- Page 1: SEEDS OF HOPENARGES ABDUL AZIZ
- Page 5: Approval of the Thesis Book for Fin
- Page 8 and 9: PROJECT NAME SEEDS OF HOPELOCATION
- Page 10 and 11: 20103section 1Introduction PAGE 15
- Page 13: 1.0SECTION 1INTRODUCTION
- Page 16 and 17: 16
- Page 18 and 19: 18KABUL, AFGHANISTANFig 2
- Page 20 and 21: pANJSHIR, AFGHANISTANFig 320
- Page 22 and 23: 2.1 Afghan Identity and CulturEAfgh
- Page 24 and 25: CULTURE: MUSICAfghan music comes in
- Page 26 and 27: CULTURE: MUSICThe rise of westerniz
- Page 28 and 29: CULTURE: foodFood is an integral pa
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- Page 32 and 33: 32Fig 12
- Page 34 and 35: Fig 14
- Page 38 and 39: 2.2 The influence in Afghanistan’
- Page 40 and 41: Each pattern woven in the carpet ha
- Page 42 and 43: 42Fig 19
- Page 44 and 45: Fig 20Bamiyan - Land of the Buddhas
- Page 46 and 47: 2.3 Loss of Cultural HeritageMany A
- Page 48 and 49: 2.4 Cultural Imprints After First T
- Page 50 and 51: 50Fig 24
- Page 52 and 53: Afghan Artists now have buried thei
- Page 55 and 56: Loss of Woman’s Freedom3.0
- Page 57 and 58: 3.1 Women’s Condition inthe 1900s
- Page 59 and 60: CITADEL HERAT, AFGHANISTANFig 263.2
- Page 61 and 62: FREEDOM FREEDOMFREEDOM FREEDOMFREED
- Page 63: Fig 2863
- Page 66 and 67: 4.1 Afghan Migration during Invasio
- Page 68 and 69: 4.2 Afghanistan’s and UAEs Relati
- Page 70 and 71: PANJSHIR, AFGHANISTANThe largest Af
- Page 73 and 74: 5.0SECTION IICASE STUDIESCASE STUDI
- Page 75 and 76: PROJECT DESCRIPTIONThe MECA cultura
- Page 77 and 78: Fig 32WULIEPOCH CULTURAL CENTER
- Page 79 and 80: SURROUNDING SCENERY ANALYSISFig 34S
- Page 81 and 82: CONCEPTWuliEpoch Culture Center att
- Page 83 and 84: VISIONThe complex pays a tribute to
- Page 85 and 86: materials usedHABITO BOARD - CEILIN
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Fig 4087
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Fig 42FIRST FLOOR PLAN1. Entrance2.
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The Project consists of a sales cen
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Fig 4793
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CIRCULATION DIAGRAMFig 50Fig 5195
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The project draws upon the inspirat
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Fig 5699
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SPACES FUNCTIONS AREA(m2)ADMINISTRA
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MÉCA CULTURAL CENTER 103
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Fig 61TO FORM A CONTINUOUS PROMENAD
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INHABITABLE LANDSCAPE AS THE EPICEN
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109
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CIRCULATION DIAGRAMCIRCULATION DIAG
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5.3BUILDING TYPE CULTURE CENTER/GAR
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5.3
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SITE SURROUNDING ANALYSISa. Shuttle
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JOURNEY TO THE SITE120Fig 77
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CONCEPTPortland Japanese Garden’s
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ACCESS TO THE SITEFig 81124
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entryFig 83126
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128Fig 85
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130Fig 87
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FIRST FLOOR PLANFig 891. Living Roo
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Fig 91FIRST FLOOR PLAN134
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Fig 93entry
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138SECTION A-AFig 95
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Fig 96ISLAMIC140RELIGIOUS AND CULTU
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PROGRAMThe program center consists
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FACADE PATTERNThe carpet-like patte
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5.5CASE STUDIESCASE STUDIES OF CULT
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PROJECT DESCRIPTIONThe construction
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Fig 101BAMIYAN CULTURAL CENTER
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Fig 103SITE OF THE PROJECTThe proje
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VISIONThe design of the projectaims
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materials usedMODERN WALL - BRICK S
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APPROACHFig 108APPROACH TO THE SITE
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TOPOGRAPHYFig 110161
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ADMINISTRATION PROGRAMLEISURE PROGR
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CIRCULATIONThe circulation is divid
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STRUCTUREFig 118GRIDFig 119167
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169
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5.6NAMENATIONAL MUSEUM OF AFGHANIST
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Orientation and inclination forsola
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MATERIALS USED FORSUSTAINABILITYA s
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SPACES FUNCTIONS 1. WULIEPOCH CULTU
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1806.2
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7.0SECTION IICONTEXT ANALYSIS
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The largest Afghan community outsid
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7.3ABU DHABI VS DUBAIAbu Dhabi and
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DUBAI189
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7.4ZONE SELECTIONCCULTURE DISTRICTe
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HeritageParkCommunityIntegritySpace
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CulturalIntegrationMixedUsePotentia
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GuuggenheimMuseumLouvreAbuDhabiZaye
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CommunitySchoolsAfghanCommunityComm
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CommunityIntegrationSitePotentialCo
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7.5PLOT SELECTIONMASS AND VOID203
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AREA - 17900 m2CHOSEN PLOT205
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ACCESS TO THE SITE207
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BUILDING HEIGHT209
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SUN AND WIND DIAGRAMWIND DIRECTIONW
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213
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RELATIONSHIPMATRIXENTRANCELOBBYRECE
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2188.1KEYWORDS
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ARIEL VIEW8.3CONCEPT 1IMMERSEOpen P
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ARIEL VIEW8.4CONCEPT 2 SCATTERCreat
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ARIEL VIEW8.5CONCEPT 3 embedTwo sha
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BIBLIOGRAPHY“A Guide to Afghan Gr
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BIBLIOGRAPHYSagredo, Rayen. “Port
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IMAGE REFERENCEFigure 28Walla, Kath