Thesis Book - Seeds of Hope

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SITE SURROUNDING ANALYSISa. Shuttle Drop Offb. Chambana Terrace Gardenc. Tsuboniwa Gardend. Village Housee. Tateuchi Courtyard Plazaf. Garden Housei. Bonsai Terraceh. Umami Cafei. Stormwater Gardenj. Bridgek. Tanada Path & Stormwater Gardenl. Ticket Pavillionm. Tanabe Welcome CenterFig 75NAME PORTLAND JAPANESE CULTURAL VILLAGEARCHITECT KENGO KUMA & ASSOCIATESLOCATION PORTLAND, UNITED STATESYEAR 2017BUILDING TYPE CULTURE CENTER/GARDEN STUDIO118
SITE OF THE PROJECTThe project reinterprets the traditionalconcept of monzenmachi, or a city that growsaround the gate to a sacred place, wherein thepilgrimage pays homage to the spirit of nature.There are four buildings, each with its means ofmerging into the dramatic slopes of the terrain,in combination with the tall vertical lines ofthe Pacific Northwest conifers. The TicketingPavilion floats above stepped ponds, the Tea Caféhovers above the ravine, and the two main volumes– the Village House and the Garden House –, aresimply placed on the plaza.Fig 76119
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SEEDS OF HOPENARGES ABDUL AZIZ
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Approval of the Thesis Book for Fin
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PROJECT NAME SEEDS OF HOPELOCATION
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20103section 1Introduction PAGE 15
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1.0SECTION 1INTRODUCTION
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16
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18KABUL, AFGHANISTANFig 2
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pANJSHIR, AFGHANISTANFig 320
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2.1 Afghan Identity and CulturEAfgh
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CULTURE: MUSICAfghan music comes in
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CULTURE: MUSICThe rise of westerniz
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CULTURE: foodFood is an integral pa
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30
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32Fig 12
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Fig 14
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Fig 16HOSPITALITYOne thing that has
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2.2 The influence in Afghanistan’
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Each pattern woven in the carpet ha
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42Fig 19
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Fig 20Bamiyan - Land of the Buddhas
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2.3 Loss of Cultural HeritageMany A
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2.4 Cultural Imprints After First T
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50Fig 24
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Afghan Artists now have buried thei
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Loss of Woman’s Freedom3.0
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3.1 Women’s Condition inthe 1900s
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CITADEL HERAT, AFGHANISTANFig 263.2
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FREEDOM FREEDOMFREEDOM FREEDOMFREED
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Fig 2863
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4.1 Afghan Migration during Invasio
Page 68 and 69: 4.2 Afghanistan’s and UAEs Relati
Page 70 and 71: PANJSHIR, AFGHANISTANThe largest Af
Page 73 and 74: 5.0SECTION IICASE STUDIESCASE STUDI
Page 75 and 76: PROJECT DESCRIPTIONThe MECA cultura
Page 77 and 78: Fig 32WULIEPOCH CULTURAL CENTER
Page 79 and 80: SURROUNDING SCENERY ANALYSISFig 34S
Page 81 and 82: CONCEPTWuliEpoch Culture Center att
Page 83 and 84: VISIONThe complex pays a tribute to
Page 85 and 86: materials usedHABITO BOARD - CEILIN
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Page 89 and 90: Fig 42FIRST FLOOR PLAN1. Entrance2.
Page 91 and 92: The Project consists of a sales cen
Page 95 and 96: CIRCULATION DIAGRAMFig 50Fig 5195
Page 97 and 98: The project draws upon the inspirat
Page 101 and 102: SPACES FUNCTIONS AREA(m2)ADMINISTRA
Page 103 and 104: MÉCA CULTURAL CENTER 103
Page 105 and 106: Fig 61TO FORM A CONTINUOUS PROMENAD
Page 107 and 108: INHABITABLE LANDSCAPE AS THE EPICEN
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Page 111: CIRCULATION DIAGRAMCIRCULATION DIAG
Page 114 and 115: 5.3BUILDING TYPE CULTURE CENTER/GAR
Page 116 and 117: 5.3
Page 120 and 121: JOURNEY TO THE SITE120Fig 77
Page 122 and 123: CONCEPTPortland Japanese Garden’s
Page 124 and 125: ACCESS TO THE SITEFig 81124
Page 126 and 127: entryFig 83126
Page 128 and 129: 128Fig 85
Page 130 and 131: 130Fig 87
Page 132 and 133: FIRST FLOOR PLANFig 891. Living Roo
Page 134 and 135: Fig 91FIRST FLOOR PLAN134
Page 136 and 137: Fig 93entry
Page 138 and 139: 138SECTION A-AFig 95
Page 140 and 141: Fig 96ISLAMIC140RELIGIOUS AND CULTU
Page 142 and 143: PROGRAMThe program center consists
Page 144 and 145: FACADE PATTERNThe carpet-like patte
Page 147 and 148: 5.5CASE STUDIESCASE STUDIES OF CULT
Page 149 and 150: PROJECT DESCRIPTIONThe construction
Page 151 and 152: Fig 101BAMIYAN CULTURAL CENTER
Page 153 and 154: Fig 103SITE OF THE PROJECTThe proje
Page 155 and 156: VISIONThe design of the projectaims
Page 157 and 158: materials usedMODERN WALL - BRICK S
Page 159 and 160: APPROACHFig 108APPROACH TO THE SITE
Page 161 and 162: TOPOGRAPHYFig 110161
Page 163 and 164: ADMINISTRATION PROGRAMLEISURE PROGR
Page 165 and 166: CIRCULATIONThe circulation is divid
Page 167 and 168: STRUCTUREFig 118GRIDFig 119167
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5.6NAMENATIONAL MUSEUM OF AFGHANIST
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Orientation and inclination forsola
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MATERIALS USED FORSUSTAINABILITYA s
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SPACES FUNCTIONS 1. WULIEPOCH CULTU
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1806.2
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7.0SECTION IICONTEXT ANALYSIS
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The largest Afghan community outsid
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7.3ABU DHABI VS DUBAIAbu Dhabi and
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DUBAI189
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7.4ZONE SELECTIONCCULTURE DISTRICTe
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HeritageParkCommunityIntegritySpace
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CulturalIntegrationMixedUsePotentia
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GuuggenheimMuseumLouvreAbuDhabiZaye
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CommunitySchoolsAfghanCommunityComm
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CommunityIntegrationSitePotentialCo
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7.5PLOT SELECTIONMASS AND VOID203
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AREA - 17900 m2CHOSEN PLOT205
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ACCESS TO THE SITE207
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BUILDING HEIGHT209
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SUN AND WIND DIAGRAMWIND DIRECTIONW
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213
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RELATIONSHIPMATRIXENTRANCELOBBYRECE
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2188.1KEYWORDS
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ARIEL VIEW8.3CONCEPT 1IMMERSEOpen P
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ARIEL VIEW8.4CONCEPT 2 SCATTERCreat
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ARIEL VIEW8.5CONCEPT 3 embedTwo sha
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BIBLIOGRAPHY“A Guide to Afghan Gr
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BIBLIOGRAPHYSagredo, Rayen. “Port
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IMAGE REFERENCEFigure 28Walla, Kath
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Thesis Book - Seeds of Hope

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