Thesis Book - Seeds of Hope

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ADMINISTRATION PROGRAMLEISURE PROGRAMCULTURAL PROGRAMOFFICE PROGRAMSERVICE PROGRAMFig 44SECOND FLOOR PLAN1. Terrace2. Balcony3. Reserve Sample Room4. Sample Room5. VIP Room6. VIP Room7. VIP Room8. Machine Room9. Archives Room10. Meeting Room11. General Manager’sOffice12. Complex of Offices13. Office14. Meeting Room15. Male Toilet16. Famale ToiletSECTIONSFig 4590
The Project consists of a sales center of 1500smand a community skating rink of 400sm as a way to representand respond to the 2022 Winter Olympics in Beijing. Thebuilding spaces consist of exhibition areas, sample rooms,seating areas, catering, VIP lounge, staff offices, etc.The architecture connects with the landscape through thecirculation of the building. There is a continuous path that iswrapped around from the exterior to the interior of the building.The circulation connects programs of urban exhibition area, teabar, bar, kid’s area, and skating rink together. The ramp continuesto spiral up to the VIP room and the Mock-up exhibition area on thesecond floor. The spaces are also connected in the sections. Fromthe VIP room, the path goes on hovering on the rooftop terrace,where spectacular views of the scared Western Hills await.Fig 4691
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SEEDS OF HOPENARGES ABDUL AZIZ
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Approval of the Thesis Book for Fin
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PROJECT NAME SEEDS OF HOPELOCATION
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20103section 1Introduction PAGE 15
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1.0SECTION 1INTRODUCTION
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18KABUL, AFGHANISTANFig 2
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pANJSHIR, AFGHANISTANFig 320
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2.1 Afghan Identity and CulturEAfgh
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CULTURE: MUSICAfghan music comes in
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CULTURE: MUSICThe rise of westerniz
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CULTURE: foodFood is an integral pa
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32Fig 12
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Fig 14
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Fig 16HOSPITALITYOne thing that has
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2.2 The influence in Afghanistan’
Page 40 and 41: Each pattern woven in the carpet ha
Page 42 and 43: 42Fig 19
Page 44 and 45: Fig 20Bamiyan - Land of the Buddhas
Page 46 and 47: 2.3 Loss of Cultural HeritageMany A
Page 48 and 49: 2.4 Cultural Imprints After First T
Page 50 and 51: 50Fig 24
Page 52 and 53: Afghan Artists now have buried thei
Page 55 and 56: Loss of Woman’s Freedom3.0
Page 57 and 58: 3.1 Women’s Condition inthe 1900s
Page 59 and 60: CITADEL HERAT, AFGHANISTANFig 263.2
Page 61 and 62: FREEDOM FREEDOMFREEDOM FREEDOMFREED
Page 63: Fig 2863
Page 66 and 67: 4.1 Afghan Migration during Invasio
Page 68 and 69: 4.2 Afghanistan’s and UAEs Relati
Page 70 and 71: PANJSHIR, AFGHANISTANThe largest Af
Page 73 and 74: 5.0SECTION IICASE STUDIESCASE STUDI
Page 75 and 76: PROJECT DESCRIPTIONThe MECA cultura
Page 77 and 78: Fig 32WULIEPOCH CULTURAL CENTER
Page 79 and 80: SURROUNDING SCENERY ANALYSISFig 34S
Page 81 and 82: CONCEPTWuliEpoch Culture Center att
Page 83 and 84: VISIONThe complex pays a tribute to
Page 85 and 86: materials usedHABITO BOARD - CEILIN
Page 87 and 88: Fig 4087
Page 89: Fig 42FIRST FLOOR PLAN1. Entrance2.
Page 95 and 96: CIRCULATION DIAGRAMFig 50Fig 5195
Page 97 and 98: The project draws upon the inspirat
Page 101 and 102: SPACES FUNCTIONS AREA(m2)ADMINISTRA
Page 103 and 104: MÉCA CULTURAL CENTER 103
Page 105 and 106: Fig 61TO FORM A CONTINUOUS PROMENAD
Page 107 and 108: INHABITABLE LANDSCAPE AS THE EPICEN
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Page 111: CIRCULATION DIAGRAMCIRCULATION DIAG
Page 114 and 115: 5.3BUILDING TYPE CULTURE CENTER/GAR
Page 116 and 117: 5.3
Page 118 and 119: SITE SURROUNDING ANALYSISa. Shuttle
Page 120 and 121: JOURNEY TO THE SITE120Fig 77
Page 122 and 123: CONCEPTPortland Japanese Garden’s
Page 124 and 125: ACCESS TO THE SITEFig 81124
Page 126 and 127: entryFig 83126
Page 128 and 129: 128Fig 85
Page 130 and 131: 130Fig 87
Page 132 and 133: FIRST FLOOR PLANFig 891. Living Roo
Page 134 and 135: Fig 91FIRST FLOOR PLAN134
Page 136 and 137: Fig 93entry
Page 138 and 139: 138SECTION A-AFig 95
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Fig 96ISLAMIC140RELIGIOUS AND CULTU
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PROGRAMThe program center consists
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FACADE PATTERNThe carpet-like patte
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5.5CASE STUDIESCASE STUDIES OF CULT
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PROJECT DESCRIPTIONThe construction
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Fig 101BAMIYAN CULTURAL CENTER
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Fig 103SITE OF THE PROJECTThe proje
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VISIONThe design of the projectaims
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materials usedMODERN WALL - BRICK S
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APPROACHFig 108APPROACH TO THE SITE
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TOPOGRAPHYFig 110161
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ADMINISTRATION PROGRAMLEISURE PROGR
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CIRCULATIONThe circulation is divid
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STRUCTUREFig 118GRIDFig 119167
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5.6NAMENATIONAL MUSEUM OF AFGHANIST
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Orientation and inclination forsola
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MATERIALS USED FORSUSTAINABILITYA s
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SPACES FUNCTIONS 1. WULIEPOCH CULTU
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1806.2
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7.0SECTION IICONTEXT ANALYSIS
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The largest Afghan community outsid
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7.3ABU DHABI VS DUBAIAbu Dhabi and
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DUBAI189
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7.4ZONE SELECTIONCCULTURE DISTRICTe
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HeritageParkCommunityIntegritySpace
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CulturalIntegrationMixedUsePotentia
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GuuggenheimMuseumLouvreAbuDhabiZaye
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CommunitySchoolsAfghanCommunityComm
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CommunityIntegrationSitePotentialCo
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7.5PLOT SELECTIONMASS AND VOID203
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AREA - 17900 m2CHOSEN PLOT205
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ACCESS TO THE SITE207
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BUILDING HEIGHT209
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SUN AND WIND DIAGRAMWIND DIRECTIONW
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RELATIONSHIPMATRIXENTRANCELOBBYRECE
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2188.1KEYWORDS
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ARIEL VIEW8.3CONCEPT 1IMMERSEOpen P
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ARIEL VIEW8.4CONCEPT 2 SCATTERCreat
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ARIEL VIEW8.5CONCEPT 3 embedTwo sha
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BIBLIOGRAPHY“A Guide to Afghan Gr
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BIBLIOGRAPHYSagredo, Rayen. “Port
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IMAGE REFERENCEFigure 28Walla, Kath
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Thesis Book - Seeds of Hope

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