Tropicana May-June 2023 #148 The Passion Issue
Tropicana Magazine May-June 2023 #148 The Passion Issue
Tropicana Magazine May-June 2023 #148 The Passion Issue
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MAY/JUNE <strong>2023</strong> COVER STORY<br />
of 24 portraits of Malaysian wildlife. It was years in the<br />
making. <strong>The</strong> programme was designed to raise awareness<br />
of endangered species, support women within the<br />
creative sector, and promote sustainability. It was also<br />
created to promote Malaysia as a tourist destination<br />
via eco-tourism and wildlife. <strong>The</strong> response was<br />
mindblowing. <strong>The</strong> public were so interested in where<br />
to see orangutans, what a proboscis monkey is and of<br />
course the beautiful Malayan tapir.”<br />
<strong>The</strong> 30-something who has a BA in Illustration and<br />
Animation, and a Postgraduate Certificate in Education<br />
(“PGCE”), specialising in the arts in post-compulsory<br />
education enjoys both traditional and digital arts;<br />
each with its own advantages and challenges.<br />
To succeed as a digital artist, she notes that it’s essential<br />
to have a firm grasp of the basics of traditional art.<br />
“It's just not true that a computer or Photoshop can<br />
replace your artistic skills. I can spend more than 200<br />
hours on a single portrait and that’s not including the<br />
time spent photographing the animals and making<br />
rough sketches.”<br />
76<br />
<strong>The</strong>re are benefits and drawbacks to everything, and<br />
Rachel believes that as an artist one needs to figure<br />
out what works best for them and accept that it’s<br />
all right to experiment. You are not limited to the<br />
categories you choose.<br />
“Pros and cons come with everything, I think as an artist<br />
you need to find what works for you and learn that it’s<br />
okay to explore. You don’t have to put yourself in a box<br />
and then that’s it. Relax and give it a go, you never know<br />
where it might lead. Being an artist is very challenging<br />
regardless of if you’re a sculptor, traditional or digital<br />
artist. You’ve really got to put in the work and that’s<br />
difficult when you don’t know which the right avenue<br />
is to adventure down. <strong>The</strong>re is no career ladder, no set<br />
promotions, sick days or holiday pay. No assistants,<br />
distributors, social media managers, marketing teams or<br />
set work hours. It is a risky career, but I wouldn’t change<br />
it for the world!”