Thesis Book - Seeds of Hope

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Fig 122‘ABSENT PRECENCE’ ‘PROTECTED REBIRTH’ HISTORY AND CULTURE GALLERIES CARVED FROMMONOLITHThe Timeless Cube embodies the strength,pride and traditions of the Afghan people,providing visitors with better understandingof the country. The new landmark will be astage for debate and reconciliation throughan educational program that creatively engagespeople of all ages in traditional and nontraditionallearning. The history, identityand traditions of its peoples will provide thebedrock for future generations to understandthe culture of their forefathers and a unity inthe region.VIP ACCESS AND CIRCULATIONPUBLIC ACCESS AND CIRCULATIONACCESS TO LOADING AND TECHNICAL172Fig 123
Orientation and inclination forsolar harvesting technology andrenewable energyCube dimensions representing thesymbolic significance of 7.8 inIslamic cultureDigitally controlledsunshades against solargainBuilding envelope withIslamic architecturaltypologies which acts aswater purifying mechanismfor the museumExposed concrete envelop forthermal mass and securityprotectionMain entrancethrough descendingstairsEntrance to high levelrestaurantEvent plaza and outdoortheatre for lectures andperformancesBiodiversity throughindigenous plants andnative grassesOutdoor plazawith barCool shaded areafor promenadesFig 124Water feature designedto refresh air duringsummer173
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SEEDS OF HOPENARGES ABDUL AZIZ
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Approval of the Thesis Book for Fin
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PROJECT NAME SEEDS OF HOPELOCATION
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20103section 1Introduction PAGE 15
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1.0SECTION 1INTRODUCTION
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16
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18KABUL, AFGHANISTANFig 2
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pANJSHIR, AFGHANISTANFig 320
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2.1 Afghan Identity and CulturEAfgh
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CULTURE: MUSICAfghan music comes in
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CULTURE: MUSICThe rise of westerniz
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CULTURE: foodFood is an integral pa
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30
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32Fig 12
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Fig 14
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Fig 16HOSPITALITYOne thing that has
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2.2 The influence in Afghanistan’
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Each pattern woven in the carpet ha
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42Fig 19
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Fig 20Bamiyan - Land of the Buddhas
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2.3 Loss of Cultural HeritageMany A
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2.4 Cultural Imprints After First T
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50Fig 24
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Afghan Artists now have buried thei
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Loss of Woman’s Freedom3.0
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3.1 Women’s Condition inthe 1900s
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CITADEL HERAT, AFGHANISTANFig 263.2
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FREEDOM FREEDOMFREEDOM FREEDOMFREED
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Fig 2863
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4.1 Afghan Migration during Invasio
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4.2 Afghanistan’s and UAEs Relati
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PANJSHIR, AFGHANISTANThe largest Af
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5.0SECTION IICASE STUDIESCASE STUDI
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PROJECT DESCRIPTIONThe MECA cultura
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Fig 32WULIEPOCH CULTURAL CENTER
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SURROUNDING SCENERY ANALYSISFig 34S
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CONCEPTWuliEpoch Culture Center att
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VISIONThe complex pays a tribute to
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materials usedHABITO BOARD - CEILIN
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Fig 4087
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Fig 42FIRST FLOOR PLAN1. Entrance2.
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The Project consists of a sales cen
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Fig 4793
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CIRCULATION DIAGRAMFig 50Fig 5195
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The project draws upon the inspirat
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Fig 5699
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SPACES FUNCTIONS AREA(m2)ADMINISTRA
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MÉCA CULTURAL CENTER 103
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Fig 61TO FORM A CONTINUOUS PROMENAD
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INHABITABLE LANDSCAPE AS THE EPICEN
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109
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CIRCULATION DIAGRAMCIRCULATION DIAG
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5.3BUILDING TYPE CULTURE CENTER/GAR
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5.3
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SITE SURROUNDING ANALYSISa. Shuttle
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JOURNEY TO THE SITE120Fig 77
Page 122 and 123: CONCEPTPortland Japanese Garden’s
Page 124 and 125: ACCESS TO THE SITEFig 81124
Page 126 and 127: entryFig 83126
Page 128 and 129: 128Fig 85
Page 130 and 131: 130Fig 87
Page 132 and 133: FIRST FLOOR PLANFig 891. Living Roo
Page 134 and 135: Fig 91FIRST FLOOR PLAN134
Page 136 and 137: Fig 93entry
Page 138 and 139: 138SECTION A-AFig 95
Page 140 and 141: Fig 96ISLAMIC140RELIGIOUS AND CULTU
Page 142 and 143: PROGRAMThe program center consists
Page 144 and 145: FACADE PATTERNThe carpet-like patte
Page 147 and 148: 5.5CASE STUDIESCASE STUDIES OF CULT
Page 149 and 150: PROJECT DESCRIPTIONThe construction
Page 151 and 152: Fig 101BAMIYAN CULTURAL CENTER
Page 153 and 154: Fig 103SITE OF THE PROJECTThe proje
Page 155 and 156: VISIONThe design of the projectaims
Page 157 and 158: materials usedMODERN WALL - BRICK S
Page 159 and 160: APPROACHFig 108APPROACH TO THE SITE
Page 161 and 162: TOPOGRAPHYFig 110161
Page 163 and 164: ADMINISTRATION PROGRAMLEISURE PROGR
Page 165 and 166: CIRCULATIONThe circulation is divid
Page 167 and 168: STRUCTUREFig 118GRIDFig 119167
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Page 171: 5.6NAMENATIONAL MUSEUM OF AFGHANIST
Page 175: MATERIALS USED FORSUSTAINABILITYA s
Page 178 and 179: SPACES FUNCTIONS 1. WULIEPOCH CULTU
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Page 183 and 184: 7.0SECTION IICONTEXT ANALYSIS
Page 185 and 186: The largest Afghan community outsid
Page 187 and 188: 7.3ABU DHABI VS DUBAIAbu Dhabi and
Page 189 and 190: DUBAI189
Page 191 and 192: 7.4ZONE SELECTIONCCULTURE DISTRICTe
Page 193 and 194: HeritageParkCommunityIntegritySpace
Page 195 and 196: CulturalIntegrationMixedUsePotentia
Page 197 and 198: GuuggenheimMuseumLouvreAbuDhabiZaye
Page 199 and 200: CommunitySchoolsAfghanCommunityComm
Page 201 and 202: CommunityIntegrationSitePotentialCo
Page 203 and 204: 7.5PLOT SELECTIONMASS AND VOID203
Page 205 and 206: AREA - 17900 m2CHOSEN PLOT205
Page 207 and 208: ACCESS TO THE SITE207
Page 209 and 210: BUILDING HEIGHT209
Page 211 and 212: SUN AND WIND DIAGRAMWIND DIRECTIONW
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Page 215: RELATIONSHIPMATRIXENTRANCELOBBYRECE
Page 218 and 219: 2188.1KEYWORDS
Page 220 and 221: ARIEL VIEW8.3CONCEPT 1IMMERSEOpen P
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ARIEL VIEW8.4CONCEPT 2 SCATTERCreat
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ARIEL VIEW8.5CONCEPT 3 embedTwo sha
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BIBLIOGRAPHY“A Guide to Afghan Gr
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BIBLIOGRAPHYSagredo, Rayen. “Port
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IMAGE REFERENCEFigure 28Walla, Kath
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Thesis Book - Seeds of Hope

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