky sound and it happened to be named Progressive House. By non - gimmick I mean that, in the 90's, house music was very hook driven. my 1993 'Model8' had that and 'The Bells of Revolution' for example had that too. Next to that, the new wave of progressive house music encompassed all styles of house music which to that point have been very seperated into all kinds of styles. Prog brought all these elements together and that was the appeal for me. I no longer had to fit myself into a certain genre. I mean, as a DJ I played that way too so it made sense. It really brought back a sense of freedom. Back then Prog had elements of tribal, house, techno, trance, breaks... everything! Now Progressive House is nothing but another Beatport label. It was never a style but now it is. I fall asleep with much of it and with those that play it. It's one beat away from lounge muzak. No progression in arrangement, lazy loop productions and not dancefloor based as you can see the punters wiggle a bit but never get to that extacy level. Not all music of course; That what does get released and is really good is even better than back then. It really is. And the funny thing is that it's often labeled 'alternative' or 'Indie' rather than progressive. So it's basically back to where it started: Progressive, not conservative. " I was asked by Frisky Radio back in 2006 for an Artist Of The Week mix and soon after I was asked to do a monthly show. Since that time, Frisky grew exponentially to the big player that they are today. My 8- Track Mind show - or 8TM in short - has always been on the same time and date which is the 1st Thursday of the Month at 7PM GMT or 20:00 CET and that certainly helped to have over 1.2 million listens now in 2023 "

Digital, vinyl, or CD’s and why? All of it. I don't think that, as an artist, you should limit yourself. Why would anyone limit his or hers selfexpression? I never get these discussions. If you want to present your taste in music and share it with others, you know, that's what DJing is, then who gives a damn in what format that should be? Music has always been technology driven and you adapt. I mean, are you really an artist and have self expression as a goal or are you just a hobbyist looking for validation? Real artist don't talk about these trivial things. These are just tools in order to achieve a wanted outcome. The audience for one don't care. Just use whatever fits you best and what makes you feel the most comfortable. Where do you see the future of Electronic music? Until now It's always been evolving. Usually with the advancement of technology. But I do feel we've come to some sort of end of music producer related technology. A.I. however could change that and I think it will. We'll find out soon enough how that will play out. I often said I'd like to produce music by thinking it and that might well become reality. As always technological advancement can lead to good and bad things. In the end it's up to the talent and self expression of the artist. That said, the world is rapidly changing into a whole other world if it was up to those that are in control. And if they succeed in that and create that dystopian reality in which we'd be living in, those that create and enjoy the arts will have a different emotional value to experience. Creating and enjoying music and any other art is about self expression. Self expression is not high on the list of corporations, banks, NGO's and governments if at all. So all music, electronic dance music too, will reflect the times we live in. And like in the 1980's it can go to very, very dark to euphoric. Oldskool, neuskool or a bit of allskool? As I said; why limit yourself and create your own prison? Personally I like looking forward. Despite my criticism of prog nowadays, lots of great music is being released and love to play it. I always emphasize selfexpression, so you play what you feel. You surrender yourself to what you feel right there in that moment. So if you feel that great track from 2003 should be played right now that's what you are suppposed to do. Personality reflects your art though. 2. Andreas Vollenweider - White Winds 3. Keane - Under The iron Sea 4. Prefab Sprout - Steve McQueen 5. Prince - Sign O'The Times Tell us about new productions, and DJ gigs? At the moment I'm still remixing a lot and together with new original material that would eventually become the Inner Sanctuary Sessions part 2. Next to that I want to produce an album that shows another side of me and will be more song based. I've always wanted to do that but it just never happened. I still feel as if I've only ever made 10% of what I can really do. Or at least aim to do. I'm basically a frustrated Jazz musician that could at least have it's way with electronica and technology. Don't get me wrong though; the studio is my instrument. Not complaining. As far as gigs go: I take it as it comes. At the start of 2020 I thought the DJ thing would be over forever so I'm happy with any gig I can play. I play every one of them as if it's my last because, as we should know by now, it can be over and done with any day at any time. Two gigs I'm looking very much forward to: June 25, Luminosity at Zandvoort. It's mainly about trance and that's why I'm so grateful to play there second year in a row. It's just great to be appreciated across genres. July 1 with Jaydee at the Recycle Lounge, Amsterdam: Although I've known Jaydee for decades, ever since the lockdowns we've been playing together a lot and we somehow always create great magic. September 9: Elp, Holland. Hartstocht Festival is a great 2 day festival with prog as it's main genre but without emphasizing it. That's the way to go. Last words? Thank you first and foremost for asking me and your patience for finally having this done. Also to the fans; people who've been following me from the very start to the newcomers who've only just discovered me. I meet both at almost every gig and it's just wonderful. If you where left on an island for the rest of your life alone, with a deck and some vinyl, what 5 tracks would you pick? 1. Miles Davis - Kind Of Blue ESSENTIALDANCEMUSIC 33

