Thesis Book - Seeds of Hope

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1847.1Choice OF LOCATIONWHY UAE ?The reason why the UAE is chosenfor this project’s location is that theUAE has the largest Afghan communityand ex-pat population. This serves asa chance for other nationalities toexplore Afghan culture and discoversimilarities. These issues make uswonder about the possible ways theAfghan community outside the countrycan help preserve its culturalheritage and ultimately connectwith other communities consideringthe afghan culture is a mix of manycultures in the middle east and Asia.I have also decided to choose a sitein the UAE for not only its populationbut also because of how many differentnationalities are located in thecountry because my project is to notonly preserve the cultural identity,and the heritage of Afghanistan butalso connect people of differentnationalities with similarities intheir culture and experience. Some ofthese countries include Iran, in termsof its architecture and celebrations,Tajikistan, Uzbekistan, in terms ofthe language, the South Asian andMiddle Eastern countries, in terms oftheir hospitality and food, and muchmore.
The largest Afghan community outside Afghanistanis located in the UAE. In 2012, it was reported around300,000 Afghans settled or residED in the UAE and thesenumbers are CONTINUOUSLY GROWING.185
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SEEDS OF HOPENARGES ABDUL AZIZ
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Approval of the Thesis Book for Fin
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PROJECT NAME SEEDS OF HOPELOCATION
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20103section 1Introduction PAGE 15
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1.0SECTION 1INTRODUCTION
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16
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18KABUL, AFGHANISTANFig 2
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pANJSHIR, AFGHANISTANFig 320
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2.1 Afghan Identity and CulturEAfgh
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CULTURE: MUSICAfghan music comes in
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CULTURE: MUSICThe rise of westerniz
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CULTURE: foodFood is an integral pa
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30
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32Fig 12
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Fig 14
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Fig 16HOSPITALITYOne thing that has
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2.2 The influence in Afghanistan’
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Each pattern woven in the carpet ha
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42Fig 19
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Fig 20Bamiyan - Land of the Buddhas
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2.3 Loss of Cultural HeritageMany A
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2.4 Cultural Imprints After First T
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50Fig 24
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Afghan Artists now have buried thei
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Loss of Woman’s Freedom3.0
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3.1 Women’s Condition inthe 1900s
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CITADEL HERAT, AFGHANISTANFig 263.2
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FREEDOM FREEDOMFREEDOM FREEDOMFREED
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Fig 2863
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4.1 Afghan Migration during Invasio
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4.2 Afghanistan’s and UAEs Relati
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PANJSHIR, AFGHANISTANThe largest Af
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5.0SECTION IICASE STUDIESCASE STUDI
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PROJECT DESCRIPTIONThe MECA cultura
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Fig 32WULIEPOCH CULTURAL CENTER
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SURROUNDING SCENERY ANALYSISFig 34S
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CONCEPTWuliEpoch Culture Center att
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VISIONThe complex pays a tribute to
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materials usedHABITO BOARD - CEILIN
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Fig 4087
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Fig 42FIRST FLOOR PLAN1. Entrance2.
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The Project consists of a sales cen
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Fig 4793
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CIRCULATION DIAGRAMFig 50Fig 5195
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The project draws upon the inspirat
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Fig 5699
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SPACES FUNCTIONS AREA(m2)ADMINISTRA
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MÉCA CULTURAL CENTER 103
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Fig 61TO FORM A CONTINUOUS PROMENAD
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INHABITABLE LANDSCAPE AS THE EPICEN
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CIRCULATION DIAGRAMCIRCULATION DIAG
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5.3BUILDING TYPE CULTURE CENTER/GAR
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5.3
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SITE SURROUNDING ANALYSISa. Shuttle
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JOURNEY TO THE SITE120Fig 77
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CONCEPTPortland Japanese Garden’s
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ACCESS TO THE SITEFig 81124
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entryFig 83126
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128Fig 85
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130Fig 87
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FIRST FLOOR PLANFig 891. Living Roo
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Page 136 and 137: Fig 93entry
Page 138 and 139: 138SECTION A-AFig 95
Page 140 and 141: Fig 96ISLAMIC140RELIGIOUS AND CULTU
Page 142 and 143: PROGRAMThe program center consists
Page 144 and 145: FACADE PATTERNThe carpet-like patte
Page 147 and 148: 5.5CASE STUDIESCASE STUDIES OF CULT
Page 149 and 150: PROJECT DESCRIPTIONThe construction
Page 151 and 152: Fig 101BAMIYAN CULTURAL CENTER
Page 153 and 154: Fig 103SITE OF THE PROJECTThe proje
Page 155 and 156: VISIONThe design of the projectaims
Page 157 and 158: materials usedMODERN WALL - BRICK S
Page 159 and 160: APPROACHFig 108APPROACH TO THE SITE
Page 161 and 162: TOPOGRAPHYFig 110161
Page 163 and 164: ADMINISTRATION PROGRAMLEISURE PROGR
Page 165 and 166: CIRCULATIONThe circulation is divid
Page 167 and 168: STRUCTUREFig 118GRIDFig 119167
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Page 171 and 172: 5.6NAMENATIONAL MUSEUM OF AFGHANIST
Page 173 and 174: Orientation and inclination forsola
Page 175: MATERIALS USED FORSUSTAINABILITYA s
Page 178 and 179: SPACES FUNCTIONS 1. WULIEPOCH CULTU
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Page 183: 7.0SECTION IICONTEXT ANALYSIS
Page 187 and 188: 7.3ABU DHABI VS DUBAIAbu Dhabi and
Page 189 and 190: DUBAI189
Page 191 and 192: 7.4ZONE SELECTIONCCULTURE DISTRICTe
Page 193 and 194: HeritageParkCommunityIntegritySpace
Page 195 and 196: CulturalIntegrationMixedUsePotentia
Page 197 and 198: GuuggenheimMuseumLouvreAbuDhabiZaye
Page 199 and 200: CommunitySchoolsAfghanCommunityComm
Page 201 and 202: CommunityIntegrationSitePotentialCo
Page 203 and 204: 7.5PLOT SELECTIONMASS AND VOID203
Page 205 and 206: AREA - 17900 m2CHOSEN PLOT205
Page 207 and 208: ACCESS TO THE SITE207
Page 209 and 210: BUILDING HEIGHT209
Page 211 and 212: SUN AND WIND DIAGRAMWIND DIRECTIONW
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Page 215: RELATIONSHIPMATRIXENTRANCELOBBYRECE
Page 218 and 219: 2188.1KEYWORDS
Page 220 and 221: ARIEL VIEW8.3CONCEPT 1IMMERSEOpen P
Page 222 and 223: ARIEL VIEW8.4CONCEPT 2 SCATTERCreat
Page 224 and 225: ARIEL VIEW8.5CONCEPT 3 embedTwo sha
Page 226 and 227: BIBLIOGRAPHY“A Guide to Afghan Gr
Page 228 and 229: BIBLIOGRAPHYSagredo, Rayen. “Port
Page 230: IMAGE REFERENCEFigure 28Walla, Kath
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Thesis Book - Seeds of Hope

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