Thesis Book - Seeds of Hope
42Fig 19
The Afghan culture has been significantly impacted by theconstant war in the country up to a point where resilience andpolitics are now embedded traits in the culture. Therefore, thetopic of politics, warfare, and the Taliban can now be a verysensitive subject to the people as they have been linked to politicsand constant war their entire life. The Taliban had injected a newregime that severely affected the Literature, Art, and the overallhistory of Afghanistan. During this time, many refugees fled tonearby countries while very few rural citizens stayed back for thesole purpose of preserving their cultural values. It was importantfor them to maintain a good reputation among the foreigners anduphold their honor towards their home country. At this stage,however, artists, musicians, and writers found it very difficult tosurvive without showcasing their talent and voicing their opinionsusing their works of art. Even if they were allowed to, the workproduced by them during the conflict was about endless descriptionsof torture and destruction which is why the cultural identity ofthe country is always linked to its political affairs (Dupree).43
- Page 1: SEEDS OF HOPENARGES ABDUL AZIZ
- Page 5: Approval of the Thesis Book for Fin
- Page 8 and 9: PROJECT NAME SEEDS OF HOPELOCATION
- Page 10 and 11: 20103section 1Introduction PAGE 15
- Page 13: 1.0SECTION 1INTRODUCTION
- Page 16 and 17: 16
- Page 18 and 19: 18KABUL, AFGHANISTANFig 2
- Page 20 and 21: pANJSHIR, AFGHANISTANFig 320
- Page 22 and 23: 2.1 Afghan Identity and CulturEAfgh
- Page 24 and 25: CULTURE: MUSICAfghan music comes in
- Page 26 and 27: CULTURE: MUSICThe rise of westerniz
- Page 28 and 29: CULTURE: foodFood is an integral pa
- Page 30 and 31: 30
- Page 32 and 33: 32Fig 12
- Page 34 and 35: Fig 14
- Page 36 and 37: Fig 16HOSPITALITYOne thing that has
- Page 38 and 39: 2.2 The influence in Afghanistan’
- Page 40 and 41: Each pattern woven in the carpet ha
- Page 44 and 45: Fig 20Bamiyan - Land of the Buddhas
- Page 46 and 47: 2.3 Loss of Cultural HeritageMany A
- Page 48 and 49: 2.4 Cultural Imprints After First T
- Page 50 and 51: 50Fig 24
- Page 52 and 53: Afghan Artists now have buried thei
- Page 55 and 56: Loss of Woman’s Freedom3.0
- Page 57 and 58: 3.1 Women’s Condition inthe 1900s
- Page 59 and 60: CITADEL HERAT, AFGHANISTANFig 263.2
- Page 61 and 62: FREEDOM FREEDOMFREEDOM FREEDOMFREED
- Page 63: Fig 2863
- Page 66 and 67: 4.1 Afghan Migration during Invasio
- Page 68 and 69: 4.2 Afghanistan’s and UAEs Relati
- Page 70 and 71: PANJSHIR, AFGHANISTANThe largest Af
- Page 73 and 74: 5.0SECTION IICASE STUDIESCASE STUDI
- Page 75 and 76: PROJECT DESCRIPTIONThe MECA cultura
- Page 77 and 78: Fig 32WULIEPOCH CULTURAL CENTER
- Page 79 and 80: SURROUNDING SCENERY ANALYSISFig 34S
- Page 81 and 82: CONCEPTWuliEpoch Culture Center att
- Page 83 and 84: VISIONThe complex pays a tribute to
- Page 85 and 86: materials usedHABITO BOARD - CEILIN
- Page 87 and 88: Fig 4087
- Page 89 and 90: Fig 42FIRST FLOOR PLAN1. Entrance2.
- Page 91 and 92: The Project consists of a sales cen
The Afghan culture has been significantly impacted by the
constant war in the country up to a point where resilience and
politics are now embedded traits in the culture. Therefore, the
topic of politics, warfare, and the Taliban can now be a very
sensitive subject to the people as they have been linked to politics
and constant war their entire life. The Taliban had injected a new
regime that severely affected the Literature, Art, and the overall
history of Afghanistan. During this time, many refugees fled to
nearby countries while very few rural citizens stayed back for the
sole purpose of preserving their cultural values. It was important
for them to maintain a good reputation among the foreigners and
uphold their honor towards their home country. At this stage,
however, artists, musicians, and writers found it very difficult to
survive without showcasing their talent and voicing their opinions
using their works of art. Even if they were allowed to, the work
produced by them during the conflict was about endless descriptions
of torture and destruction which is why the cultural identity of
the country is always linked to its political affairs (Dupree).
43