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2023 04 29-30 Ragged Music Festival ENG - Website

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Programme notes<br />

the short and utterly unforgettable piece that<br />

opens the program is the most emblematic.<br />

Galina Ustvolskaya, an avant-garde Soviet<br />

composer, was a student of Shostakovich. But<br />

in this strange relationship, it was actually<br />

Shostakovich who saw himself as the student.<br />

He predicted that her work “will be valued<br />

by all who hold truth to be the essential<br />

element of music”. Nicknamed “the lady with<br />

a hammer”, she was a bizarre, uncomfortably<br />

uncompromising character, who sacrificed her<br />

professional life and ambitions to dedicate<br />

herself fully to her artistic principles. She was<br />

aware that her music would be disapproved of<br />

by the Soviet regime, and kept her artistic work<br />

largely private for decades. It is hard to say<br />

whether her oeuvre of 21 pieces is so sparse<br />

due to this or because she would destroy, or<br />

in her own words, “exterminate” any work that<br />

she ultimately didn’t find perfect. ‘There is no<br />

link whatsoever between my music and that<br />

of any other composer, living or dead’, claims<br />

Ustvolskaya in her typical austere manner. She<br />

also discouraged any analysis of her music.<br />

Indeed, it is pointless to try to explain the<br />

impact of her final Piano Sonata. Simply one<br />

of the most singular, astonishing works of art<br />

of any time, this is the music that seems to<br />

transcend its own medium.<br />

6

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