Thesis Book - Seeds of Hope
20103section 1Introduction PAGE 15 -191.1 The Country of Afghanistan1.2 History that Led to the Loss of Culture andIdentityLoss of Afghan Culture PAGE 22 - 532.1 Afghan Identity and Culture2.2 The Influence in Afghanistan’s Culture2.3 Loss of Cultural Heritage2.4 Cultural Imprints After First Taliban Rule2.5 Present Issue Endangers Culture Once AgainLoss of Woman’s FreedoM PAGE 56 - 633.1 Women’s Condition in the 1900s3.2 Influence of Taliban on Women’s Freedom3.3 Development of Women’s equality and Education3.4 Present Issue Challenges Modern Education andFreedom for WomenRise of Afghan Community Outside Afghanistan PAGE 66 - 714.1 Afghan Migration during Invasion4.2 Afghanistans and UAEs Relation4.3 Home far From Home: Afghan Community in the UAE4.4 UAE: A SMALL WORLD
05section 1iCASE STUDY PAGE 74 - 1755.1 WULIEPOCH CULTURAL CENTER5.2 MECA CULTURAL CENTER5.3 PORTLAND JAPANESE CULTURAL VILLAGE5.4 ISLAMIC RELIGIOUS AND CULTURAL CENTER5.5 BAMIYAN CULTURAL CENTER5.6 NATIONAL MUSEUM OF AFGHANISTAN06PROGRAM DEVELOPMENT PAGE 178 -1816.1 PROPOSED DIAGRAM6.2 PROGRAM SPATIAL ORGANIZATION6.3 RELATIONSHIP MATRIX007CONTEXT ANALYSIS PAGE 184 - 2157.1 CHOICE OF LOCATION7.2 PROJECT GOAL7.3 ABU DHABI VS DUBAI7.4 ZONE SELECTION7.5 PLOT SELECTION7. 6 SPATIAL ANALYSIS SUMMARYsection 1iICONCEPT PROPOSAL PAGE 218 - 2258.1 KEYWORDS8.2 CONCEPT SYSTEMS8.3 CONCEPT 1 IMMERSE8.4 CONCEPT 2 SCATTER8.5 CONCEPT 3 EMBED
- Page 1: SEEDS OF HOPENARGES ABDUL AZIZ
- Page 5: Approval of the Thesis Book for Fin
- Page 8 and 9: PROJECT NAME SEEDS OF HOPELOCATION
- Page 13: 1.0SECTION 1INTRODUCTION
- Page 16 and 17: 16
- Page 18 and 19: 18KABUL, AFGHANISTANFig 2
- Page 20 and 21: pANJSHIR, AFGHANISTANFig 320
- Page 22 and 23: 2.1 Afghan Identity and CulturEAfgh
- Page 24 and 25: CULTURE: MUSICAfghan music comes in
- Page 26 and 27: CULTURE: MUSICThe rise of westerniz
- Page 28 and 29: CULTURE: foodFood is an integral pa
- Page 30 and 31: 30
- Page 32 and 33: 32Fig 12
- Page 34 and 35: Fig 14
- Page 36 and 37: Fig 16HOSPITALITYOne thing that has
- Page 38 and 39: 2.2 The influence in Afghanistan’
- Page 40 and 41: Each pattern woven in the carpet ha
- Page 42 and 43: 42Fig 19
- Page 44 and 45: Fig 20Bamiyan - Land of the Buddhas
- Page 46 and 47: 2.3 Loss of Cultural HeritageMany A
- Page 48 and 49: 2.4 Cultural Imprints After First T
- Page 50 and 51: 50Fig 24
- Page 52 and 53: Afghan Artists now have buried thei
- Page 55 and 56: Loss of Woman’s Freedom3.0
- Page 57 and 58: 3.1 Women’s Condition inthe 1900s
- Page 59 and 60: CITADEL HERAT, AFGHANISTANFig 263.2
05
section 1i
CASE STUDY PAGE 74 - 175
5.1 WULIEPOCH CULTURAL CENTER
5.2 MECA CULTURAL CENTER
5.3 PORTLAND JAPANESE CULTURAL VILLAGE
5.4 ISLAMIC RELIGIOUS AND CULTURAL CENTER
5.5 BAMIYAN CULTURAL CENTER
5.6 NATIONAL MUSEUM OF AFGHANISTAN
06
PROGRAM DEVELOPMENT PAGE 178 -181
6.1 PROPOSED DIAGRAM
6.2 PROGRAM SPATIAL ORGANIZATION
6.3 RELATIONSHIP MATRIX
0
07
CONTEXT ANALYSIS PAGE 184 - 215
7.1 CHOICE OF LOCATION
7.2 PROJECT GOAL
7.3 ABU DHABI VS DUBAI
7.4 ZONE SELECTION
7.5 PLOT SELECTION
7. 6 SPATIAL ANALYSIS SUMMARY
section 1iI
CONCEPT PROPOSAL PAGE 218 - 225
8.1 KEYWORDS
8.2 CONCEPT SYSTEMS
8.3 CONCEPT 1 IMMERSE
8.4 CONCEPT 2 SCATTER
8.5 CONCEPT 3 EMBED
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