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Waikato Business News March/April 2023

Waikato Business News has for a quarter of a century been the voice of the region’s business community, a business community with a very real commitment to innovation and an ethos of co-operation.

Waikato Business News has for a quarter of a century been the voice of the region’s business community, a business community with a very real commitment to innovation and an ethos of co-operation.

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34 WAIKATO BUSINESS NEWS, MARCH/APRIL <strong>2023</strong><br />

Wintec design graduate finds<br />

her niche working with clay<br />

A tutor introduced Bachelor of Design graduate Brogan Houghton to<br />

local business Mystery Creek Ceramics during her final year at Wintec.<br />

Now, thanks to that<br />

connection and her<br />

growing interest in<br />

clay, Houghton is employed<br />

there as a studio potter.<br />

“One workshop and I was<br />

hooked,” Brogan Houghton<br />

says after her first encounter<br />

with clay.<br />

The designer-turned-potter<br />

first attended a pottery wheel<br />

workshop with her brother<br />

which ignited a passion for the<br />

medium.<br />

But it didn’t all click<br />

into place immediately for<br />

Houghton. This Hamilton local<br />

had no idea what to do after<br />

finishing secondary school,<br />

she was good at math and<br />

focused on playing sports (she<br />

even represented New Zealand<br />

for Water Polo in Greece,)<br />

however, skilled as she was,<br />

she knew that was not her true<br />

calling.<br />

After school she worked at<br />

a pharmacy giving herself the<br />

time to ensure she was heading<br />

in the right direction for her<br />

future.<br />

“If I had gone into study<br />

straight after high school it<br />

would have been business or<br />

accounting,” Houghton says.<br />

She wasn’t “out-there<br />

creative at high school”, but<br />

she did study the arts and<br />

that inclination gave her the<br />

grounding to head in a creative<br />

direction.<br />

“I wanted to focus on design,<br />

I enjoy the digital side of design<br />

and I like the process,” she says,<br />

which is why she signed up for<br />

the Wintec Bachelor of Design<br />

(Visual Communication) in<br />

2018. Little did she know at<br />

the time that her three-year<br />

design degree would lead her to<br />

a career in pottery.<br />

A few of her assignments<br />

with open-ended briefs gave<br />

her enough free reign to bring<br />

her love of pottery into the<br />

process.<br />

“For one of my freelance<br />

projects, I developed a design<br />

brand for my pottery.”<br />

It was during a conversation<br />

with a tutor she learnt of<br />

an opportunity to work for<br />

Mystery Creek Ceramics, a<br />

<strong>Waikato</strong> ceramic business<br />

recently founded by Alex<br />

Wilkinson.<br />

“I started working for Alex<br />

when my degree came to an<br />

end. But I wasn’t completely<br />

new to clay, I’ve been working<br />

with clay and knew some of the<br />

processes,” she says.<br />

But of course, there was a<br />

steep learning curve to develop<br />

all the skills required of a<br />

studio potter.<br />

“On the job I’ve developed<br />

new skills in hand building,<br />

staining the clay, the process<br />

of Nerikomi, loading kilns and<br />

glazing - everything!”<br />

Houghton describes her<br />

work day as having a lot of<br />

production elements and a<br />

I do what I love<br />

and get paid for<br />

it. There’s not a<br />

lot of jobs to be<br />

employed as a<br />

maker like this.<br />

lot of repetition. The four-day<br />

week sees her doing many<br />

different jobs and her skills<br />

have gone from strength to<br />

strength.<br />

There’s a rising demand for<br />

handmade products, she says<br />

“I think people want<br />

something that’s a one-off.<br />

Unique. There are different<br />

markets for different pottery<br />

out there.”<br />

Houghton also teaches a<br />

class at the <strong>Waikato</strong> Society<br />

Brogan Houghton<br />

of Potters and has her own<br />

eponymous brand where she<br />

sells her unique pieces.<br />

She said that her design<br />

degree has proved to be<br />

essential.<br />

“It’s been so helpful<br />

because I have the skills and<br />

ability to do some of my own<br />

photography and then do all<br />

my own design and product<br />

design.”<br />

Te Pūkenga design team<br />

manager Julie Ashby says that<br />

an education in design can<br />

be a good base for students,<br />

providing them with skills<br />

that are transferable across<br />

disciplines.<br />

“The degree teaches<br />

students how to develop<br />

and refine an initial concept<br />

through to the development<br />

phase and into completion,<br />

this approach can be applied to<br />

many areas outside the purely<br />

visual communication field of<br />

work, turning design reality<br />

into 3d objects,” Ashby says.<br />

Houghton’s advice to<br />

students in their final year:<br />

“Do what you love and<br />

stick to it. Connect with people<br />

and keep your eyes open for<br />

opportunities,” she says.<br />

“Because sometimes your<br />

career direction isn’t as linear<br />

as you’d think.”<br />

Oceanography researcher recognised<br />

for making waves around the world<br />

With a sea captain for a grandfather and childhood summers spent around the<br />

sea, it’s no surprise that Professor Karin Bryan was drawn to studying the deep<br />

blue. A passion for maths and physics led the University of <strong>Waikato</strong> Professor<br />

to physical oceanography.<br />

Professor Bryan is one of the new Royal Society Te Apārangi Ngā Ahurei a Te Apārangi Fellows. She has<br />

been honoured for her research on estuarine processes, coastal morphodynamics, and climate-driven<br />

variability in waves, which has gained international recognition over a period of more than 20 years.<br />

“I like to think it is the most challenging because of the complexity of our coastline and the immediate<br />

impact on coastal communities, and in turn, our impact on coastal ecosystems.”<br />

Professor Bryan says climate change is a game changer for an already complex discipline.<br />

“It is really hard to provide useful information in such an uncertain environment. The focus was first on<br />

the slow onset hazard of sea level rise, but these massive events of the last few months are making it even<br />

harder to visualise the future. There is no time to perfect a theory or model anymore, we need to learn and<br />

improve really quickly to be able to help.”<br />

The recognition that comes with the Fellowship also comes with a reminder for Professor Bryan.<br />

“I think for my research it will remind me to focus on fewer but higher quality (and, most importantly,<br />

more useful) outcomes,” she says.<br />

It’s also a prompt to keep working with the next generation. As Dean of Te Mata Kairangi School of<br />

Graduate Research, Professor Bryan is committed to demonstrating the value of graduate study in creating<br />

useful knowledge for society.<br />

“This year I want to focus on helping students get real value out of their university experience. It sounds<br />

corny, but to show that universities still have a place in creating useful knowledge for societies.”<br />

Her world-leading work in the oceanography of the coastal ocean and recent announcement following the<br />

rigorous election process for Royal Society Fellows are testament to that value.<br />

Ngā Ahurei a Te Apārangi Fellows are recognised by the Royal Society Te Apārangi for their distinction in<br />

research and advancement of science, technology or the humanities. They are world leaders in their area of<br />

research and scholarship.

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