Waikato Business News March/April 2023
Waikato Business News has for a quarter of a century been the voice of the region’s business community, a business community with a very real commitment to innovation and an ethos of co-operation.
Waikato Business News has for a quarter of a century been the voice of the region’s business community, a business community with a very real commitment to innovation and an ethos of co-operation.
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34 WAIKATO BUSINESS NEWS, MARCH/APRIL <strong>2023</strong><br />
Wintec design graduate finds<br />
her niche working with clay<br />
A tutor introduced Bachelor of Design graduate Brogan Houghton to<br />
local business Mystery Creek Ceramics during her final year at Wintec.<br />
Now, thanks to that<br />
connection and her<br />
growing interest in<br />
clay, Houghton is employed<br />
there as a studio potter.<br />
“One workshop and I was<br />
hooked,” Brogan Houghton<br />
says after her first encounter<br />
with clay.<br />
The designer-turned-potter<br />
first attended a pottery wheel<br />
workshop with her brother<br />
which ignited a passion for the<br />
medium.<br />
But it didn’t all click<br />
into place immediately for<br />
Houghton. This Hamilton local<br />
had no idea what to do after<br />
finishing secondary school,<br />
she was good at math and<br />
focused on playing sports (she<br />
even represented New Zealand<br />
for Water Polo in Greece,)<br />
however, skilled as she was,<br />
she knew that was not her true<br />
calling.<br />
After school she worked at<br />
a pharmacy giving herself the<br />
time to ensure she was heading<br />
in the right direction for her<br />
future.<br />
“If I had gone into study<br />
straight after high school it<br />
would have been business or<br />
accounting,” Houghton says.<br />
She wasn’t “out-there<br />
creative at high school”, but<br />
she did study the arts and<br />
that inclination gave her the<br />
grounding to head in a creative<br />
direction.<br />
“I wanted to focus on design,<br />
I enjoy the digital side of design<br />
and I like the process,” she says,<br />
which is why she signed up for<br />
the Wintec Bachelor of Design<br />
(Visual Communication) in<br />
2018. Little did she know at<br />
the time that her three-year<br />
design degree would lead her to<br />
a career in pottery.<br />
A few of her assignments<br />
with open-ended briefs gave<br />
her enough free reign to bring<br />
her love of pottery into the<br />
process.<br />
“For one of my freelance<br />
projects, I developed a design<br />
brand for my pottery.”<br />
It was during a conversation<br />
with a tutor she learnt of<br />
an opportunity to work for<br />
Mystery Creek Ceramics, a<br />
<strong>Waikato</strong> ceramic business<br />
recently founded by Alex<br />
Wilkinson.<br />
“I started working for Alex<br />
when my degree came to an<br />
end. But I wasn’t completely<br />
new to clay, I’ve been working<br />
with clay and knew some of the<br />
processes,” she says.<br />
But of course, there was a<br />
steep learning curve to develop<br />
all the skills required of a<br />
studio potter.<br />
“On the job I’ve developed<br />
new skills in hand building,<br />
staining the clay, the process<br />
of Nerikomi, loading kilns and<br />
glazing - everything!”<br />
Houghton describes her<br />
work day as having a lot of<br />
production elements and a<br />
I do what I love<br />
and get paid for<br />
it. There’s not a<br />
lot of jobs to be<br />
employed as a<br />
maker like this.<br />
lot of repetition. The four-day<br />
week sees her doing many<br />
different jobs and her skills<br />
have gone from strength to<br />
strength.<br />
There’s a rising demand for<br />
handmade products, she says<br />
“I think people want<br />
something that’s a one-off.<br />
Unique. There are different<br />
markets for different pottery<br />
out there.”<br />
Houghton also teaches a<br />
class at the <strong>Waikato</strong> Society<br />
Brogan Houghton<br />
of Potters and has her own<br />
eponymous brand where she<br />
sells her unique pieces.<br />
She said that her design<br />
degree has proved to be<br />
essential.<br />
“It’s been so helpful<br />
because I have the skills and<br />
ability to do some of my own<br />
photography and then do all<br />
my own design and product<br />
design.”<br />
Te Pūkenga design team<br />
manager Julie Ashby says that<br />
an education in design can<br />
be a good base for students,<br />
providing them with skills<br />
that are transferable across<br />
disciplines.<br />
“The degree teaches<br />
students how to develop<br />
and refine an initial concept<br />
through to the development<br />
phase and into completion,<br />
this approach can be applied to<br />
many areas outside the purely<br />
visual communication field of<br />
work, turning design reality<br />
into 3d objects,” Ashby says.<br />
Houghton’s advice to<br />
students in their final year:<br />
“Do what you love and<br />
stick to it. Connect with people<br />
and keep your eyes open for<br />
opportunities,” she says.<br />
“Because sometimes your<br />
career direction isn’t as linear<br />
as you’d think.”<br />
Oceanography researcher recognised<br />
for making waves around the world<br />
With a sea captain for a grandfather and childhood summers spent around the<br />
sea, it’s no surprise that Professor Karin Bryan was drawn to studying the deep<br />
blue. A passion for maths and physics led the University of <strong>Waikato</strong> Professor<br />
to physical oceanography.<br />
Professor Bryan is one of the new Royal Society Te Apārangi Ngā Ahurei a Te Apārangi Fellows. She has<br />
been honoured for her research on estuarine processes, coastal morphodynamics, and climate-driven<br />
variability in waves, which has gained international recognition over a period of more than 20 years.<br />
“I like to think it is the most challenging because of the complexity of our coastline and the immediate<br />
impact on coastal communities, and in turn, our impact on coastal ecosystems.”<br />
Professor Bryan says climate change is a game changer for an already complex discipline.<br />
“It is really hard to provide useful information in such an uncertain environment. The focus was first on<br />
the slow onset hazard of sea level rise, but these massive events of the last few months are making it even<br />
harder to visualise the future. There is no time to perfect a theory or model anymore, we need to learn and<br />
improve really quickly to be able to help.”<br />
The recognition that comes with the Fellowship also comes with a reminder for Professor Bryan.<br />
“I think for my research it will remind me to focus on fewer but higher quality (and, most importantly,<br />
more useful) outcomes,” she says.<br />
It’s also a prompt to keep working with the next generation. As Dean of Te Mata Kairangi School of<br />
Graduate Research, Professor Bryan is committed to demonstrating the value of graduate study in creating<br />
useful knowledge for society.<br />
“This year I want to focus on helping students get real value out of their university experience. It sounds<br />
corny, but to show that universities still have a place in creating useful knowledge for societies.”<br />
Her world-leading work in the oceanography of the coastal ocean and recent announcement following the<br />
rigorous election process for Royal Society Fellows are testament to that value.<br />
Ngā Ahurei a Te Apārangi Fellows are recognised by the Royal Society Te Apārangi for their distinction in<br />
research and advancement of science, technology or the humanities. They are world leaders in their area of<br />
research and scholarship.