What affect did lockdown have on<br />

you, good bad, or both. Did you<br />

learn anything from it, on a personal<br />

and pro level?<br />

At the start of the lockdowns, I only recently got<br />

out of a severe depression and was ready to tour again. So<br />

as that didn't happen I knew I didn't want to return to that<br />

darkness and did everything I could to stay positive. If<br />

anything, it made me feel stronger. I started live streaming<br />

that same month and that not only helped me, but other<br />

people too. It was the only entertainment at the time and<br />

kept it positive; no politics whatsoever and all I ever said<br />

was 'Stay sane'. People look back at it now as an emotional<br />

and yet happy experience. It gained me some real world<br />

connections, love and friendships. Before that, it was hard<br />

to find anything visual about me on the internet so many<br />

people got to see and hear me live for the first time or<br />

reconnected since a very long time. Especially here in<br />

Holland where I've been under the radar as I only did gigs<br />

abroad for 20 years. I'm playing in Holland now as much or<br />

more as I ever did. I'm very grateful for that as I'm not<br />

that much into flying these days.<br />

I read you had some struggles<br />

dealing with the pressure of the<br />

working artist. Tells about this if you<br />

can? I know from my own<br />

experience with mental heath, and<br />

talking and reading about others, it’s<br />

a hard thing to deal with when you<br />

need to DJ and perform.<br />

Being on stage is really my happy world. If<br />

anything it makes for even better performances and<br />

gigs, as you really give it your all. It's the big escape<br />

from whatever is bothering you. At least for me.<br />

Music gave me so much in life, but also took a lot from me.<br />

It seems to be a very commonplace thing. As if to sacrafice<br />

something of yourself. As an artist you have to deal with<br />

the ultimate highs and loneliness. So I go from total bliss to<br />

a lonely hotel room and it's very hard to share it with<br />

others. Even the people who are closest to you. To others it<br />

translates to either bragging or being overdramatic while<br />

it's non of these things. So you keep quiet. Dealing with<br />

success is another thing. Many are afraid of being<br />

succesful. Not failure, but being successful. I was too. It<br />

can get you into shock, into complacency, you come to a<br />

standstill. It becomes too big and even daunting. Hard to<br />

explain really. I guess most artists are the emotional kind<br />

of people. The most succesful ones are those that are more<br />

business minded and not always about self expression but<br />

they get depressed too one time or another.<br />

You mainly produce what would be<br />

called Progressive House, but you<br />

do have some techno, house, and<br />

trance releases. What is it about the<br />

Progressive House sound you<br />

prefere over the other styles?<br />

I've never attached any label to my music. I,<br />

myself, always just call it House Music. But back in the<br />

early 2000's all of a sudden you've had that non gimmicky<br />

sound and it happened to be named Progressive House. By<br />

non - gimmick I mean that, in the 90's, house music was<br />

very hook driven. my 1993 'Model8' had that and 'The Bells<br />

of Revolution' for example had that too. Next to that, the<br />

new wave of progressive house music encompassed all<br />

styles of house music which to that point have been very<br />

seperated into all kinds of styles. Prog brought all these<br />

elements together and that was the appeal for me. I no<br />

longer had to fit myself into a certain genre. I mean, as a<br />

DJ I played that way too so it made sense. It really brought<br />

back a sense of freedom. Back then Prog had elements of<br />

tribal, house, techno, trance, breaks... everything! Now<br />

Progressive House is nothing but another Beatport label. It<br />

was never a style but now it is. I fall asleep with much of it<br />

and with those that play it. It's one beat away from lounge<br />

muzak. No progression in arrangement, lazy loop<br />

productions and not dancefloor based as you can see the<br />

punters wiggle a bit but never get to that extacy level. Not<br />

all music of course; That what does get released and is<br />

really good is even better than back then. It really is. And<br />

the funny thing is that it's often labeled 'alternative' or<br />

'Indie' rather than progressive. So it's basically back to<br />

where it started: Progressive, not conservative.<br />

" I was asked by Frisky Radio back<br />

in 2006 for an Artist Of The Week<br />

mix and soon after I was asked to<br />

do a monthly show. Since that time,<br />

Frisky grew exponentially to the big<br />

player that they are today. My 8-<br />

Track Mind show - or 8TM in short -<br />

has always been on the same time<br />

and date which is the 1st Thursday<br />

of the Month at 7PM GMT or 20:00<br />

CET and that certainly helped to<br />

have over 1.2 million listens now in<br />

<strong>2023</strong> "

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