AUR LitPut III Spring 2023 - From Now To Then

"When I found out about my father’s diagnosis, my first impulse was to light up,” Nalu Gruschkus writes in the opening line of Abnormal Whites and Excessive Blues, her striking piece about her father’s cancer and her own addiction to smoking. In A Bit of Extra Fun, Delaida Rodriguez is having an unpleasant lunch at a restaurant with her boozy mother. Over a chicken sandwich she has barely touched, she peers into her mother’s jade eyes only to realize with dread that she is more like her than she would care to be. Sam Geida looks back in Friday Night Dinners to the glorious family get-togethers at his grandmother’s house – now it’s only a few of them around the same table, with paper plates and the flat blue and white cardboard boxes of Gino’s Pizzeria. The stories in last year’s issue of Lit/Pub were mostly about making sense of things as we emerged from our Covid isolation. The mood is more assertive this year. Isabela Alongi’s vibrant cover design brilliantly evokes a world in movement and young people going places. It is a thread we pick up again in Josephine Dlugosz’s delicate musings (Work of Art), and in the short fiction of Scott Cameron and Raegan Peluso (A Song for Mr Solomon and Two-Faced). The poetry section is especially strong with Gina Carlo’s compassionate trilogy about love and loss and Scott Cameron’s haunting poem about his return to the bleak post-Katrina wasteland. On the lighter side, Lit/Pub spoke to Professor Bruno Montefusco about campus fashion. In the new memoir section, D.P. gives us a tender account of a childhood road trip with her father to Arizona (Snow). And students are traveling again! Emily Chow takes us with her on her intrepid solo trip to Malta. Rome, May 2023 "When I found out about my father’s diagnosis, my first impulse was to light up,” Nalu Gruschkus writes in the opening line of Abnormal Whites and Excessive Blues, her striking piece about her father’s cancer and her own addiction to smoking. In A Bit of Extra Fun, Delaida Rodriguez is
having an unpleasant lunch at a restaurant with her boozy mother. Over a chicken sandwich she has barely touched, she peers into her mother’s jade eyes only to realize with dread that she is more like her than she would care to be. Sam Geida looks back in Friday Night Dinners to the glorious family get-togethers at his grandmother’s house – now it’s only a few of them around the same table, with paper plates and the flat blue and white cardboard boxes of Gino’s Pizzeria.

The stories in last year’s issue of Lit/Pub were mostly about making sense of things as we emerged from our Covid isolation. The mood is more assertive this year. Isabela Alongi’s vibrant cover design brilliantly evokes a world in movement and young people going places. It is a thread we pick up again in Josephine Dlugosz’s delicate musings (Work of Art), and in the short fiction of Scott Cameron and Raegan Peluso (A Song for Mr Solomon and Two-Faced).

The poetry section is especially strong with Gina Carlo’s compassionate trilogy about love and loss and Scott Cameron’s haunting poem about his return to the bleak post-Katrina wasteland. On the lighter side, Lit/Pub spoke to Professor Bruno Montefusco about campus fashion. In the new memoir section, D.P. gives us a tender account of a childhood road trip with her father to Arizona (Snow). And students are traveling again! Emily Chow takes us with her on her intrepid solo trip to Malta.

Rome, May 2023

11.05.2023 Views

Poetry II In the Wake By J. Scott Cameron The fog sits like a bed skirt this time of morning – grayish white pleats below a slow, pulsing illumination that hints at a place of respite. The sky is cast-iron. The sun, a pilot light prepared to propel to its crest and back again – perpetual – a Peaceful Projectile counterpoised until maybe half past six, when it erupts into presence and the fixed mist is mixed back into the heavy humidity ever present this far below sea level. Eventually, we wade through and reach for the truck’s door handles. A lottery ticket put us on this trip – a turn to inspect whatever Remains. 34

Poetry II We turn left out of the driveway, then right into a pensive, inchworm crawl. All that is left is Patience. Fifty thousand other winners for the day work their way along the stretch, bordered by blinking lights – a tarmac glittering in red-carpet delight. A runway for the hopefuls. Patriotic red-white-blue, Red-White-Blues… The occasional orange-yellow, Orange-Yellows fly by, flickering along the edges of our path, accompanied by a hum Behind, Aside, In front – Police Caravan, followed by Corps of Engineers Caravan, followed by News Station Caravan. 35

Poetry II<br />

We turn left out of the driveway,<br />

then right<br />

into a pensive, inchworm crawl.<br />

All that is left is<br />

Patience.<br />

Fifty thousand other winners for the day<br />

work their way<br />

along the stretch, bordered<br />

by blinking lights –<br />

a tarmac glittering in<br />

red-carpet delight.<br />

A runway for the hopefuls.<br />

Patriotic red-white-blue,<br />

Red-White-Blues…<br />

The occasional orange-yellow,<br />

Orange-Yellows<br />

fly by, flickering<br />

along the edges of our path,<br />

accompanied by a hum<br />

Behind,<br />

Aside,<br />

In front –<br />

Police Caravan,<br />

followed by<br />

Corps of Engineers Caravan,<br />

followed by<br />

News Station Caravan.<br />

35

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