Thesis Book - Seeds of Hope

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110Fig 69
CIRCULATION DIAGRAMCIRCULATION DIAGRAM-SHARED SPACESFig 70CIRCULATION DIAGRAM-OARAFig 72CIRCULATION DIAGRAM-ECLAFig 71CIRCULATION DIAGRAM-FRACFig 73111
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SEEDS OF HOPENARGES ABDUL AZIZ
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Approval of the Thesis Book for Fin
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PROJECT NAME SEEDS OF HOPELOCATION
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20103section 1Introduction PAGE 15
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1.0SECTION 1INTRODUCTION
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16
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18KABUL, AFGHANISTANFig 2
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pANJSHIR, AFGHANISTANFig 320
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2.1 Afghan Identity and CulturEAfgh
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CULTURE: MUSICAfghan music comes in
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CULTURE: MUSICThe rise of westerniz
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CULTURE: foodFood is an integral pa
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30
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32Fig 12
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Fig 14
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Fig 16HOSPITALITYOne thing that has
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2.2 The influence in Afghanistan’
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Each pattern woven in the carpet ha
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42Fig 19
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Fig 20Bamiyan - Land of the Buddhas
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2.3 Loss of Cultural HeritageMany A
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2.4 Cultural Imprints After First T
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50Fig 24
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Afghan Artists now have buried thei
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Loss of Woman’s Freedom3.0
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3.1 Women’s Condition inthe 1900s
Page 59 and 60: CITADEL HERAT, AFGHANISTANFig 263.2
Page 61 and 62: FREEDOM FREEDOMFREEDOM FREEDOMFREED
Page 63: Fig 2863
Page 66 and 67: 4.1 Afghan Migration during Invasio
Page 68 and 69: 4.2 Afghanistan’s and UAEs Relati
Page 70 and 71: PANJSHIR, AFGHANISTANThe largest Af
Page 73 and 74: 5.0SECTION IICASE STUDIESCASE STUDI
Page 75 and 76: PROJECT DESCRIPTIONThe MECA cultura
Page 77 and 78: Fig 32WULIEPOCH CULTURAL CENTER
Page 79 and 80: SURROUNDING SCENERY ANALYSISFig 34S
Page 81 and 82: CONCEPTWuliEpoch Culture Center att
Page 83 and 84: VISIONThe complex pays a tribute to
Page 85 and 86: materials usedHABITO BOARD - CEILIN
Page 87 and 88: Fig 4087
Page 89 and 90: Fig 42FIRST FLOOR PLAN1. Entrance2.
Page 91 and 92: The Project consists of a sales cen
Page 95 and 96: CIRCULATION DIAGRAMFig 50Fig 5195
Page 97 and 98: The project draws upon the inspirat
Page 101 and 102: SPACES FUNCTIONS AREA(m2)ADMINISTRA
Page 103 and 104: MÉCA CULTURAL CENTER 103
Page 105 and 106: Fig 61TO FORM A CONTINUOUS PROMENAD
Page 107 and 108: INHABITABLE LANDSCAPE AS THE EPICEN
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Page 114 and 115: 5.3BUILDING TYPE CULTURE CENTER/GAR
Page 116 and 117: 5.3
Page 118 and 119: SITE SURROUNDING ANALYSISa. Shuttle
Page 120 and 121: JOURNEY TO THE SITE120Fig 77
Page 122 and 123: CONCEPTPortland Japanese Garden’s
Page 124 and 125: ACCESS TO THE SITEFig 81124
Page 126 and 127: entryFig 83126
Page 128 and 129: 128Fig 85
Page 130 and 131: 130Fig 87
Page 132 and 133: FIRST FLOOR PLANFig 891. Living Roo
Page 134 and 135: Fig 91FIRST FLOOR PLAN134
Page 136 and 137: Fig 93entry
Page 138 and 139: 138SECTION A-AFig 95
Page 140 and 141: Fig 96ISLAMIC140RELIGIOUS AND CULTU
Page 142 and 143: PROGRAMThe program center consists
Page 144 and 145: FACADE PATTERNThe carpet-like patte
Page 147 and 148: 5.5CASE STUDIESCASE STUDIES OF CULT
Page 149 and 150: PROJECT DESCRIPTIONThe construction
Page 151 and 152: Fig 101BAMIYAN CULTURAL CENTER
Page 153 and 154: Fig 103SITE OF THE PROJECTThe proje
Page 155 and 156: VISIONThe design of the projectaims
Page 157 and 158: materials usedMODERN WALL - BRICK S
Page 159 and 160: APPROACHFig 108APPROACH TO THE SITE
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TOPOGRAPHYFig 110161
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ADMINISTRATION PROGRAMLEISURE PROGR
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CIRCULATIONThe circulation is divid
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STRUCTUREFig 118GRIDFig 119167
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169
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5.6NAMENATIONAL MUSEUM OF AFGHANIST
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Orientation and inclination forsola
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MATERIALS USED FORSUSTAINABILITYA s
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SPACES FUNCTIONS 1. WULIEPOCH CULTU
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1806.2
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7.0SECTION IICONTEXT ANALYSIS
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The largest Afghan community outsid
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7.3ABU DHABI VS DUBAIAbu Dhabi and
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DUBAI189
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7.4ZONE SELECTIONCCULTURE DISTRICTe
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HeritageParkCommunityIntegritySpace
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CulturalIntegrationMixedUsePotentia
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GuuggenheimMuseumLouvreAbuDhabiZaye
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CommunitySchoolsAfghanCommunityComm
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CommunityIntegrationSitePotentialCo
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7.5PLOT SELECTIONMASS AND VOID203
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AREA - 17900 m2CHOSEN PLOT205
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ACCESS TO THE SITE207
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BUILDING HEIGHT209
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SUN AND WIND DIAGRAMWIND DIRECTIONW
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213
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RELATIONSHIPMATRIXENTRANCELOBBYRECE
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2188.1KEYWORDS
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ARIEL VIEW8.3CONCEPT 1IMMERSEOpen P
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ARIEL VIEW8.4CONCEPT 2 SCATTERCreat
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ARIEL VIEW8.5CONCEPT 3 embedTwo sha
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BIBLIOGRAPHY“A Guide to Afghan Gr
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BIBLIOGRAPHYSagredo, Rayen. “Port
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IMAGE REFERENCEFigure 28Walla, Kath
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