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SEEDS OF HOPENARGES ABDUL AZIZ
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Approval of the Thesis Book for Fin
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PROJECT NAME SEEDS OF HOPELOCATION
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20103section 1Introduction PAGE 15
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1.0SECTION 1INTRODUCTION
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16
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18KABUL, AFGHANISTANFig 2
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pANJSHIR, AFGHANISTANFig 320
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2.1 Afghan Identity and CulturEAfgh
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CULTURE: MUSICAfghan music comes in
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CULTURE: MUSICThe rise of westerniz
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CULTURE: foodFood is an integral pa
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30
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32Fig 12
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Fig 14
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Fig 16HOSPITALITYOne thing that has
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2.2 The influence in Afghanistan’
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Each pattern woven in the carpet ha
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42Fig 19
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Fig 20Bamiyan - Land of the Buddhas
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2.3 Loss of Cultural HeritageMany A
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2.4 Cultural Imprints After First T
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50Fig 24
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Afghan Artists now have buried thei
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Loss of Woman’s Freedom3.0
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3.1 Women’s Condition inthe 1900s
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CITADEL HERAT, AFGHANISTANFig 263.2
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FREEDOM FREEDOMFREEDOM FREEDOMFREED
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Fig 2863
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4.1 Afghan Migration during Invasio
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4.2 Afghanistan’s and UAEs Relati
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PANJSHIR, AFGHANISTANThe largest Af
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5.0SECTION IICASE STUDIESCASE STUDI
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PROJECT DESCRIPTIONThe MECA cultura
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Fig 32WULIEPOCH CULTURAL CENTER
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SURROUNDING SCENERY ANALYSISFig 34S
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CONCEPTWuliEpoch Culture Center att
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VISIONThe complex pays a tribute to
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materials usedHABITO BOARD - CEILIN
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Fig 4087
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Fig 42FIRST FLOOR PLAN1. Entrance2.
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The Project consists of a sales cen
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Fig 4793
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CIRCULATION DIAGRAMFig 50Fig 5195
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The project draws upon the inspirat
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Fig 5699
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SPACES FUNCTIONS AREA(m2)ADMINISTRA
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MÉCA CULTURAL CENTER 103
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Fig 61TO FORM A CONTINUOUS PROMENAD
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INHABITABLE LANDSCAPE AS THE EPICEN
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109
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CIRCULATION DIAGRAMCIRCULATION DIAG
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5.3BUILDING TYPE CULTURE CENTER/GAR
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5.3
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SITE SURROUNDING ANALYSISa. Shuttle
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JOURNEY TO THE SITE120Fig 77
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CONCEPTPortland Japanese Garden’s
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ACCESS TO THE SITEFig 81124
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entryFig 83126
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128Fig 85
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130Fig 87
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FIRST FLOOR PLANFig 891. Living Roo
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Fig 91FIRST FLOOR PLAN134
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Fig 93entry
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138SECTION A-AFig 95
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Fig 96ISLAMIC140RELIGIOUS AND CULTU
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PROGRAMThe program center consists
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- Page 155 and 156: VISIONThe design of the projectaims
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- Page 187 and 188: 7.3ABU DHABI VS DUBAIAbu Dhabi and
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- Page 220 and 221: ARIEL VIEW8.3CONCEPT 1IMMERSEOpen P
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- Page 228 and 229: BIBLIOGRAPHYSagredo, Rayen. “Port
- Page 230: IMAGE REFERENCEFigure 28Walla, Kath